Tag Archives: near

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock Sunset

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Red Rock Sunset
“Red Rock Sunset” — Sunset light on red rock formations near Fruita, Capitol Reef National Park.

This spot is obviously full of spectacular scenery, though it was a bit tricky to photograph near sunset. One of the “problems” actually turned out to be a plus. There was some overcast that muted the light, but the light was still strong enough to be softly directional, especially on the more distant cliffs. A second issue is geological. The area is on an inclined formation that rises to the west, so the sun actually drops behind the uplifted western horizon a bit earlier than true sunset.

The color was astonishingly red in this sunset light, especially since the soft light reduced harsh shadows and highlights. I don’t often include roads in my landscape photographs, but in this case, a) it was unavoidable and b) it produced a useful leading line heading toward the groves of trees and the campground at Fruita.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Architecture, Photographs: Europe, Photographs: France, Photographs: Travel, Photographs: Urban/Street

Paris Reflections

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Paris Reflections — an "invisible" building.
“Paris Reflections” — Reflective walls around a construction produce an imagined urban landscape.

Approaching this structure was an odd experience. At first I think I didn’t even quite notice it. And then when I first did become aware of “it,”I thought I was looking at a street lined with tall buildings. But it quickly became apparent that it was an illusion, produced by a huge cube of mirror panels reflecting the surrounding neighborhood.

It wasn’t quite clear what the structure was about when we saw it. We eventually determined that it isn’t an actual “real” building, but instead was some sort of wall that cuts off the view of construction work happening inside. What in this entire photograph is “real?” The foreground asphalt and roadway, but that’s it. The rest is entirely reflections of other things in the surrounding area.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ranges

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Desert Ranges
A view from the Panamint Mountains across Death Valley toward mountains near Las Vegas.

Desert Ranges. © Copyright 2023 G Dan Mitchell.

A view from the Panamint Mountains across Death Valley toward mountains near Las Vegas.

This is another in the “very long views” series. Like another recent photograph, it also comes from the crest of the Panamint Mountains, though this time looking generally east. As such, the view extends across Death Valley (over 6000 feet below), then over the Black Mountains, the Amargosa Range, and across the Amargosa Valley to a snow-capped ridge close to Las Vegas, Nevada. (in the full size version of this photograph remarkable details become visible — a parking lot near Artist Palette, utility poles along the road out of Death Valley.)

There is a bit of a story about the lighting in this scene. It is essentially front-lit, with the light coming from behind my camera position and shining directly on the subject. Typically, this would be about the worst kind of lighting for a landscape subject, especially when haze is present, since it produces almost no shadows and very little visibility of details. But here something compensates, namely the shadows of broken clouds which introduce some shadows into the scene and help us sense its depth.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Near-Shore Islands, Clearing Storm

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Near-Shore Islands, Clearing Storm
An autumn storm clears above the Pacific Ocean and a group of near-shore islands

Near-Shore Islands, Clearing Storm. North Coast, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn storm clears above the Pacific Ocean and a group of near-shore islands

We were up on the Northern California coast for a few days this past weekend, to celebrate Patty’s big birthday. This meant that the main goals involved drinking wine and enjoying some excellent dinners, and even allowed for more than a bit of sleeping-in, something that landscape photographers typically don’t do.

On this birthday morning we got up late and headed down to the town of Mendocino, perhaps considering a leisurely breakfast, but with no other specific plans in mind. But looking across the bay to the south we saw gigantic surf, clouds, fog, spray, and intense light — and photography distracted us. We traveled out to the edge of the headlands where there is a group of what must have once been coastal bluffs but which are now off-shore islands. The surf roared as the moving clouds cast alternating light and shadow across the seascape and dramatic clouds, some still dropping rain, passed by to the west.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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