I have long been a sucker for backlight. I’m attracted to the glow of light coming straight at me, and I’m intrigued by the dark shadowed sides of objects and by the beams of light that lead toward the camera. Put a forest full of trees in front of me in that light and I cannot resist.
Continue reading Evening Forest and Hill
After six weeks of travel, almost two weeks of it in beautiful Scotland, some location memories begin to blur together. I cannot say precisely where I made this photograph. It was on the day we left Skye and made our way north to Ullapool. My recollection is that we had perhaps passed through some rain at a high point on the route, and we came to this peak and its foreground hill as the weather was beginning to clear, allowing a bit of sunlight into the scene. (It is hard to identify these Scottish peaks after returning back to the US, but this one may be Spidean Coire nan Clach.)
Continue reading Snow-dusted Highlands Peak
This is, in several ways, kind of an odd Death Valley photograph. The fine-grained gravel covering the slopes and hills here are not widespread in the park — in most places the ground tends to be lighter in color. On the other hand, the curving shapes and runoff erosion channels are seen elsewhere, as are the plants. (If you look very closely, you will see not only the larger green plants but lots of small wildflower shoots just emerging.)
Continue reading Eroded HIlls
I made this photograph close to the conclusion of early morning photography in Trogir, Croatia. We arrived in the old town on the island before sunrise and photographed the nearly deserted narrow, cobblestone streets, the architecture, and a few people who were out early, getting the town ready for the coming onslaught of visitors. As we finished — and before stoping for coffee nearby — we emerged on this side of the island, facing the channel between it and the part of the town across the water.
It was a really lovely morning. The warm sunlight was muted a bit as clouds appeared and a large thunderstorm appeared to develop over the city of Split, down the coast. Here we just had the over-spill from that mighty cloud — just enough to make the sky more interesting and to soften the light a bit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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