Tag Archives: haze

Rocky Point, Sea Stacks

Rocky Point, Sea Stacks - Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

Rocky Point, Sea Stacks. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

This photograph was made along the Big Sur coastline roughly in the area between the Rocky Creek and Bixby Creek bridges, about as far south as we managed to get while wandering around before a 8:00 p.m. dinner reservation back in Monterey. (Hey, it was my birthday!) The Peninsula extending into the Pacific in the upper section of the frame could be any of probably hundreds of similar peninsulas where the steep hills of the Big Sur coast drop to meet the ocean – but this one happens to be Rocky Point. The foreground sea stack could be any of thousands (or tens of thousands? I see perhaps a dozen or more in this scene alone…) of similar features found almost anywhere you look along this coast.

The light was both interesting and challenging. In most cases, I would rather try to photograph this interesting, foggy atmosphere than shoot perfect blue-sky conditions. (The latter can occur, though not as often as photography might suggest! Fog is more common.) It was very late in the day, probably around 7:00 p.m, and the sun was low and mostly hidden behind the off-shore fog bank. Here and there the fog backed off a bit from the shoreline or thinned a bit, and slightly more light appeared. The sea stack was in one such spot, and around and beyond the point there is also a bit more light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Birds, Evening Fog, Rodeo Lagoon

Birds, Evening Fog, Rodeo Lagoon - Evening fog obscures the landscape of Rodeo Lagoon, Golden Gate National Recreation Area
Evening fog obscures the landscape of Rodeo Lagoon, Golden Gate National Recreation Area

Birds, Evening Fog, Rodeo Lagoon. Golden Gate National Recreation Area, California. August 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening fog obscures the landscape of Rodeo Lagoon, Golden Gate National Recreation Area.

There is a somewhat unlikely story behind this photograph, but a pleasant one. Earlier on this day I had been in downtown San Francisco, in the heart of one of the more urbanized (and not in the good sense of the word) areas of the town. The reason for my visit was a pleasant one, and I do like San Francisco a great deal, but it was a very urbanized experience. I planned that after my downtown event concluded I would go do some evening and perhaps night photography elsewhere within an hour or so radius of The City, since I needed to be back there at about 11:00 p.m. It was mostly sunny in San Francisco, though there were a few wispy fog clouds present, so I started driving more or less west to see what might turn up.

As happened the last time I tried this pattern earlier this summer, as I drove I ended up in more fog rather than less. I recalculated and, again, thought that I’d try to cross the Golden Gate Bridge and see if I could get above the incoming fog by climbing into the Marin Headlands. The fog on the bridge was very thick and it was quite windy. At the north end of the bridge I headed up the hill – there was tantalizing, glowing light somewhere out there in the fog that suggested some clearing to my west and south, but the road itself was completely socked in. Optimistically (or foolishly!) I continued on to the area near Point Bonita, but I could not get out of the fog. It was now getting very close to actual sunset – though I could only detect this by a general darkening of the murky gloom – and I figured I might as well drive down towards Rodeo Beach to see what was there. As I crossed the upper end of Rodeo Lagoon I looked to my left and saw this small group of birds congregating not far from the shore, and in the fading light I decided that it was going to be this shot or no shot at all. I pulled over, took out the camera with the prime lens that I had used earlier for street shooting still in place, attached camera to tripod, and walked over close to the edge of the water.

After all of this driving, I was suddenly conscious of the quiet of this place in the evening light. The thick fog was blowing rapidly up the lagoon from the beach and glowing in the backlight as the light was fading, and three fog horns producing the tones of a minor triad (!) were slowly and mournfully sounding as I made several exposures of this scene. I finished, the light became very dark, and I drove a bit further so that I could walk across the beach to stand at the edge of the surf in the wind and fog before leaving.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Home Bay, Drakes Estero

Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Three Towers, Morning

Three Towers, Morning
“Three Towers, Morning” — Three tufa towers in morning light, Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.