A street scene on 10th Avenue between 19th and 20th streets in Chelsea, photographed in evening light from the High Line Park.
A rather plain street scene, but uncharacteristically empty of cars and pedestrians, as seen from the High Line Elevated Park in Chelsea. Shot on the evening of our first full day in New York in mid-August, just after sunset as a few clouds passed over Manhattan.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
People taking a summer evening walk along the High Line Elevated Park in Chelsea with the IAC Building and the 100 11th Building in the background, New York City.
I only spent a short time on one evening walking along the High Line Park, but I certainly found it to be an intriguing place, and one that I intend to visit again. I first stopped to photograph this spot when I saw a couple of musicians performing on the bench just beyond the people walking and standing in the foreground. But the “urban landscape” of buildings beyond is obviously very striking, especially in the evening light. I cannot identify all of the buildings in the photograph – my first attempts to find them via Google maps failed because the buildings are so new that you only see empty space and construction sites there. I finally determined that the building on the left with the “swooping” lines is the IAC Building, designed by Frank Gehry – which is obvious in retrospect. The taller building in the background (which I had taken to calling the “Mondrian building”) is the “100 11th” building, designed by a French architect named Nouvel.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
People walking quickly along elevated walkway at the Museum of Modern Art, New York.
Shooting hand-held and at a very low shutter speed while visiting the museum, I made a series of exposures looking down into the space of the museum with the many criss-crossing walkways and other structural forms lit by a combination of light coming from nearby windows and artificial lighting, in which the people moving through the space are blurred by their rapid motion.
Although I suppose that a lot of my landscape/architecture photographs tend toward high resolution, detail, and sharpness I’m also fond of photographs that eschew that stuff! This image combines several things that interest me quite a bit. One, not surprisingly perhaps, is the view of the urban world as its own type of landscape – my interest in landscape is not limited to only those of the natural world. I’m also fascinated by forms and shapes, especially those formed in this kind of constructed environment. And, finally perhaps, I have this idea that I explore from time to time of contrasting the fixed and solid objects of the man-made world with the transient and dynamic motion of its inhabitants.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
People along the sidewalk along 7th Avenue near Penn Station on a summer evening in New York City.
This is another night photograph made while walking along 7th Avenue around twilight, the time when there is a mixture of dim light still coming from the sky and the garish artificial lights of this urban area. The blue light in this image comes from a nearby blue “marquee” sign that runs along the side of a nearby building and right onto the sidewalk. I was attracted not only by the figures in the scene, but also by the combination of this intense blue light and the “pool” of warmer light that lit the two people.
This and the other photographs made this evening were shot “on the fly” as we walked. In some cases I took the time to raise the camera, compose and shoot – but in others I shot quickly without raising the camera to my eye. This photo is, I believe, in the latter category.
These photographs would have been more difficult to make in the era of film SLRs – not impossible, but certainly challenging. Here I was able to shoot at ISO values between 800 and as high as 3200 and still get decent image quality.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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