Tag Archives: highlands

Holding an Artifact

Holding an Artifact
Holding an Artifact

Holding an Artifact. Wildcat Hill, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Holding a Brett Weston negative — “Brooklyn Bridge, New York, 1946”

During our visit to the Weston Home at Wildcat Hill in late September, Kim Weston shared a wide range of photographs and photographic objects , and accompanying stories, with us in his studio. (That’s him at the lower right of the frame.) He shared and talked about work by many of the Westons, from Edward Weston to himself. He even passed around various photographs and objects for closer inspection, including this negative of a very important Brett Weston photograph, “Brooklyn Bridge, New York, 1946.”

And — no surprise! — he has a lot of stories to tell. If I have this one correct, it goes sort of this way. Brett Weston’s photographs are very much about the print and the initial image in the negative served as source material for the final interpretation. That interpretation was the thing — not the negative. As I understand it, he wanted the prints, not the negatives, to remain as his legacy, and he had announced that we was going to destroy the negatives for many great photographs. He discussed this with Edward (?) Weston, who did not feel the same way about limiting editions and who apparently convinced Brett to let him pick a few negatives to save. Brett agreed, Edward chose, Brett went and brought back the selected negatives… which he had defaced with a hole punch. (You can see the holes near the four corners of this negative.)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Edward Weston Darkroom

Edward Weston Darkroom
Edward Weston Darkroom

Edward Weston Darkroom. Carmel Highlands, California. September 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

In late September I had the opportunity to join a group of photographers visiting the Wildcat Hill Weston home in the Carmel Highlands area of the California Coast. The Weston family, members of which still live and work here, trace their family history at this place back to the great photographer, Edward Weston. The main house is maintained in much the state it would have been in quite a while ago, and there are wonderful archival objects — photographs, art, objects, this darkroom, etc — everywhere. This small darkroom, designed for contact printing, is a small space off the main room of the building. Not only does it have fascinating historical interest for photographers, but it is also remarkable to see the modest and personal space in which so much Weston photography was realized.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cove and Wave

Cove and Wave
Cove and Wave

Cove and Wave. Point Lobos State Reserve, California April 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A wave washes into a small cove and onto a pebble beach along California’s coastline south of Monterey

I went down to the Monterey, Carmel, and upper Big Sur coast on what seemed like the first warm-season day of the year. I have probably mentioned before that I prefer the off-season for photography – that time of year when there are storms, giant waves, clouds, rain, cold, and all sorts of interesting conditions. As odd as it may sound, I tend to almost stay away from the coast when the weather becomes too nice! (Of course, there is always fog. And in the summer along the Pacific coast, I do mean “always.”) At the first place I stopped to photograph I was feeling a bit of the letdown from the beautiful morning… but as I got out of my car and stood there in shirt-sleeve weather, warm and no wind, and looked out over the slightly misty coastline I started to feel a bit better about warm weather. :-)

A bit later I headed back toward Point Lobos, where I found a bit more surf than I might have expected, and the high tide had brought the water in close to the shoreline. Here I set up right at the edge of a low bluff above this pebble-filled beach, put a wide-angle lens on the camera, and made some photographs of the near-perfect curve of the waves entering the cove and washing up onto the beach, with sea stacks further down the coast line.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Dusk, Carmel Highlands Near Yankee Point

Winter Dusk, Carmel Highlands Near Yankee Point
Winter Dusk, Carmel Highlands Near Yankee Point

Winter Dusk, Carmel Highlands Near Yankee Point. Carmel Highlands, California. January 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Winter dusk light and clouds over the Pacific Ocean at Carmel Highlands near Yankee Point, Pacific Coast Highway, California.

This is the companion image to the black and white photograph I posted yesterday, Before I made the exposures that I used to create that black and white landscape-orientation image, I first made a quick series of bracketed exposures in portrait mode. As I photographed, I knew that the dynamic range was going to be too large for a singe exposure so I quickly made a series of four exposures, from which I selected two that have blended to produce this image.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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