Tag Archives: giant

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Winter Storm Surf

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Winter Storm Surf
“Winter Storm Surf” — Giant winter storm waves crash ashore along the Northern California coast.

At one point while photographing the late-December winter storm surf along California’s coastline, I momentarily hit the light jackpot. While the far horizon was still dark and stormy, a break in the shoreline clouds cast bright sunlight on the surf crashing onto this beach. On a typical day the largest waves here would be more like the one at the bottom of the frame. On this day the biggest waves were huge and loud and sent spray far inland.

Many of us head straight to the coast when conditions like these arise. It is a spectacular thing and not to be missed. At the same time, authorities issue lots of warnings about the dangers. The dangers are real and you certainly want to keep your distance from the sea when it behaves like this. But with a degree of caution you can — and should! — safely watch the show.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

The Big Trees

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The Big Trees
Giant sequoias at Mariposa Grove, Yosemite National Park

The Big Trees. © Copyright 2022 G Dan Mitchell.

Giant sequoias at Mariposa Grove, Yosemite National Park

With the Washburn fire in the news, many of us have been thinking about that fire, the fact that the Mariposa Grove has been in its path, the recent destruction of a significant percentage of Southern Sierra sequoias, the role of fire in forest life, and the changes wrought by human-caused climate change. This grove, along with almost all Sierra forests, has a symbiotic relationship with periodic wildfires. A disruption of that cycle — either through complete suppression or the resultant hot and destructive fires that feed on too much undergrowth, enhanced by the changing climate — is dangerous to the long-term health of forests.

Figuring out how to feel about wildfires is complicated. If you were brought up on Smokey the Bear telling us that all fires are bad, it was a revelation to later learn that this isn’t the whole truth. More recently, as we were coming to terms with the idea that fire plays a role in forest health, Sierra fires have become more frequent, larger, and far more destructive. The duration of the fire season is expanding, and the forests are being so badly damaged that some seem to not be coming back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Wash and Alluvial Fan

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Wash and Alluvial Fan
Morning light on a giant alluvial fan at the base of a desert mountain wash.

Wash and Alluvial Fan. © Copyright 2022 G Dan Mitchell – all rights reserved.

Morning light on a giant alluvial fan at the base of a desert mountain wash.

The immense scale of the Death Valley landscape is one of its most impressive characteristics. I’ve written that it reminds me of places like The Yukon, where features stretch on over great distances, so large that it can be hard to make sense of them. One day I decided to go to a location at one extreme edge of the park. Starting roughly in the middle of the park, the trip took me close to two hours of driving, the last portion on a gravel road. I also contemplated visiting another location at the opposite end of the park — it would have been close to a 100 mile drive in the opposite direction, with more than 40 of it on gravel. Driving direct between these two points might have taken six hours and covered close to 150 miles. From many high places in this park you can look across many tens of miles, often so far that the landscape may simply disappear in the distant haze.

It isn’t just the travel distances that are huge — many of the features of the landscape are so large that they defy an accurate sense of scale. The gravel fan in this photograph, spilling out of a narrow canyon at the base of one of the parks large mountain ranges, is likely about ten miles from my camera position and probably at least 1000 feet above the valley floor. It would take a full day to walk there, with no trail to follow. I made the photograph as the first direct sunlight had worked its way down the face of the mountain range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Sierra Nevada

Talus And Reflecting Water

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Talus And Reflecting Water
Giant talus boulders above reflecting waters of an alpine lake

Talus And Reflecting Water. © Copyright 2018 G Dan Mitchell – all rights reserved.

Giant talus boulders above reflecting waters of an alpine lake

This is another in a series of photographs I made this past summer that feature raw talus fields (possibly with a lake at the base) in blue early morning or evening shade. For some reason this subject seemed to catch my attention this summer on our almost-annual week in the Sierra backcountry — perhaps because this time our base camp was at a high lake situated at the base of a gigantic field of talus descending from the ridge right above us, and because one of the higher lakes I visited several times also featured impressive talus fields.

This photograph comes from that upper lake, which I had hiked to late in the day in order to photograph a different subject before the last light left the shoreline. Having completed that work — and having lost the direct sun — I turned by attention to the far side of this lake, and inhospitable looking landscape of shattered and tumbled rocks and boulders at the base of a cliff at the edge of the lake. At this time of day, in this light, the colors shift strongly toward blue, since the scene is mostly illuminated by the open blue sky plus a bit of light reflected from nearby peaks. The scene evokes for me a whole series of associations and memories based on decades of travel in the high country — the hollow, clattering sound of foot travel on the loose rocks, the sensation of the rocks shifting beneath my feet, the cold air, and the near complete lack of vegetation other than a bit of lichen.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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