Tag Archives: forest

Early Fall Color, McGee Canyon

Early Fall Color, McGee Canyon - Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California
Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California

Early Fall Color, McGee Canyon. Eastern Sierra Nevada, California. September 16 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California.

I’m going to use today’s post not only as the opportunity to share another daily photograph, but also to share some observations about the arrival of the fall aspen color season in the eastern Sierra Nevada range, where I spent a good part of the past week.

I made the photograph at the very end of a three-day backpack trip up into the McGee Creek drainage, where we settled in at a 10,000+” lake for a couple of nights to enjoy the late-season solitude. (Before starting the pack trip I had spent a couple of days in Tuolumne Meadows, and upcoming posts will concern that part of the trip.) McGee Canyon is an eastern Sierra “type” – a typical trailhead canyon that rises from the high desert, into forests, through increasing rugged and rocky country, and finally reaches the crest of the range at a pass. On this early afternoon we were fortunate to get a few clouds, moderating the intense sun and adding a bit of texture to the landscape. The photo was somewhat casual – still wearing my full pack, I shot hand-held.

About the onset of fall color… I have watched this transition carefully for a number of years. While I have learned a lot about how the process unfolds, I have also learned that many aspects of it defy precise prediction. Every September, those of us who chase eastern Sierra aspen color start to watch for signs that might provide clues about the nature of this season – the amount of snow during the previous winter, how late it remained before melting out, long-range weather forecasts, early color changes in many other plants that can show up even in late August, and more. But, truth be told, in the end every aspen season seems to hold surprises and defy out attempts to know in advance how it will play out. A season may start with early color up high, only to be interrupted by early storms. Or a season may start late and then move very quickly. Or poor early color in one part of the range may lower expectations… only to be followed by great low-elevation later on. Or there may be any number of other possible variations, too numerous to list.

All of this is my way of saying to take my observations with a suitable dose of salt. :-)

Several weeks ago I began to read the typical early September notes about “early color” here and there, especially in portions of the Rockies and some areas of the Southwest. I was intrigued, but not ready to believe it. I read and hear these reports of early color every season – and generally the correlation between what is written and what occurs in the actual event is weak.

This has been an odd summer season for me, for reasons I won’t go into here. As a result, I had not been to the Sierra since early July or so – a very large gap of time for me, since I rarely allow more that a couple of Sierra-free weeks to occur in the summer. I was not there at all during August – which is almost unheard of. I usually catch my first hint of oncoming autumn on one of those late-August visits. It is hard to put my finger on precisely what it is, but invariably (well, almost invariably, since it didn’t happen this year…) there will be a day when I sense “something” in the air that reminds me that summer will end very soon – whether it is a breeze, a quality of light, a change in the plants, I can never tell for sure. But I am sure when I experience it.

Soon there are more concrete signs. The golden-brown dried meadow areas start to expand, the wildflowers are harder to find, corn lily plants begin to turn golden-yellow, bilberry leaves turn dark red (and brilliant red when back-lit) and the leaves of willows near streams and lakes turn yellow. By mid-September all of this is typically underway, and at this point I start thinking about aspen color in earnest. Whether it is because we tend to go to different places to find our aspens or because we have experienced different seasonal variations, individuals will tell you to look for the aspen show to begin at somewhat varying times. I tend to look for real aspen color around the very beginning of October, and to expect a peak roughly a week into the month in the higher country. Except for watching for the odd tree with a branch full of yellow leaves, I don’t expect to seem much real color in September.

But… I just returned from a pack trip that was right in the middle of September… and I saw a significant amount of aspen color. As I drove over the Sierra crest on my way to the east side I was not expecting to see aspen color, and I did not see much. Despite the other sources of fall color, the aspens just east of Tioga Pass and down in Lee Vining Canyon were almost uniformly as green as I expected. When we arrived at our eastern Sierra trailhead, there were a few yellow leaves here and there, but nothing too out of the ordinary. However, a mile or two up the trail I was quite surprised to find large stands of aspens in which many trees were showing color – just a few leaves on some, but perhaps a quarter or a third of the tree in the most extreme cases. In my experience, this is unusually early – but at least a week and arguably perhaps a bit more. (Not all of the color in the photograph comes from aspens, by the way.)

What does this mean? I’m not sure. If I had a bit more time I would have investigated one or two other east-slope canyons to see what is going on elsewhere – it could be that this canyon is somehow out of sync with others. But I doubt it. All I’ll say is the following: Some aspen color is already beginning to appear in some areas of the eastern Sierra. While no one knows when the main show will arrive (or what it will look like), if I were making plans for a visit to the eastern Sierra to photograph aspen color, at this point I would lean toward going a little bit early rather than a little bit late. However, as always, realize that you cannot count on the timing or the quality of the display, and flexibility increases your odds of being there at a good moment.

More articles on Eastern Sierra aspen photography:

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Water, Beach and Bluffs, Mendocino

Blue Water, Beach and Bluffs, Mendocino - Beach and shoreline bluffs above the blue water of Mendocino Bay, California
Beach and shoreline bluffs above the blue water of Mendocino Bay, California

Blue Water, Beach and Bluffs, Mendocino. Mendocino, California. August 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Beach and shoreline bluffs above the blue water of Mendocino Bay, California.

This photograph was made on the beach along the shoreline of Mendocino Bay, beneath the tall bluffs that line the area. The land extends to the west and curves a bit to the south, allowing me to photograph back along the curving beach, toward the inlet of the river that drains into the bay and the forested hills beyond. The light was interesting – fog was coming in along the coast and was overhead at my camera position, but clear just inland of me. This created soft and somewhat gray light on the foreground water, but allowed the further hills and forest to be in the light. It also made the interesting reflection on the calm water more visible.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Plants, Granite, Morning Light

Plants, Granite, Morning Light - A few sparse plants grow in thin cracks in granite slabs, Yosemite National Park.
A few sparse plants grow in thin cracks in granite slabs, Yosemite National Park.

Plants, Granite, Morning Light. Yosemite National Park, California. August 12, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

A few sparse plants grow in thin cracks in granite slabs, Yosemite National Park.

Portions of the Sierra high country in Yosemite have been heavily glaciated. The evidence is widespread and familiar in all of its variations: domes, U-shaped canyons, remnant glacial ice-fields and a few vestigial glaciers, glacial erratics everywhere, a terrain crossed with the remains of lateral, medial, and terminal moraines. And it places, such as this area along Tioga Pass Road, there are huge expanses of granite slabs, sloping and rounded nearly solid rock broken by cracks and dikes and surrounded by the debris of gradual erosion.

Lots of things managed to live on and in these slabs. The tiniest cracks collect sand, then dust and gravel, and soon small plants spring up and even wildflowers. In some places – including the more distant ridge in this photograph – large trees manage to sustain themselves by growing entirely in these cracks. In this photograph I juxtaposed the nearby small plants crowing in a couple of shallow cracks with the receding sequence of rolling dome-like ridges with shattered rock and a few trees, some of which catch the early morning sun, with details softened by the (perhaps unusual, for landscape photography) use of a small aperture to minimize depth of field.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hills and Trees Near Limantour, Drakes Bay

Hills and Trees Near Limantour, Drakes Bay - Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.
Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Hills and Trees Near Limantour, Drakes Bay. Point Reyes National Seashore, California. August 18,2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Soft sun light on trees and hills above Limantour Beach, as fog bank hovers over Drakes Bay, Point Reyes National Seashore.

Limantour Beach sits along the inner curve of Drakes Bay at the Point Reyes National Seashore north of San Francisco, California, and the area is one of the best-known and most visited in the park. On certain days, the air is clear and the sun is bright and the beach can be warm, and the view includes not only the nearby wildlife and the surf, but the peninsula leading to the tip of Point Reyes and the coast stretching south towards the Marin Headlands and the Golden Gate. One of the first times I visited this place to make photographs it was one of those clear days, and I recall photographing the curve of the Bay leading to the right with the beach and some birds in the foreground. I’ve carried a mental images of how I would like to improve that photograph, and it was with that in mind that I went to Limantour this time.

The weather did not cooperate with that plan. After crossing the ridge between Tomales Bay and Limantour, I could see right away that there was going to be fog along the beach. The shoreline edge of the water still reflected blue sky in a few spots a bit to the south, but at Limantour the fog came a good distance inland from the beach. So as I drove down toward the end of the road, I started looking for some spot that would let me photograph the rounded, grass-covered hills and the bits of forest in sunlight, with the Bay and its fog in the distance. Finding a spot that included all of these things and which made some visual sense was not easy, but with a bit of back-tracking I finally found this spot and made a few exposures.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.