Tag Archives: haze

Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze
Forest And Meadow, Evening Haze

Forest And Meadow, Evening Haze. Eastern Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening haze settles on the Sierra Nevada above forest and meadow near Lee Vining Creek.

Atmospheric haze and I have a special relationship. ;-) While I love crystal clear alpine air, I’m far more fond of “interesting” atmospheric conditions that involve haze that may partially obscure certain details, accentuate distance contrasts between close and far objects, take on interesting colorations, and even glow when lit from behind. During this early August visit to the Sierra on both sides of Tioga Pass, I encountered some significant haze from a serious wildfire in the Mammoth Lakes area. One one hand, this complicated (or rendered nearly impossible!) certain types of “grand landscape” photographs since the constant brown, smoggy haze isn’t quite what we typically are looking for. However, to me this most certainly does not mean that photography and even landscape photography cannot be done. Not only can it be done, but these conditions can create possibilities that are difficult or impossible to find in more typical conditions. (However, in reality, wildfire smoke is “typical” in the Sierra and many other places during certain times of the year.)

There are a number of ways to use smoke and haze in photographs. In this case I found primary foreground subjects that were close enough that they were not obscured. The haze, however, quickly muted the contrast and color of parts of the scene that were even a short distance away on the other side of the valley. The dark, backlit forms of the near trees stand out against this muted background rather than disappearing into the complex patterns and textures of the more distant forest. The backlight had a few other beneficial effects. It intensifies the colors of the low plants growing beneath and between the trees. It creates a sort of highlighting effect on near and far trees, giving a bit more relief to their textures. And it adds a bit of a glow to that smoke and haze, to the point the further alpine slopes in the upper left show only the barest details.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Beach and Bluffs, Evening

Beach and Bluffs, Evening
Beach and Bluffs, Evening

Beach and Bluffs, Evening. Pacific Coast, California. August 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening light and fog along the Pacific coast north of Santa Cruz, California

On day two of my “return to California photography” we drove across the coastal mountains to the Pacific Coast Highway north of Santa Cruz, California looking for some combination of evening golden hour (or even blue hour, but that’s a different photograph) light, incoming coastal fog, beach, bluffs, and ocean. This area is, of course, pretty familiar to me at this point, so we hit a few of my favorites: a small beach on a side road where wind surfers congregate, a place where a creek comes down to the ocean from the coastal hills, a particular bluff where I know that gulls and pelicans will often fly past very close, another beach where the pelicans often stop to rest, and more.

This beach is at one of the low spots along this highway, which often alternates between climbing to the tops of the bluffs and descending to beaches at major river and creek valleys. On previous visits I have caught a glimpse of this particular angle of view, which only appears momentarily along a section of the road with no real turnouts. I have stopped before, admired the line of bluffs extending north along the coast, but mostly not managed to make a photograph that I like. So as we passed this spot again I looked again… and liked what I saw – soft, warm golden hour light gently lighting the atmosphere thick with moisture from the incoming fog and nicely shaped waves running up on the beach as those bluffs faded into the distant mist.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Devils Cornfield, Morning

Devils Cornfield, Morning
Devils Cornfield, Morning

Devils Cornfield, Morning. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light on Devils Cornfield and receding ridges, Death Valley National Park

I’m a fan of shooting in the very early morning – what photographer isn’t? – and of shooting directly into the brilliant light of the rising sun, especially when that light shines through an atmosphere containing haze or dust. These conditions appeal to me in a variety of ways. The inclusion of this haze emphasizes the effect of atmospheric recession, and sometimes the most distant elements of the scene can fade to near invisibility as the atmosphere lowers the color saturation and contrast of the scene. Shadows, especially if bit of detail can be retained, can produce dramatic contrasts, and light glancing across the edges of features such as plants can be intensely colorful.

This photograph includes features of a scene that is easily accessible but perhaps one that people don’t often spend much time considering, especially at this time of day. Most photographs of the area that I see are made in fairly normal daytime light or perhaps in the warm and clear light of the evening golden hour. Here I found a slightly elevated camera position and aimed across the tops of clumps of grasses, a small nearby hill, and a succession of higher and more distant ridges leading away toward the mountains along the east side of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.