Tag Archives: line

Davenport Bluffs, Sunset

Davenport Bluffs, Sunset
Davenport Bluffs, Sunset

Davenport Bluffs, Sunset. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last light shines on coastal bluffs and Davenport, California

On this early December day I had gone off to try to join a G+ “photowalk” that was purportedly taking place that day. I was looking forward to going to a few favorite local photography locations and to meeting some people who I’ve only known online. But it was not to be! I ended up being delayed at home and couldn’t leave in time to meet the group at their first location, Henry Cowell Park. I went with Plan B and figured I would try to join up with them at lunch in Davenport. I got there and didn’t see anyone, so I figured that I was early and I drove up the coast a bit. I came back to Davenport and thought they might be in one of the two restaurants, so I picked one and went in for lunch… by myself. (I found out later that, yes, they were in the other restaurant a hundred yards south.) After lunch I went across the road to the parking area when I thought folks might meet up, but still no luck – though I did see a few photographers out on the nearby bluff. I headed out there and finally ran into a couple of people from the group… which had gone down to a nearby beach area to shoot.

Finding interesting stuff up here on the bluff, I decide to work the location I found myself in rather than heading off and looking for something else. While the location was interesting, the light was initially unpromising. However, I thought there was a chance that things might improve later so I walked around and began doing some shooting. At one point, I talked to some other photographers about the somewhat bland lighting conditions and pointed out that it seemed to me that there was at least a chance that we might get a bit of interesting light as the sun dropped to the horizon, when the light can sometimes shine in below the clouds and produce some brief but beautiful conditions. This prediction turned out to be right, and I made this photograph just as the show was beginning, and warm-tone light was starting to hit the bluffs, beaches, and water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Building, China Camp

Shoreline Building, China Camp
Shoreline Building, China Camp

Shoreline Building, China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A shoreline building extends over the edge of San Francisco Bay at China Camp

I had been watching the reflections on the calm water of this lagoon since I first arrived here in the morning. Earlier I had been on a high bluff behind the camera position for this photograph, looking down at this village and the curve of the beach of its small lagoon. The clouds thinning behind a departing Pacific weather front were starting to allow sun light to pass, yet still filtering and softening it. This light was falling on the smooth surface of this water in this relatively quiet area of the San Francisco Bay, and creating all sorts of interesting reflections.

Eventually I walked down to the village and among its old buildings, gravitating toward the shoreline. I first photographed an old pier and then investigated a building from which it extends. From here I was able to look out across the lagoon toward a further peninsula and the light of the sun on the clouds. This was technically a bit of a tricky photograph since it includes brightly sun-lit clouds right above and to the left of the building, but also includes deep shadows below and on the near side of the building. To be honest, I was unsure of what exposure would work best and provide the best balance between avoidance of blown out sky and enough shadow detail to pull it back in past without problems with image noise – so I bracketed. I bracketed like nobody’s business – making something like five exposures in the series. Ironically, in the end I was able to extract all of the detail I needed from a single exposure!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Escalante River, Early Fall

Escalante River, Early Fall - Early fall colors begin to come to the trees lining the Escalante River, Utah.
Early fall colors begin to come to the trees lining the Escalante River, Utah.

Escalante River, Early Fall. Grand Staircase-Escalante National Monument, Utah. October 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early fall colors begin to come to the trees lining the Escalante River, Utah.

If I have any regrets about this photograph, it might be that if I had been there a few days later the entire cottonwood-covered river bottom might have been the color of the leaves on the one brilliant foreground tree. But seriously, it was a stunningly beautiful scene. The trees here ranged from regular old green to quite brilliant yellow and gold, and the partly cloudy skies sent alternating cloud shadows and sunny breaks hurrying across the landscape. As I set up on this hill above the river valley, I would look back over my shoulder to spot the next break in the clouds, try to predict where and when it would cast its light, and then make several exposures as the light traversed the scene from near to far, first illuminating the foreground trees, then the red cliff faces, and finally the towers at the far end of the valley.

The terrain in this area is truly stunning. After dropping down a steep descent and traversing rolling waves of sandstone, the road makes a brief descent to the river bottom. It then begins to rise and is soon traveling along a length “hogback” with sheer drop-offs on both sides, and the river valley far below.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocky Point, Sea Stacks

Rocky Point, Sea Stacks - Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

Rocky Point, Sea Stacks. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sea stacks near Rocky Point on a foggy evening along the Big Sur coastline.

This photograph was made along the Big Sur coastline roughly in the area between the Rocky Creek and Bixby Creek bridges, about as far south as we managed to get while wandering around before a 8:00 p.m. dinner reservation back in Monterey. (Hey, it was my birthday!) The Peninsula extending into the Pacific in the upper section of the frame could be any of probably hundreds of similar peninsulas where the steep hills of the Big Sur coast drop to meet the ocean – but this one happens to be Rocky Point. The foreground sea stack could be any of thousands (or tens of thousands? I see perhaps a dozen or more in this scene alone…) of similar features found almost anywhere you look along this coast.

The light was both interesting and challenging. In most cases, I would rather try to photograph this interesting, foggy atmosphere than shoot perfect blue-sky conditions. (The latter can occur, though not as often as photography might suggest! Fog is more common.) It was very late in the day, probably around 7:00 p.m, and the sun was low and mostly hidden behind the off-shore fog bank. Here and there the fog backed off a bit from the shoreline or thinned a bit, and slightly more light appeared. The sea stack was in one such spot, and around and beyond the point there is also a bit more light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.