Tag Archives: national

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows - Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.
Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Although compressed here by the use of the telephoto lens, this view of Tuolumne Meadows, Lembert Dome, and Mount Dana is one of the first that you might see when arriving at the Meadows from the west – at least if you happen to look towards Dana after dropping to the meadow and rounding the first gentle curve to the left past a group of trees that grows along the roadside and at the edge of the meadow. This alignment of Lembert and Dana is one that I always look for when I arrive.

Perhaps because I often see it when I arrived at Tuolumne, and because I most often arrive in the morning, my mental image of this view usually includes haze that makes the view of Dana opaque, especially in when the haze is back-lit by this morning light. Oddly, I don’t often look across the meadows from this point of view during the evening, when I suppose I’m more likely to be further up the meadow and closer to the Tuolumne River itself. On this July evening, however, I did happen to be here just before sunset. (I don’t recall for sure, but I’ll bet that I was returning from photographing somewhere to the west.) When I saw that familiar alignment of Lembert and Dana in the evening light, I stopped. I don’t think that I noticed the herd of deer along the meadow at the bottom of the frame until I was set up.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mount Conness and Ragged Peak, Forest

Mount Conness and Ragged Peak, Forest - Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.
Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.

Mount Conness and Ragged Peak, Forest. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.

This photograph was made from the Tuolumne Meadows area with a long lens, and it includes the heights of Mt. Conness at the far right, the lesser prominence of Ragged Peak at the left, a shaded ridge running above the Young Lakes basin, and a closer bit of typical Yosemite forest mixed with a bit of dome-like granite, with sunset light slanting across from the left. By the way, I wondered for some time where the name “Mt. Conness” came from. I finally looked it up during the past year, and I found out that the namesake was Senator Conness, one of the two California senators during roughly the Civil War period – Conness was responsible for the legislation that initially set parts of the current Yosemite National Park aside for protection and preservation. All in all, a person deserving of a peak with his name.

Although photographed here from some distance, I know parts of the landscape encompassed by this photograph quite well, including the visible portions and some that are hidden from sight in this photo. For a number of years I have made a habit of visiting the Young Lakes area at least once each season, often late in the season when the summer crowds have dissipated – though I have also visited very early in the season, and I have the mosquito stories to prove it! Young Lakes lie on the other side of the shaded ridge traversing the center of the photograph, and I’ve often looked up at that ridge from the lakes. I have also hiked up into the valley on this side of the ridge. The trail to Young Lakes crosses the wooded area beyond the sunlit trees and passes through a beautiful semi-meadow area below Ragged Peak, a place where beautiful lupine flowers may be found at the right time of the year and from where one can obtain some panoramic views of a lot of high Yosemite Peaks. On one of my first visits to Young Lakes, it was so late in the season that the backcountry ranger who was patrolling the area apparently had little to do, and one morning we ended up having a very long conversation along the shore of one of the lakes. I remarked that a particular little gully in roughly the area of Ragged Peak looked like it might be interesting, and he shared enough information about the route that I chose to use it rather than the regular trail on my return to the trailhead. Mt. Conness, here the only peak or ridge still fully in sunlight, towers above everything else in this area. I have not climbed it, though I have investigated some trail less areas around its base and I’ve looked at it from almost every side.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Home Bay, Drakes Estero

Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Morning, Tuolumne Meadows

Morning, Tuolumne Meadows - Trees of Tuolumne Meadows in morning light, with forest ascending background slopes, Yosemite National Park
Trees of Tuolumne Meadows in morning light, with forest ascending background slopes, Yosemite National Park

Morning, Tuolumne Meadows. Yosemite National Park, California. July 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Trees of Tuolumne Meadows in morning light, with forest ascending background slopes, Yosemite Naitonal Park.

As a photographer, I am often up and off to shoot some interesting subject well before dawn. When I am car-camping, as I was during my mid-July visit to Tuolumne Meadows this year, I have a loose ritual that I usually follow. The night before I come up with one or more subjects that I would like to photograph in morning light. Based on where those are – driving or walking distance, and closer or further away – I set an alarm for a much earlier time than I want to. Then I have everything ready for a quick and fairly brainless early start – anything I’ll need to take from the tent sits by the end of the zipper I’ll grab to open the tent, and other things are already in the car. The alarm goes off – way too early for my brain, of course! – and I try to sit up so that I won’t go back to sleep and then put on whatever clothes I need for the morning weather. On a good day, I’m out of the tent and in the car in 5 minutes. On a bad day it might take 15. (On a really bad day, I have been known to just go back to sleep! Hey, it happens… but not very often.) I get in the car and try to drive out of the campground as quickly and quietly as possible.

You may have noticed that something was missing from that routine – breakfast! Indeed, I usually don’t bother with breakfast before shooting, preferring instead to get to work while the light is good. As hard as it can be to get started, it usually doesn’t take too long to find some site so special and compelling that I forget how hard it was to get up so early. In fact, once I get going I am often surprised to find so few others out and about at this time of the most beautiful light. Frequently I may see only a few hikers and perhaps another photographer or two, and even a couple of hours later, as the best light begins to transition into the “blah” daytime light, many people are apparently still in their sleeping bags.

I didn’t have far to go on this morning. Tuolumne Meadows is just across Tioga Pass Road from the main campground. The early light was a bit hazy, and as the backlight lit up the meadow and fringed the many trees, this haze enhanced the sense of distance between the closer trees and the forest leading up the more distant hillside.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.