Tag Archives: monochrome

Five Birds, Marsh

Five Birds, Marsh
Five Birds, Marsh

Five Birds, Marsh. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Five birds take flight above a foggy marsh

I’ll be honest and admit that this photograph emerged from a group of exposures that resulted from operator error! While dealing with some complicated and varying exposure issues that I won’t explain here, I switched from photographing one sort of subject to photographing another… but left the settings for the former in place as I shot the latter. My first thought when I went through my files initially was that every one of these exposures would likely deserve to be deleted. But because I’ve been working with motion blur, longer exposures, camera motion, and so forth recently, I figured I might as well take a look and see what I could do with the images.

Essentially, I ended up using a shutter speed that was much lower than I intended and overexposing, creating very high key images. For these reasons and because I was panning to track the small group of birds, almost all distinct detail is gone from the scene with the exception of the birds. The tule-covered islands in the marsh above which the birds are flying barely hold their shape – enough, I think, to imply what they are but certainly not enough to provide any real detail.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rat Rock Island, Hills

Rat Rock Island, Hills
Rat Rock Island, Hills

Rat Rock Island, Hills. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rat Rock Island and hills of the north San Francisco Bay

This remarkable little island sits just a short distance from the shoreline along the northern San Francisco Bay. Several things contribute to its visual appeal. It is unexpected, in that it is not exactly common to find such islands in this bay. It seems that what formed the island might have been a process similar to one found in coastal areas with much rougher seas, where rocky peninsulas are eventually cut off from the shoreline. The area is very quiet, in contrast to the busy north bay areas you typically might drive through to get here, and the main sounds are those of shore birds. The view beyond the island is expansive – the far side of the bay is distant enough that you the hills are little more than a think break along the horizon, and mostly you see sky and water. The shape of the island is almost but not quite symmetrical, and the little bonsai-like trees on the “summit” echo the curve of the island.

I used a nine-stop neutral density filter so that I could get a relatively long ten second exposure for this photograph. The idea was to let the slight motion of the water blur and create a smooth, glassy quality. (If the clouds had been moving faster, they might also have been blurred. Although it probably isn’t apparent in the photograph, this image is partially the result of quite a bit of work during the post-processing phase.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach
Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A long exposure photograph of shoreline rocks and surf at Weston Beach, Point Lobos State Reserve

I had been a while since I had photographed along the California coast south of Monterey, but I finally made it back down there on this mid-January morning, ending up at the Point Lobos State Reserve. This is a location I shoot frequently since it is barely more than an hour from my home, and I’ve gone there since I was a kid. Today was perhaps not the ideal day to photograph there – it was (literally) freezing cold in the morning and then the skies were almost completely clear. Clear skies are not my favorite for photography. I much prefer some fog or clouds. In this photograph I dealt with that by pointing the camera down and placing the horizon very close to the top of the frame.

Arriving at the reserve, I first headed down to the familiar location of Weston Beach. (I still cannot quite figure out which this place is called a “beach” – rocky slabs slope down to the water and the closest thing to sand is a bit of rocky gravel. But I digress…) When I arrived, the early morning sun was almost back-lighting the islands and sea stacks to the south of here, so I walked back up the road a bit to find higher ground to shoot in that direction. While shooting from there I saw that it could be interesting to shoot below this trail and much closer to the water, using a very wide-angle lens and perhaps a 9-stop neutral density filter to extend the exposure. Rather than hoping the fence to get to the likely spot 20 feet away, I was a “good soldier” and I walked back a hundred yards or so, took the “official” trail down to the “beach,” and then worked my way back to the rocky spot that I had spotted from above. I lined up some shoreline rocks and a crack that allowed a bit of surf to come in closer, positioned the horizon very close to the upper edge of the frame, added that 9-stop neutral density filter, and made several long exposures that would allow the surf to become flat and almost misty. Usually I might not want the very harsh light on the rocks, but here I like the way it contrasts with the smooth and filmy quality of the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Building, China Camp

Shoreline Building, China Camp
Shoreline Building, China Camp

Shoreline Building, China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A shoreline building extends over the edge of San Francisco Bay at China Camp

I had been watching the reflections on the calm water of this lagoon since I first arrived here in the morning. Earlier I had been on a high bluff behind the camera position for this photograph, looking down at this village and the curve of the beach of its small lagoon. The clouds thinning behind a departing Pacific weather front were starting to allow sun light to pass, yet still filtering and softening it. This light was falling on the smooth surface of this water in this relatively quiet area of the San Francisco Bay, and creating all sorts of interesting reflections.

Eventually I walked down to the village and among its old buildings, gravitating toward the shoreline. I first photographed an old pier and then investigated a building from which it extends. From here I was able to look out across the lagoon toward a further peninsula and the light of the sun on the clouds. This was technically a bit of a tricky photograph since it includes brightly sun-lit clouds right above and to the left of the building, but also includes deep shadows below and on the near side of the building. To be honest, I was unsure of what exposure would work best and provide the best balance between avoidance of blown out sky and enough shadow detail to pull it back in past without problems with image noise – so I bracketed. I bracketed like nobody’s business – making something like five exposures in the series. Ironically, in the end I was able to extract all of the detail I needed from a single exposure!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.