Tag Archives: landscape

Reader Question: One Lens for Landscape and Wildflowers on Hikes?

From time to time blog readers email me questions about photography subjects. When possible I like to answer them here so that I can share the answer with others who might be interested. Here is a recent question:

“If you were going on a hike to capture landscape and wildflowers, and you could only take one lens, which one and why?”

In some ways that is  a very simple question, but it other ways the answer can be quite involved. Since the question did begin with, “If you were…”, let me start out by literally saying a bit about my own photography – but reminding readers that my approach is individual and idiosyncratic and may not match up with your preferences at all.

If the goal was to cover as much ground as possible in a single lens, and accept some photographic limitations in exchange for carrying less gear, with my Canon full-frame DSLR system I would most likely use my Canon EF 24-105mm f/4 L. On full-frame, the 24mm focal length covers a pretty decent wide angle range, and 105mm is long enough for many subjects. The lens also focuses reasonably close – though not macro-close – and the image stabilization feature is useful in situations where I might want to hand-hold the camera. On a week-long backpacking trip through a high and remote section of the Sierra a few years ago, I used only this lens (and tripod, remote release, a few filters, etc) and came back with good results. To extend the usefulness of the lens for close-up flower photography I sometimes carry an extension tube, though others might just bring along a close-up “filter” or two.

There are things that I would miss with this single-lens setup. A personal preference in my shooting is to work with longer focal lengths, so for me having nothing longer than 105mm would seem like a bit of a restriction. And while this lens plus the extension tube works pretty well, it won’t be as good as a dedicated macro lens.

Another alternative that I’ve thought about but have not yet tried (since I haven’t had the gear long enough just yet) would be to use my small Fujifilm X-E1 (seen”Fujifilm X-E1: From DSLR to Mirrorless“) with the 60mm macro and perhaps the fine little 18-55mm zoom. I know that is more than one lens, but the total kit size is smaller/lighter than my full-frame DSLR. You could go with just the excellent little zoom plus a close up filter or two as an alternative. I use this particular brand/model and like it a lot, but there are alternatives from other manufacturers that also have a lot of fans.

Moving on from what I might use, let’s briefly consider some other options that might appeal to other photographers.

If you are primarily interested in the wildflowers and are a very serious photographer, you might prefer to simply carry a dedicated macro lens of whatever focal length seems best for you. This will be your best bet for close-up wildflower photography and, accepting the limitations of having only a single focal length, will produce excellent image quality for non-macro subjects as well.

Another option that would work well for a lot of people is one of the entry-level DSLRs (like the Canon t1i-t5i series or alternatives) with the “kit” lens in the 18-55mm range plus one or more close-up filters. These can produce quite decent image quality and the package is small, light, versatile, and not too costly.

This begins to lead to the question of what your primary goals are in your hiking photography. Are you a very serious photographer who regularly produces large and high quality prints? Or, at the opposite end of the spectrum, are you a much more casual photographer who wants to bring back some beautiful records of your experience and share them with friends and family, perhaps mostly online? More than likely, you might have to determine where you fit between the extreme ends of this spectrum. How important is the weight/bulk of the equipment? Are you going to grab shots handheld or stop and use a tripod?

For some who are more concerned with the weight/bulk issues and perhaps not likely to make 20″ x 30″ prints, there are lots of smaller, lighter and often less expensive options that can be very good choices. These include some of the smaller and lighter mirrorless cameras such as the Fujifilm model I mentioned above (at the high end), and also some of the point and shoot cameras, many of which can produce excellent photographs.

Good luck with your choice… and with your photography!

Articles in the “reader questions” series:


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dogwood Branch, Whirlpool

Dogwood Branch, Whirlpool
Dogwood Branch, Whirlpool

Dogwood Branch, Whirlpool. Yosemite National Park, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A gentle whirlpool on the surface of the Merced River behind a hanging dogwood branch with spring blossoms

I have photographed dogwood blossoms quite a few times before, but I had never quite gotten around to trying my hand at the “dogwood over water” photographs that are so popular and which can be so beautiful. However, on this early May 2013 visit to Yosemite Valley I made that one of my loose goals during a single day of shooting. Fortunately for me, this was a great year for dogwood blossoms and I managed to arrive at what must have been just about the perfect time. Too early, and the flowers can be sparse and perhaps a bit green; arrive too late and they can be quite worn our, with brown spots and holes. But during my brief visit I think I saw them growing more thickly on the Valley trees than I remember from past visits, and many of them were still in great shape.

I found a steep section of river bank not far from a bridge – and the bridge provided some shade and softer light on the water. This branch was hanging right down over the edge of the water, with a bit of bridge and tree shadow darkening the smooth water in this section of the Merced River. The main challenge with this subject is, perhaps surprisingly, the combination of the need for somewhat long exposures and the difficulty of getting perfectly breeze-free conditions right above the water. Even on a relatively still day, over the river the air is likely to be moving, and it doesn’t take much movement to blur exposures of a quarter second or longer. I wait for still moments, I try to shoot near the apex of the branch movement, and I may make quite a few exposures, knowing that many of them will not be sharp enough. Luck was with me on this one though. Not only is the branch still, but right at this moment an attractive round “mini-whirlpool” formed in the water behind the branch and interrupted the darker water with a bit of reflected blue sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Early Evening Forest Light

Early Evening Forest Light
Early Evening Forest Light

Early Evening Forest Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Yosemite Valley forest in early evening light.

This is an “intimate landscape” photograph of an otherwise nondescript little scene that you could probably find repeated thousands of times in Yosemite and multiples of that throughout the Sierra. I saw it while wandering along a roadside trail in search of more dogwood blossoms in a spot where few are likely thinking much about the view, as it is located near an intersection that people might pass through as they exit the Valley.

These little scenes are everywhere and I don’t think it is all that hard to find them… if one just slows down a bit and looks a bit more attentively. In this case, there was a momentary effect of light as the sun dropped low enough to cast long shadows through the dense part of the forest yet still light the upper portions of taller trees beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light
Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The flower-laden branches of a dogwood tree hang above the Merced River in sunset light

In the evening we had pulled off the road near the place sometimes called “Gates of the Valley” (and occasionally by other names), but I was not especially interested in photographing the famous and iconic scene that many stop there to photograph. I wouldn’t rule out photographing it, but it would have to be an exceptional evening to warrant adding my contribution to the uncounted photographs that have been made of the Merced River, Bridal Veil Fall, and El Capitan from this spot. We stopped for dogwoods.

I have photographed the dogwood blossoms in this area plenty of times in the past, and at the right time there can be a lot of flowers here. This was one of those right times, since it seemed like an exceptional spring for production of dogwood blossoms. Initially I had my eyes on some trees on the north side of the road, but first I thought I’d wander east a bit. That turned out be a good direction to walk for several reasons – I unexpectedly ran into friends who were also photographing here, and I found one beautiful tree that was hanging its blooms out over the waters of the Merced River. I then headed back to the west, stopping to talk to other folks (it seemed like everyone was out photographing dogwoods on this evening!) and then continuing on past the pull-out, stopping along the way to make more photographs of dogwoods and the forest in evening light. Before long I ended up at a well-known bridge over the Merced – where, yes, I ran into more friends! When I got there I almost felt like I was ready to call it an evening, but then I saw the low angle near-sunset light coming up the river and recalled a bunch of flowers I had seen there earlier in the day. I thought it might be interesting to shoot almost straight into that light and use a long lens to “get close” to the flowers and to throw the background along the river out of focus. The result is a dogwood flower photograph this is a bit different from most that I shoot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.