Tag Archives: Mountain

Photographs: Desert, Photographs: Mono Lake, Photographs: Nature, Photographs: Northern California

Mono Lake, Thunderstorm

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Mono Lake, Thunderstorm
Mono Lake, Thunderstorm

Mono Lake, Thunderstorm. Mono Lake, California. July 23, 2007.© Copyright 2007 G Dan Mitchell – all rights reserved.

Eastern Sierra Nevada thunderstorms build over Mono Lake, Mono Craters, and Lee Vining, California.

Mono Lake can be an unforgiving place in which to try to make photographs during the day, but sometimes one gets lucky! It is a wonderful place, but if you only know it from photographs – which, of course, tend to be made at the most appealing times – you might not know that it is often hot and hazy and dry during the day. These are among the reasons that it is a place often photographed at dawn or at sunset on days when the clouds are interesting. (The latter poses its own set of problems, since the Sierra Nevada range begins to block the light well before actual sunset.)

But I did get lucky on this late July afternoon. It was thunderstorm weather, so there were some very impressive clouds floating around. However, the clouds did not completely fill the sky, so patches of light were moving across the landscape – in this photograph one illuminates the green area at far right along the shore and, more importantly, the Mono Craters beyond the far shore of the lake. And the vegetation around the lake was still green, or at least green enough to look alive in this light.

G Dan Mitchell Photography
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Events, Locations, Sierra Nevada Fall Color

Searching for Aspen Color in the Eastern Sierra Nevada – The Show Starts Soon!

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At about this time each year my thoughts turn to the phenomenal aspen color in the eastern Sierra. I seek out and photograph these trees every fall. I shared some hints in a couple of blog articles from recent seasons – links below:

Each season is unique – starting at different times and developing in various ways that seem to depend upon how the previous winter-summer weather evolved, elevation, north/south position with the range, and other imponderables that seem beyond prediction.

While many signs of the seasonal change are already visible, the real show typically begins at the very end of September in a few places and really gets going around the beginning of October. I tend to regard the first half of the month as being “prime time” for eastern Sierra aspen color, though the season can end earlier if the weather blows down a lot of leaves or a cold snap turns them brown, or it can last longer for those who follow the color transition all the way down into Owens Valley and other low areas. (Note: While there are some colorful trees west of the Sierra crest, they are not nearly as numerous or accessible as those on the east side.)

(Feel free to share!)

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Granite and Trees, Olmsted Point

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Granite and Trees, Olmsted Point
Granite and Trees, Olmsted Point

Granite and Trees, Olmsted Point. Yosemite National Park, California. July 24, 2006. © Copyright 2006 G Dan Mitchell – all rights reserved.

Lone trees stand among glacial erratics on granite slabs near Olmsted Point as evening light strikes Clouds Rest and Half Dome, Yosemite National Park.

This photograph was made near the popular and iconic Olmsted Point along Tioga Pass Road (highway 120) across the Sierra through Yosemite National Park. The spot is a short walk from the busy parking lot, but even this five or ten minute stroll was enough to get me some relative solitude on this summer evening.

The combination of close granite slabs, glacial erratics lying about, more distant domes and peaks, and a few scattered trees says “Yosemite” to me in ways that are more true than even the iconic scenes from The Valley. Almost every area of the high country was shaped by glaciers, and all of these things are a direct result of that origin. Another thing that I like about this photograph, ironically, is that there is really nothing all that special about it! There are a few high, thin clouds – but no towering thunderheads. The light is warming as the end of the day approaches – but this is not yet prime golden hour light. And although at least one icon appears in the scene, it is not even the dominant feature.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Commentary

California Sky, New Years Morning

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California Sky, New Years Morning
California Sky, New Years Morning

California Sky, New Years Morning. Over the San Francisco Bay Area, California. January 1, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

The sky over Northern California, stretching from coastal hills and fog across the tule-fog-filled Central Valley to the Sierra Nevada, New Years Morning.

On New Years Day 2008 I flew to Seattle for a family visit. As we flew out of San Jose and over the hills along the eastern edge of the Bay Area, the winter tule fog was filling the Central Valley and spilling up against the hills, while above and beyond it was a nearly perfectly clear sky. For those who might be unfamiliar with the landscape here, beyond the fog-filled Central Valley, and very far away, the faint dark line of the Sierra Nevada crest is visible, and if you look very closely you may be able to see that the highest peaks are snow-capped.

This photograph has sat in the archive for over three years. I liked the scene but I wasn’t quite sure of what to do with the somewhat odd colors that resulted from shooting though an airplane window and into very bright light. I had considered a straightforward black and white interpretation and, if fact, that is what I was working on when I decided to instead desaturate the image about three-quarters of the way to being monochrome – and for me this seemed like just the right thing and more in line with how I think of the scene now. Another question was whether to clone out the contrail of another plane near the upper left corner. In the end I decided to leave it, for several reasons that I’ll leave to your imagination for now.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

(Basic EXIF data may be available by “mousing over” large images in posts when this page is viewed on the web. Leave a comment if you want to know more.)