Tag Archives: monochrome

Family Portrait

Family Portrait
Family Portrait

Family Portrait. New York City. December 28, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Brandon, Jameson, Lia – Central Park

A “snap” of family in Central Park, New York City from last December, when we spent a week visiting relatives and wandering around New York City. This photograph was on a cold winter day when we joined throngs of New Yorkers (and, like us, temporary New Yorkers) in the park.

I was shooting mostly in a manner that is much different from the way I might shoot landscape. Using a very small handheld camera and (mostly) a single prime lens, I shot while moving from place to place. Especially in the case of photographs of people, I did not always necessarily try for perfect camera stability—and the resulting motion blur somehow can seem consistent with the experience of the place. This photograph was grabbed very quickly, as we emerged from an underground walkway into the edge of the outside light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Trees, Statue, Central Park

Winter Trees, Statue, Central Park
Winter Trees, Statue, Central Park

Winter Trees, Statue, Central Park. New York City. December 28, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Barren winter trees and statue in Central Park, New York City

At the end of 2013 we spent a week in New York City, devoting our time to a combination of family visits and exploring the city and surroundings. We staying in Manhattan and did a lot of walking and subway riding there, but we also got up to the north as far as The Cloisters museum and also spent quite a bit of time in Brooklyn.

We managed to miss the worst of the tough winter weather in New York. We had some rain on one day, and there was the tiniest flurry of snow on another near the end of the trip. For Californians from the San Francisco Bay Area, it seemed cold, but not nearly like it would be starting a few days after we left, when cold conditions and very heavy snow arrived. All of this was great for us since we wanted to walk and photograph a lot. On one day we decided to wander around in Central Park. It was a beautiful winter day, with mostly blue skies and clear air. The park was crowded with plenty of other people who were taking advantage of the opportunity to get out. As we wandered around I carried my small rangefinder-style camera and mostly shot quickly and spontaneously, focusing on whatever happened to catch my attention—a group of trees, tall building surrounding the park, people, and so on. Here I tried to fill the frame with the stark, twisted forms of these barren winter trees against the clear sky… with a small surprise in the lower left corner.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, Sky, and Clouds

Fog, Sky, and Clouds
“Fog, Sky, and Clouds” — Fog glides over Marin County hills beneath winter clouds

I made this photograph in a familiar location in the hills of Marin County, north of San Francisco — at a spot where I often make a brief stop when I visit other locations in this area. As I was surveying a slightly different panoramic view, I happened to see these rounded hills to my south, with their mantle of morning coastal fog drifting across their summits and dropping into valleys. Above this scene, higher clouds from a passing weather system rose much higher into the sky. This combination of bright morning light, drifting fog, and the brilliant higher clouds is unusual, so I had to make a photograph!

I decided to keep the hills at the bottom of the frame to emphasize the space in the sky above. When I made the exposure I did not commit to either a color or black and white rendition, though I did think about some of the issues with the colors in the scene (which I won’t go into here) and the possibility that it could be a stronger monochrome image. However, when working the image in post I began to see a way of taking advantage of the contrast between the sunlit soft forms of the high clouds and the sky that would work best in black and white. (The lower hills were already essentially monochromatic, though with a distinct blue tone.) Of course, once one goes to black and white there is a great deal of creative potential for how the image is handled, using the digital analogs of techniques that would have been employed in the traditional darkroom.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Horsetail Fall

Horsetail Fall
Horsetail Fall

Horsetail Fall. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Horsetail Fall in afternoon light, Yosemite Valley

As you may already know, Yosemite Valley’s Horsetail Fall draws visitors and especially photographers ever winter, roughly during the last half of February or so. During this period a miraculous conjunction of sunset light, a gap in the ridges to the west, and a wispy waterfall dropping over the edge of El Capitan may produce a momentary “natural firewall” for those positioned to the east of the waterfall. The sight is quite something… but in some ways it is almost more amazing to encounter hundreds of people who have traveled great distances to stand in cold or even snowy meadows to gaze upwards in hopes of seeing this ephemeral light.

I have photographed it in the past so I generally do not photograph it any more. In fact, I like to joke that one of the nice things about Horsetail Fall is that it clears the rest of the Valley of photographers in the evening! ;-) I must have confused at least a few people when I was there on the first day of March, at a time when people are still hoping to catch the phenomenon. We pulled into one of the two popular areas for viewing the fall, but in the late afternoon, well before the light was even hinting at what it could do later on. I looked up at the cliff high above and saw that recent rains had brought the fall to life, and that winds across the upper face of El Capitan were blowing the fall too and fro and carrying its wispy spray in all directions. The rock face was uniformly damp, and the late afternoon light was bright and silvery on the rock. I put a long lens on the camera and pointed it up toward this bright subject and made a few exposures as the wind whipped the falling water back and forth. Then I packed up and left… just as the evening throng of photographers was arriving and finding their positions to photograph what they hoped would be colorful sunset light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.