Tag Archives: monochrome

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sliding Rock, Cloudy Morning – Racetrack Playa

April 14, 2010 G Dan Mitchell 5 Comments

Black and white photograph of a “sliding rock” on a cloudy morning at the Racetrack Playa, Death Valley National Park, California.

The weather gods were not on my side during my visit to the Racetrack Playa in Death Valley near the end of March. My plan was to shoot sunset and sunrise, and in between to do night photography. As I drove out there on the terrible washboard gravel road my hopes were high – I saw some interesting looking clouds that looked like they might even form into lenticular clouds. When I arrived I shot a bit in decent light at the “Grandstand” feature near the north end of the playa.

Unfortunately, the good light was short-lived. Before I left the Grandstand a high, thin back of clouds spread across the sky. It stayed in the evening (tantalizing me with some bits of clear sky far to the west), blocked the full moon all night, and was still there when I wandered out onto the playa in the morning to do some early shots. It never did really clear, and I came back from the playa with far fewer good images than I expected. (I shouldn’t have been surprised. I’ve had uniform great luck with lighting on every previous visit, so I was probably due for less than great light.)

In order to make this photograph work I did quite a bit of post-processing, some of which I anticipated when I made the exposure. First of all, I realized that getting everything from the very close rock to the distant ridge in focus would be a problem. So I made three exposures, “focus bracketing” them with one focus on the far ridge, one focused on the rock, and one focused in between. I made a blend of the three exposures in post, keeping the most focused portions of each.

Because the light and colors were fairly flat I decided to go with a black and white interpretation. The conversion was fairly straightforward, but here I also decided to indulge in a bit of post-processing. I duplicated the background layer, turned it into and “overlay,” and added some Gaussian blur. With a bit of dodging, burning, and work with curves, the image ended up where I imagined it would.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 80mm
ISO 200, f/16, 1/10 second

keywords: sliding, moving, gliding, rock, stone, racetrack, race, track, playa, cracked, mud, earth, ground, cloudy, mountain, hill, barren, desert, rugged, track, trail, black and white, monochrome, death valley, national, park, california, usa, north america, landscape, nature, travel, scenic, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Salt Flats Near Badwater, Evening

April 13, 2010 G Dan Mitchell Leave a comment

Black and white vertical format photograph of evening on the salt flats of Badwater Basin, Death Valley National Park, California.

Yes, I’m still mining the Death Valley photographs from my late March trip. And there are more to come… :-)

This photograph was made in evening light on the salt flats of Badwater Basin, not far from the “official” Badwater area – but far enough away that there were only a couple other photographers out here enjoying the solitude and the beautiful evening light. A few weeks earlier this area had been flooded by unusually heavy rains in Death Valley. From all appearances (and from photographic evidence that I’ve seen) the photographers who were first on the scene had to do a bit of wading to get out onto the salt flats. Some of them were rewarded for their efforts with wonderful and unusual images, including reflections of the Panamint range in the circular pools between the polygons of raised salt.

By the time I arrived the area was no longer flooded, though it was clear that the playa beneath the drying salt crust was still wet. In places some of the water appeared in cracks and in other spots walking on the salt felt a lot like walking on winter pond ice. During the flooding, the usually tall ridges between the salt “polygons” seem to have dissolved. Typically they are perhaps up to a few inches tall and contain large cracks. At the time I arrived, the counter had apparently been set back to zero – and the salt surface was almost completely flat, though it is obvious that the polygon outlines were still visible and beginning to rise a bit. The vertical ridge leading away from the camera position in the lower portion of the frame is a good example.

I went with black and white in this rendition since the sky had not really lit up yet – in other words, color wasn’t necessarily the main feature of the scene. I also liked what I could do with the clouded sky and the distant ridge in black and white.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 35mm
ISO 100, f/16, 1/25 second

keywords: salt, flat, polygon, pattern, landscape, nature, geology, hills, mountains, sky, dark, clouds, evening, dusk, sunset, haze, atmosphere, light, shadow, badwater, basin, death valley, national, park, california, usa, north america, travel, scenic, black and white, monochrome, texture, curve, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

The Grandstand, Racetrack Playa

April 7, 2010 G Dan Mitchell 4 Comments

Black and white photograph of “the “Grandstand” formation standing in the middle of the Racetrack Playa, Death Valley National Park, California.

The Grandstand is a striking formation located a distance out onto the flat expanse of the Racetrack Playa, the location of the famous “moving rocks” in Death Valley National Park. The formation is located not far from where the road first reaches the playa and it is only a short walk. As I recall, it is just the tip of a large “hill” that is mostly buried beneath the very deep silt that was washed down from the surrounding mountains to form the playa. It has a shape this is vaguely “castle-like,” with several “turrets” that tower above the flat surrounding terrain and invite quite a few visitors to climb to the top. (The Grandstand is located at nearly the opposite end of the playa from the location of the largest concentration of moving rocks.)

I think that the Grandstand makes an interesting photographic subject, even though the thing most people come to see and photograph is the phenomenon of the moving rocks. I often plan to stop there and photograph in mid to late afternoon – when light on the rocks is interesting and photogenic, but before the “good light” begins further south on the playa and it is time to photograph the rocks and their tracks. It can also be a compositional element in photographs of the rocks at the south end of the playa, especially when you shoot with a long lens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 55mm
ISO 200, f/11, 1/320 second

keywords: death valley, national, park, california, usa, north america, nature, scenic, travel, landscape, the, grandstand, hill, rock, boulder, formation, race, track, racetrack, playa, sky, clouds, black and white, monochrome, geology, stock, light

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Sunlit Wall with Textured Glass

March 22, 2010 G Dan Mitchell Leave a comment

Black and white photograph of a sunlit wall with textured glass windows along a street in San Francisco, California.

Yet another of the “it is sort of street photography and sort of urban landscape” photographs, this one made on a walking loop that took me through a good part of downtown San Francisco, and finally through the Tenderloin to the Civic Center. I made several photographs of the obscure glass windows of this street-level window along the sidewalk. In this one I wanted to work with the converging lines of the window frame and the vertical lines of the bits of wall between the windows.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/200 second

(Note: This was accidentally posted a day earlier along with another photograph. Reposting it today puts the block back on schedule.)

keywords: black and white, monochrome, perspective, converge, lines, frame, window, pane, textured, obscured, sticker, worn, distressed, bright, sunlit, sunlight, light, shadow, shape, structure, architecture, concrete, wall, ground, sidewalk, street, urban, city, downtown, san francisco, california, usa, north america, abstract, form, stock

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.