Tag Archives: peak

Frozen Pond and Sierra Nevada Range, Owens Valley

Frozen Pond and Sierra Nevada Range, Owens Valley
Frozen Pond and Sierra Nevada Range, Owens Valley

Frozen Pond and Sierra Nevada Range, Owens Valley. Long Valley Area, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

The snow-dusted eastern escarpment of the Sierra Nevada reflected in the surface of a frozen pond on the high desert of Owens Valley, California.

On a very cold early October morning this year I ended up driving out into Owens Valley toward the Owens River after I spotted some interesting morning fog while driving out of Mammoth Lakes on highway 395. Although I had started out with the intention of photographing aspens, when I saw the fog I changed my plans and decided to leave the aspen photography for later. I first drove to a small lake where I have photographed several times in the past, a lake that provides very still water at sunrise and great reflections of the peaks of the Sierra crest which were covered with the snow from a series of early season storms.

After sunrise I decided that I was finished at that lake, so I got back in the vehicle and went exploring on some gravel roads that wander around in the general area of Hot Creek and Owens River. At first I aimed for some ground fog-covered areas that I had spotted earlier, and for a section of creek where the warm water seems to frequently create interesting fog on cold mornings. I arrived at this creek, took a look around, and decided that it wasn’t quite what I wanted to photograph, so I kept driving, ending up on some roads I had not visited before. As I crossed one long flat area of rangeland I passed this mall frozen pond, drove a bit further, and then turned around to come back and photograph it with the early morning – but no longer dawn – like on the snow-covered peaks just south of Mammoth.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mount Humphreys and the Sierra Crest, Dawn

Mount Humphreys and the Sierra Crest, Dawn
Mount Humphreys and the Sierra Crest, Dawn

Mount Humphreys and the Sierra Crest, Dawn. Near Bishop, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Dawn light falls on the snow-dusted summit of Mount Humphreys and the Sierra Crest above Bishop, California.

On this morning I paused along highway 168 on my way to photograph fall aspen color in the Bishop Creek Canyon area to photograph the first light on the Buttermilk Range and along the section of the Sierra crest near Mt. Humphreys and Center Peak. My main reason for stopping here was to photograph the Buttermilks, the rocky hills along the giant “fan” rising from Bishop toward the base of the escarpment of the eastern Sierra. The plan was to find a good vantage point, put a long lens on the camera, and then pick out various features of the range as the edge of the first light hit them.

With that in mind, I was set up here before dawn and standing around in the cold morning air waiting for the light to arrive. Obviously, before the dawn light can get down to the elevation of the Buttermilks it must first hit the peaks of the crest, and who can resist that kind of light? The very first light that just touched the tip of Mount Humphreys, near the right side of the frame, was almost too intense in comparison to the shadowed lower slopes, so I continued to wait until the light, still very saturated with color, illuminated the full upper faces of the crest and began to light up the lower peaks to the east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Color, South Fork Bishop Creek

Aspen Color, South Fork Bishop Creek
Aspen Color, South Fork Bishop Creek

Aspen Color, South Fork Bishop Creek. Eastern Sierra Nevada, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Brilliant peak autumn color in aspen groves along the south fork of Bishop Creek, eastern Sierra Nevada.

One week earlier I had visited this same area only to find a mixture of trees that had lost their leaves during a series of early fall snow storms and trees that were essentially still fully green. What a difference a week made! This fall it seemed that once the color change started, it moved quickly. Not only were these middle elevation trees in full autumn color, but in many places the color extended all the way down to the edge of Owens Valley.

These trees are along the south fork of Bishop Creek, off of the road to South Lake, and not far from so-called “Mist” or “Misty” falls. (I’m skeptical about this waterfall – it gives every appearance of having been constructed by redirecting water to a place where it would not likely flow naturally. I’ll welcome accurate information about that.) Perhaps because these trees grow in a fairly open and wide valley, many of them have managed to grow rather tall and quite straight, in contrast to a number of other Sierra groves that consist of small and often twisted trees. The rows of trees angle up slopes from the creek in the valley bottom and seem to be arranged in diagonal groves that ascend the hillside.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Trees, Conway Summit, Fall

Aspen Trees, Conway Summit, Fall
Aspen Trees, Conway Summit, Fall

Aspen Trees, Conway Summit, Fall. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Aspen trees in peak color at Conway Summit along highway 395 in the eastern Sierra Nevada.

I isolated this small bit of near-psychedelic color from the extensive aspen groves at Conway Summit, along highway 395 just north of Lee Vining and Mono Lake along the eastern edge of the Sierra Nevada range. When I visited the grove this past weekend the colors seemed to be essentially at their peak with alternating rows of red, orange, gold, and even a few lime green trees marching up the slopes toward the Dunderberg area high above.

If you hit it at the right moment, the aspen color at this location is second to none, and a bonus for many is that it is so accessible, being right alongside the highway. Brilliant colors can occur on both sides of the summit, but those on the north side seem to me to be more varied, and it is a bit easier and safer to find a place to stop alongside the road.

The lighting during my visit was “interesting” – which often means good but with some challenges. From my point of view, the best light at Conway Summit, at least when it comes to photographing aspen color, occurs fairly late in the afternoon when the sun gets low in the sky and can backlight the groves of trees. However, because of the backdrop of Sierra Nevada peaks the interval of good light can be short – and it is distinctly before actual sunset. The “interesting” element during this visit was that clouds were building over the crest. This produces some spectacular sky conditions at times, but it also cast shadows across the trees that dulled the colors and lowered contrast. Now a bit of this can be a good thing, and too much backlight can be a bit difficult to handle. By scoping out perhaps three of four possible compositions from my position, I could wait until the “good light” hit one or another of them, swing the camera around in that direction, and work quickly while the light lasted. For this detail shot of a colorful section of the aspen groves just below my position I had what can perhaps be the very best light for such subjects – a bit of directional light from behind filtered through clouds.

G Dan Mitchell Photography
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