Tag Archives: monochrome

Yankee Point and Cypress, Carmel Highlands, Dusk

Yankee Point and Cypress, Carmel Highlands, Dusk
Yankee Point and Cypress, Carmel Highlands, Dusk

Yankee Point and Cypress, Carmel Highlands, Dusk. Big Sur, California. January 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

A Carmel Highlands cypress trees stands at the edge of a cliff above the Pacific Ocean and Yankee Point at dusk.

Oddly, this is a photograph that sort of “didn’t make the cut” the first time I went through the batch shortly after making the photographs in early 2010. I had spent the afternoon photographing further south in the Big Sur area and several other photographs from the set turned out more as I expected – and this one seemed like a sort of problem child photograph, so I didn’t take the time needed to work with it. Eventually I forgot about it as I went on to other projects.

The photo had been almost a bit of a grab shot. As I was heading north back up the coast, thinking I had finished my shooting and was now on the way home, I was stunned to catch a glimpse of some intense post-sunset light as I rounded the bend at the head of this cove in Carmel Highlands. I wasn’t certain that I could find a composition and work out a photograph in the brief interval the probably remained before the light faded, but I quickly put on the wide angle zoom, attached the camera to the tripod, and headed over to the edge of the bluff. Exposure was a terrible problem because the brilliant and very colorful sky was quite bright, while the close side of the foreground tree was nearly black. I made managed to shoot the scene a few times, shifting from landscape to portrait mode and making three bracketed exposures of each composition.

When I got home and looked at the raw files I think I decided that it was just going to be too much work for too little reward, and I instead went to work on more promising shots from earlier in the afternoon. This week I came upon the series of shots again and wondered what I could do with them. My first inclination was to go with the color, and I did come up with a portrait orientation image in color that I will probably post before long. Then, as I began to work on the landscape mode image, I started to see it as having potential as a monochrome image. I tried it. I liked it. And here it is!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Cove and Beach Near Davenport, Evening

Cove and Beach Near Davenport, Evening
Cove and Beach Near Davenport, Evening

Cove and Beach Near Davenport, Evening. Davenport, California. December 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of two people standing on a bluff above the Pacific Ocean and overlooking a cove and beach near Davenport California.

Although I have continued posting photographs at a rate of one per day, I have only managed to get into the field to shoot a few times since early November. Yesterday I found time to make it over to the Pacific coast late in the day. I was looking for the foggy, misty, and somewhat gray conditions that are common this time of year, at least when the air has not been cleared by a passing storm. I wasn’t disappointed. While the sky was clear overhead, the air was very moist – my equipment became damp from condensation as I worked.

Since my time was a bit limited – the sun was going down! – I went more or less straight to this spot where I have photographed in the past. (At first I considered going a bit further north to shoot from high bluffs, but I realized that the shot I had in mind from that location would be better earlier in the day.) When I arrived the sun was just dropping below the horizon, but that is what I wanted – I wasn’t looking for one of those brilliant “sun dead ahead” shots. I wanted the post-sunset soft light and enough darkness that I could work with longer exposures.

I parked and walked the short distance to this spot at the head of this cove. The composition is sort of tricky. The “right” (in my view) arrangement of the offshore rock and the surrounding bluffs can only be seen from a very small area – too far right or left and elements start to collide. In addition I wanted that little bit of more distant shoal along the right side of the frame to suggest that the coast continues, and I wanted that flat bit of bluff with a bit of post sunset light at the left. It was a bonus when the two people – probably photographers! – showed up on the top of the left bluff and thoughtfully posed for me as I made long exposures!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point
Morning Clouds Above the Manifold, Zabriskie Point

Morning Clouds Above the Manifold, Zabriskie Point. Death Valley National Park, California. April 2, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning clouds fill the sky above the Manifold at Zabriskie Point, Death Valley National Park.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Recently I’ve been going over some of my Death Valley photographs, and as I do so I discover a few that “missed the cut” the first time around but which I kind of like now when I see them a few years later. This photograph was made in 2007, on a spring morning when beautiful clouds filled the sky above Zabriskie Point and Death Valley. I have versions of this photograph in both black and white and color – I like both, though the effect is quite different. (I’ll post the color version as soon as tomorrow.)

I’ve referred to the striking central feature of the “badlands” above Gower Wash – the hill with the curving gullies and the darker material along the top – as “the Manifold” for a few years. I know I saw this label applied to the feature somewhere, but I cannot find the source now. In any case, it seems deserving of its own name, and “the Manifold” works for me.

One more observation… I have written elsewhere about my attitude toward photographing iconic scenes – an Zabriskie Point is certainly iconic! It is a bit of a long, complicated story, but this photograph illustrates part of my philosophy. I will not always bother to stop and photograph such a site, having seen many beautiful mornings (and a few evenings) there. But I do watch for special or unusual conditions, and when they occur I may well head to an icon like Zabriskie to try to make a photograph that is unlike the usual images.

Since I am in the process of reviewing many Death Valley photographs, don’t be too surprised if a few more older photos from that location show up here soon.

G Dan Mitchell Photography
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Basin Mountain, Afternoon Light and Haze

Basin Mountain, Afternoon Light and Haze
Basin Mountain, Afternoon Light and Haze

Basin Mountain, Afternoon Light and Haze. Round Valley, California. October 9, 2010. © Copyright G Dan Mitchell – all rights reserved.

Basin Mountain and the Sierra Nevada crest rise above Round Valley on a hazy afternoon.

There is a certain kind of afternoon light in the eastern Sierra that is hard to photograph – looking up at the range from Owens Valley into the afternoon sun the haze can be bluish and decrease detail and the light can be very bright. But it is a part of the experience of the “east side” that we all know, I think. I can’t say that I’ve tried to photograph it very often, but I stopped just off of highway 395 in the Round Valley area on this early October afternoon when I saw the rugged foothills rising above the sagebrush towards the Buttermilks and Basin Mountain and the Sierra crest around Mount Humphreys beyond.

For me, this is one sort of classic eastern Sierra view. Imagine a very warm or even hot afternoon. You are driving through high desert sagebrush country – which often surprises people who are headed to the Sierra and are thinking about high mountains and cool temperatures. The mountains to the west rise precipitously from the floor of Owens Valley, with peaks that can be nearly 10,000 feet higher than the lowlands in some places. You see snow on the peaks and sometimes on the slopes of the mountains. You know that there are places up there where you can park a car and walk out in cool mountain air and head up a trail through meadows and forests and cross a ridge into the alpine world – but the terrain gives little hint of this from below. The light gleaming on snow fields and rock projected into the sky reminds you of this other world high above.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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