Tag Archives: mountains

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sea of Dunes

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Sea of Dunes
Layers of sand dunes lead toward barren desert mountains, Death Valley National Park.

Sea of Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

Layers of sand dunes lead toward barren desert mountains, Death Valley National Park.

Death Valley is often a beautiful place, but there are places in this landscape that can appear quite desolate if you look in the right direction. In many landscapes most of what we see is what covers the scene, but here the underlying geology is often stripped bare and we are left with a landscape of rock and sand. Even where plants grow — more places than you might imagine — they do not cover the landscape in the manner of forests and meadows.

This photograph is about that way of seeing this landscape. The dunes build one after another toward their highest point, much like waves on the ocean. Beyond this there is a rugged desert mountain range. This photograph is what I think of as a subjectively true image. While you would never find a scene that literally looks exactly like this, this interpretation is true to one way of seeing the place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Creosote, Dunes, Desert Mountains

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Creosote, Dunes, Desert Mountains
Morning light on blooming creosote plants in the dunes, Death Valley National Park.

Creosote, Dunes, Desert Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on blooming creosote plants in the dunes, Death Valley National Park.

While much of my recent visit to Death Valley focused on relatively out of the way locations and subjects, I did spend one night at the Stovepipe Wells campground/parking lot. (If you have been there, you understand the reference.) The idea was that sleeping there for one night would put me in the best location to photograph in the nearby dunes in the evening and again very early the next morning. This photograph comes from the morning session, not too long. before I packed my gear, headed back to my vehicle, made a quick breakfast, and drove to another of those isolated locations.

The ritual of morning photography in these dunes is familiar to me by now. I get up before sunrise so that I can arrive at the point of departure for my walk into the dunes well before the sun comes up. Getting to the locations where I like to photograph can take between 15 minutes and a half hour of walking. Once I’m in position I usually have to work somewhat quickly since the light begins to change quickly. I’ll usually photograph a bit in the soft pre-sunrise light first. Then the first direct light on the peaks to the west alerts me that the direct sun will be here soon, and I turn my attention to finding subjects to photograph in the moments when the light/shadow boundary moves through the scene. I made this photograph considerably later, just as the increasingly bright light was a about to begin washing out the subtle early colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Entering the Narrows

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Entering the Narrows
The path up a desert canyon enters shaded narrows, Death Valley National Park.

Entering the Narrows. © Copyright 2021 G Dan Mitchell – all rights reserved.

The path through a desert canyon enters shaded narrows, Death Valley National Park.

Most of the time I approach places like this by passing across some sort of alluvial fan, then following a wash that narrows as its walls rise. When I think of these approaches, heat, direct and intense sunlight, dryness, and the sound of boots crunching on rocks come to mind, along with a sense of exposure to these elements. The terrain feels like it is mostly about loose materials — compacted soil, conglomerates, cracked faces, and the water-transported rocks all around.

That all changes when entering narrows like these. The open sky may constrict to a narrow channel far above or it may disappear entirely. The walls, having been scrubbed by moving water and gravel, are smooth and curved. The light becomes soft and often quite blue, coming entirely from the blue sky itself, reflected among the faces as it descends into the canyon. It becomes quiet and my own crunching footsteps are likely the only sound. The expansive world of light and sky on the alluvial fans and washes contracts, contained between the close walls and the next bend in the canyon.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders, Cathedral Range, Sunset

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Boulders, Cathedral Range, Sunset
Sunset light on glacial erratic boulders and the distant peaks of the Cathedral Range, Yosemite National Park.

Boulders, Cathedral Range, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset light on glacial erratic boulders and the distant peaks of the Cathedral Range, Yosemite National Park.

This backcountry photography trip followed a somewhat different format for our group. It was somewhere between a base camp trip and a through hike. The group often heads into the backcountry, sets up a base camp, photographs the heck out of the surrounding area for a week, and then goes back out. But this time we more or less split the difference between the two modes. First we spent a few days at a lovely, quiet Yosemite backcountry lake, and then we moved on to another location that put us closer to the trailhead of our exit route.

The first location’s lake sits in a bowl high on a forested ridge, dropping off on one side into a very impressive river canyon. The fact that it sits along that river’s drainage means that there is a lot of open country between it and higher Sierra ridges, including the distant peaks in this evening photograph. They belong to the Cathedral Range, a series of ridges and peaks cutting across the Yosemite high country and contributing greatly to the rocky, alpine character of the Tuolumne High Sierra region.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.