Tag Archives: layers

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sunset, Chessman Point, Cedar Breaks

October 25, 2012 G Dan Mitchell 1 Comment

This was my first visit to Cedar Breaks National Monument in Utah. On my previous trip though Utah we had driven past the roads leading to Cedar Breaks and – doing what one does while driving these days! – we looked it up on the iPhone, and it sounded quite interesting. The descriptions suggested a high elevation bowl with Bryce Canyon-like features that would be open to the west and sunset light. With this in mind, we decided to end our cross-Nevada drive with an overnight at Brian Head, the seasonally dormant ski area where rooms were both relatively inexpensive and quite nice! After checking in we drove on up the road to the National Monument.

The terrain is very interesting and very “not California” to this Sierra Nevada guy. On one side of the ridge is a gently rolling high terrain of alternative forest and meadows, just the sort of place to find lots of deer in the evening and an altogether quiet and peaceful sort of place. On the other side of the ridge, however, things are quite different. The mountain simply drops away to the west, with brightly colored and complex fluted canyons of red rock and soil. Far below and in the distance we could see large groves of aspen trees. A strong wind was blowing up the west-side canyons, but I managed to stabilize things enough to make a few photographs of this spectacular terrain in near-dusk light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Northern California, Photographs: San Francisco

Morning Clouds, Angel Island, San Francisco Bay

March 13, 2012 G Dan Mitchell Leave a comment

Light shining through layers of morning clouds over San Francisco Bay silhouettes the hills of Angel Island near Richardson Bay.

I can be a bit of a creature of habit when it comes to shooting in certain locations that I’m very familiar with. But the habit isn’t so much shooting the same thing – though that can be part of it – as it is being attentive to how the familiar thing might present itself in ways I have not previously seen. This photograph is a case in point.

I was on my way to a location north of the Golden Gate where I frequently photograph, so I know the route well and have a routine that I frequently follow – it involves where I’m heading, what time I plan to get there, and the route I typically follow. Along the way there are several places where I almost always pause long enough to look around and see if a familiar scene might look different. At a location where my route follows a short ridge line, I often stop and look back across Richardson Bay towards Angel Island and, beyond that, the waterfront of Oakland and then the East Bay hills. On this recent morning, a weak weather front was washing out as it arrived in the Bay Area and, as a result, there were many layers of clouds stacked up to the east. While the sun was able to shine through and light the surface of San Francisco Bay beyond the boats anchored in Richardson Bay, there was haze in the atmosphere that obscured details even on relatively close Angel Island, and in the sky above and beyond there were layers of fog, lower clouds, and the highest clouds of the weather front.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Corn Lily Leaves, Autumn

October 4, 2011 G Dan Mitchell Leave a comment

Corn lily plants take on autumn colors in the Sierra Nevada, Yosemite National Park.

The corn lily plants are among my favorite markers of the passage of the short high Sierra summer season. When the high country first opens and water is everywhere, the first shoots look almost like unhusked ears of corn as they come up in wet areas. (I don’t think this is where the plant gets its name – more on that in a moment.) They quickly grow to several feet tall, clustered in thick bunches, as the mosquito season arrives – and at this time they are incredibly lush and green. At this time they are also a favorite subject for photographers. A few seem to sprout much taller than others and produce clusters of white flowers. Then as August wears on and the soil begins to dry the plants also begin to lose their lush quality and brown areas appear and perhaps some spots and holes appear in the leaves. Often by the end of the month I can find some that are starting to turn one of several shades: golden-yellow, tan, or very dark brown verging on black. By mid September few healthy looking plants remain and the stalks (which look very much like corn stalks) begin to fall over to the ground.

It hardly matters where this particular group of corn lily plants was growing, so I’ll just say that they were within a few minutes of our camp site. I can hardly ever pass up the opportunity to try to photograph this plant, no matter which stage of its life it is currently going through. These had fallen over and were rapidly losing what remained of their green color.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada, Photographs: Southern California, Photographs: White Mountains

From the Panamints to the Sierra, Evening

April 4, 2011 G Dan Mitchell Leave a comment

The Sierra Nevada in evening light as seen from Aguereberry Point in Death Valley National Park’s Panamint Range.

I made this photograph from Aguereberry Point shortly before sunset. Aguereberry Point is a lonely prominence over 6000′ above Death Valley, high in the Panamint Mountain range, a place of astonishing panoramic views – and often some significant winds. As I drove the gravel road to the point late in the afternoon I saw three or four other vehicles heading the other direction, but when I arrived at the point a bit more than an hour before sunset no one else was there.

Having photographed here a few times previously, I am becoming more familiar with the challenges and the opportunities of shooting here. One of the challenges – as is the case in many spots in Death Valley – is that certain subjects seem to be “photographable” at very specific times and only for short intervals. One of the most interesting views from Aguereberry is southeast down into Trail Canyon and on to the lower slopes of Wildrose Peak beyond. This is wild, rugged, austere terrain. However, because it lies on the east side of this range the light changes quickly from a washed out blast of daytime sun to sudden deep shadows as the sun drops behind the higher ridges of the Panamints. (Trail Canyon is not seen in this photograph.)

Another challenge is that, impressive and overwhelming as the scale of this grand scene is, it can be difficult to pull interesting compositions out of it. I tend to work with longer lenses here, both to isolate smaller areas out of the huge landscape and to compress distance. In this photograph, the silhouetted crest of the highest part of the Sierra Nevada range is on the horizon, with the intervening ridges of the Panamint Range and others probably including the Inyo Mountains and the ridge just west of Panamint Valley.

And, since I tend towards those large and long lenses… wind is an issue! And on top of Aguereberry Point there is nothing to stop the often strong winds of Death Valley. On this evening the winds were howling, so I found a spot below some rocks where it was a bit less windy and then spent a lot time waiting for momentary lulls in the wind when I could make photographs.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.