Tag Archives: high

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Point Sur, December Sky

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Point Sur, December Sky
High clouds, brilliant reflecting light on the water, and fog at Point Sur.

Point Sur, December Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

High clouds, brilliant reflecting light on the water, and fog at Point Sur.

There is a lot of “accepted wisdom” about photography that turns out to be not quite true when you stop and consider your actual picture-making experience..Yesterday I was having a conversation with a photographer friend (Hi, Charlie!) about various things, including the way that some photographs don’t quite make sense to us until we return to them long after making the original exposure. If one ideal is to pre-visualize the photograph perfectly (and I do believe in the value of pre-visualizing), then it would seem that being surprised months or years later to find that a forgotten image works is hard to explain. But it happens — quite a lot, actually. One of my ideas about this is that at first we are too invested in what we believe the photograph to be that we are unable to look beyond that and see what it actually is.

All of this is a long way of getting to a point about this photograph. When I first viewed it right after the day I visited the Big Sur coast, I had a hard time with certain aspects of the light and the color and, to a lesser extent, the way it was framed. Originally I settled on a black and white interpretation. (Yes, a neat way of copping out about the color issues!) Recently I went back and looked at it again, and this is the result. I ended up with a slightly different crop, some work to lighten portions of the scene, and some new thinking about color of clouds and sky and about how to handle the bright yet low contrast reflections on the water out near the horizon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature

Fiesta Flower

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Fiesta Flower
A high key rendition of a blue fiesta flower, Pholistoma auritum.

Fiesta Flower. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high key rendition of a blue fiesta flower, Pholistoma auritum.

This photograph comes from one of my spring wildflower rambles at a nearby park, a place I visit every year to celebrate the start of the season. It isn’t a national park. It is not a famous place. It isn’t even a well-known place in a little-known local park — but it is mine! Here the trail passes through a small, narrow valley where there is space for flowers that prefer the sun and those that thrive in shade.

I decided to interpret this subject a bit more liberally than sometimes, going for a high-key rendition. The question of what it means to interpret a subject via a photograph leads in all sorts of interesting and complicated places that I cannot possibly address in this paragraph. Suffice it to say that while photography carries the burden of the presumption of realism, photographs are anything but “reality,” and the question of whether or how to interpret what the camera captures has many possible answers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Stream and Peak

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Stream and Peak
A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Stream and Peak. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small subalpine stream descends from higher terrain among the peaks of hte Sierra crest.

Sometimes I manage to tweak some people a bit by saying, “All photographs lie.” I probably should explain. Too often there is an assumption that photographs are about showing the objective qualities of subjects, and that the best photographs simply convey the reality of these things. I think that is mistaken, and that photographs are literally incapable of being objective analogs of their subjects. Almost everything about a photograph is subjective. How did we choose to frame it? What did we choose to leave out? What time of day did we make it? What lens did we choose? Did we choose color or black and white? If there is a “truth” in a photograph it is the truth about the photographer’s subjective response to the subject. (This is a partial explanation of why two photographers who photograph the same subject usually end up with quite different photographs.)

Beyond that, there are many aspects of a subject that a photograph simply cannot contain. The sound of little mountain streams is central to my experience of places like this, but it is not found in a photograph. A photograph cannot capture the breeze or the slight chill of the shade in high mountains. The knowledge of what lies between this small stream and the lake at the base of those peaks isn’t found here. How I came to find myself at this place is not known to the viewer. Where is this place, and does that even matter?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpine Lake Shoreline

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Alpine Lake Shoreline
Morning light on shoreline terrain at a backcountry Yosemite lake.

Alpine Lake Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on shoreline terrain at a backcountry Yosemite lake.

Today I continue the retrospective reminiscence, looking at a few older photographs made more than a decade ago at a favorite Yosemite backcountry location. By the time I made the photographs in this series, I had probably been visiting this place virtually every year for over two decades. Perhaps because it is the sort of place where you can get to high elevations pretty quickly, it drew me back again and again. Over time I became very familiar with the lake and its surroundings, to the extent that it became a sort of backcountry home away from home.

I would typically camp here in an area sheltered by trees and equipped with glacial rocks apparently designed with excellent sitting and cooking opportunities in mind. Over the years I tended to go later and later in the season, often making this the last trip of a season after the summer crowds had departed. While there are lots of photographic opportunities in the surrounding alpine meadows and ridges, I often simply got up and wandered around the lake in the early morning light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.