An imaginary landscape derived from subjects photographed in Death Valley National Park.
“Imaginary Landscapes” are images most often derived from photographs of natural scenes and objects, but modified in ways that are not intended to be realistic.
While working on this photograph, I was experimenting with some techniques for post processing images, particularly to control the visibility of features at the very light and very dark ends of the luminosity scale. One thing led to the next, and soon I had darkened the sky, enhanced the dynamic range in the clouds, and tried a monochrome interpretation of the scene. Then I got the idea to play around a bit with the sky and clouds and before long things had progressed to a point that was well beyond believable.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
First morning light on the rugged landscape of the base of Tucki Mountain and the Panamint Range, Death Valley National Park, California
This photograph was made from a location a ways up from the bottom of Death Valley, from which I could look directly across at the lower slopes of gigantic Tucki Mountain as the first morning light worked its way down toward the lower ridges and the huge alluvial fan at the base of the mountain. At the moment I made the exposure the light was just beginning to fill this slanting area below the rugged mountains, and the light was softened by morning haze.
Tucki Mountain is a huge peak that almost seems to me to be large enough to count as its own minor mountain range. It rises above Stovepipe Wells, and extends a great distance east, south, and west of there. It is laced with deep canyons and its lower slopes are heavily eroded to reveal tilting and twisting strata. Another large valley lies on beyond the foreground spur ridge in this photograph, and beyond that the Panamint Range rises to its crest at 11,000+’ Telescope Peak.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A swirling mass of snow geese taking flight above Skagit Valley, Washington.
(You may need to look at this one for a moment in order to understand what is going on.) I photographed these birds in what I believe Washingtonians might refer to as the “Lower Skagit River Valley” area of Washington. I visited the Seattle Area in mid-February, and managed to get one full day to drive up to Skagit Valley and look for the famous birds that are found there: snow geese, trumpeter swans, bald eagles, and more. I arrived there just before dawn on a cloudy and drizzly morning. Not really knowing the area, at first I wasn’t exactly certain where to look. I started just outside of the town of Conway, where fresh green fields occasionally held groups of trumpeter swans, though they all turned out to be a bit too far away for effective photography. Soon I decided to continue on the road out of Conway, driving in the general direction of Laconner and Anacortes. About half way between Conway and Anacortes, the road crosses a large bridge over the river through a forested area. Just before this bridge, I found my geese! As I approached I caught (thrilling) sight of airborne birds heading toward and landing in a field, so I pulled over and began photographing them. There were many thousands of snow geese, mixed in with some trumpeter swans and a few odd ducks.
As I have photographed the migratory birds this season, mostly in California’s Central Valley, one of the ideas that I got in my head was to photograph the massive flocks as they take off, using longer shutter speeds to create some motion blur and long focal lengths to compress the flocks. So, after making a few photographs at more normal and reliable shutter speeds, I switched to an unusually low shutter speed for a hand held 400mm lens and prepared for the inevitable lift off of the flock. I didn’t have to wait long. As the flock, with its edge barely more than 50 feet away from me, lifted off all at once, I used the long lens to crop closely and tracked the flock as it rose and expanded. While the initial impression of the resulting photograph might be “lots of blurry stuff!,” a closer look begins to reveal some detail and order in the madness, and individual birds can be isolated from the background blur. For the interpretation I had in mind, additional work was needed in the post-processing phase, including some work to control the blur and find edges, and some overall adjustments to dynamic range and color.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A subtle abstraction of motion-blurred snow geese in the sky over Skagit Valley, Washington.
In the second half of February I had the opportunity to spend four days in the Pacific Northwest, in and around the Seattle area. It seemed that there were two wildlife events taking place – both involving birds. The one that was getting the most attention was the snowy owls up in, if I understood correctly, the Vancouver, BC area. For a variety of reasons that subject was not going to be on my itinerary for this trip. The other was the trumpeter swans and snow geese that were settling in the lower Skagit Valley, roughly between Conley and Laconner. I did manage to spend the better part of an entire day there photographing these birds, along with a few others including bald eagles.
I arrived in the area very early, at just about the time of what would have been sunrise had it not been raining lightly. As I drove out of Conley I began to see the trumpeter swans here and there on the bright green winter fields. But despite some serious wandering about on rural side roads, I was not able to get close enough to them to make photographs. So I moved on, soon coming to a closed produce market alongside the road near fields and just before the road crossed the nearby river on a bridge through the woods. Here, at a curve in the road, I spotted many thousands of snow geese just across a drainage ditch and not far from the roadway. I pulled over and set up and watched as even more birds began to arrive, until the largest flock of geese that I have even seen was assembled in this empty field. Then, for some reason I could not discern, the entire group of thousands and thousands of geese spontaneously and en masse rose up into the air. Fortunately, I had been thinking about this possibility and an idea I had to photograph them with a long lens and at slow shutter speeds, and I was already at the right shutter speed and had the long lens on the camera. It was mostly a matter of aiming straight into the thickest part of the flock and trying to keep some eye on the background patterns as the geese rose into the air. I took this photograph from the set since it was almost entirely filled with geese and used it as a starting point to do a bit of additional post-processing to produce the interpretation of the photograph that you see here.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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