A sidewalk with a lamp next to a white waterfront building in San Francisco, California.
This is another in the series of wandering-the-streets photographs from San Francisco last July. At one point I was wandering along the Embarcadero – the road and nearby areas that front the shoreline along the Bay between about Fishermans Wharf and ATT Park. I walked through here slowly, poking about in odd little alleys and walkways, and occasionally finding myself in spots that were not very crowded. Here I had walked into an area of new construction to find new and refurbished buildings over the water and surrounded by walkways. At just this point the fog clouds were beginning to thin out a bit – you can see a hint of blue sky reflected in the upper windows and shadows were starting to appear. Certain shape, color, and texture features drew me to this little scene.
Photograph of Richardson Bay from Marin hills, showing Tiburon Peninsula, Angel Island, downtown Oakland, East Bay Hills, and Mount Diablo in the distance.
This photograph was shot from essentially the same position as the previous one, a black and white photo of the same vista, though with shorter focal length. I used a longer focal length here to try to enlarge to closer elements and leave out some of the stuff along the edges, and to minimize the amount of sky to some extent. I liked the color version of this – it was hard for me to think about giving up the nice overall blue haze, but even more to give up the was of light on some of the green grassy areas at the bottom of the frame.
There is quite a bit of stuff in this image, so let me describe what you see. At the bottom of the frame are hills above Marin City. Beyond the foreground hills you see Richardson Bay, which is an arm of San Francisco Bay near the entrance to Golden Gate. Across the bay we see the hills of the Tiburon Peninsula and beyond that looms the peak of Angel Island. In the distance and across San Francisco the buildings of downtown Oakland are visible through the low level backlit morning haze. Beyond are the East Bay Hills and the furthest peak is Mount Diablo, all the way out past Concord.
Black and white photograph of Golden Gate Bridge north tower, the San Francisco-Oakland Bay Bridge, and the East Bay Hills in morning haze.
I sometimes enjoy playing the juxtaposition game, going up into the Marin Headlands and using a long lens to juxtapose elements of the Golden Gate Bridge with other elements of the landscape, human and natural, of San Francisco Bay. One of the most iconic examples of such photographs is the one that many have shot (including me!) that centers the tip of the Transamerica building within a frame formed by the north tower of the bridge. But there are many other possibilities that might be at least as interesting, and which may depend more on the changing and often very interesting conditions of atmosphere and light over the bay.
This photograph was made from a point very close to that from which the Transamerica building photograph can be made, but a bit higher on the road up into the headlands. When I arrived just before dawn in the general area there were quite a few other photographers who I presume were there to photograph the dawn scene. (This is a difficult task, as it requires you to shoot essentially directly into the sun if you want San Francisco in your shot.) I was surprised when essentially all of the other photographers packed up and left a few minutes after the sun came up! (In their defense, it was windy up there – so windy that it made shooting with a long lens quite a challenge!) The sunrise wasn’t all that amazing, at least not if you know this area pretty well. But the low haze/fog over the east bay hills and some overhead clouds filtering the light a bit created the potential for some interesting and moody light – at least if I used a long lens to isolate small sections of the scene.
I’m almost a bit embarrassed to admit that I picked my first shooting location not based on the scene but rather on trying to avoid the wind! I went up the road to a spot where I could shoot in the lee of a hill side. After getting that out of my system, I went the other way and entered a very windy area along the road below the parking lot. I eventually found a spot that lined up the two great bridges of San Francisco Bay – the north tower of the Golden Gate Bridge in the foreground and two towers and a central span of the San Francisco-Oakland Bay Bridge in the distance, both backed by that low fog and haze and beyond the East Bay Hills.
The pilings of a long-abandoned pier on the Pacific coast near Davenport, California.
(Since the time when I wrote this message I have also posted another photograph of this scene made a bit earlier the same evening.)
Besides being a matter of hours from the Sierra Nevada and less than a day’s drive from places like Death Valley, I can be at the Pacific coast between San Francisco and Santa Cruz in barely more than a half hour. Yesterday it looked like evening conditions might be interesting so I headed over there in the late afternoon. As I crossed the mountains on my way there I was pleasantly surprised to see low clouds over the ridges and some higher clouds over towards the ocean, which got my hopes up for some sort of spectacular evening light. However, when I actually got the the coast the conditions were not as interesting – mostly clear with just a bit of cloudiness on the horizon, and no interesting haze or mist over the water. Either that or I just wasn’t “seeing it” this time. So, after stopping for a cup of coffee, I headed up the coast from Santa Cruz and stopped at several of the usual locations, but didn’t make a single exposure. At the northernmost point on my drive I stopped right by the water and it looked like interesting light might be five or ten minutes away… and then the sun dropped below some low clouds near the horizon and the light died!
I think I’ve learned to go with the flow when this happens. I react in several ways. One is to look around for subjects other than those that I thought I was there for. With that in mind I thought about photographing shore birds… but there was only one forlorn seagull down near the water. I saw an interesting pool of water on the beach and thought it might play into a seascape photograph, but the flat light and cloudless sky was not working. I remembered a spot a bit further south where I had once shot some shoreline shoals from the top of a steep cliff at sunset, so I quickly drove up that way… and couldn’t find them!
I had one final thought. On the way north I had seen a group of photographers on the bluff near the northern edge of Davenport. I had stopped, leaving my camera equipment in the car, and quickly dashed out to where they were set up to see what was so interesting. Below their position were the four remaining supports from an old pier that washed away many years ago. It looked interesting and I recognized the structure from photographs that others have made from down on the beach – but I hadn’t been up for the steep descent to the beach so I had driven on after making a mental note about a position from which I thought a photograph might be made. Now I realized that if I went straight there that I might be able to make some long exposures in the dying light and perhaps frame them so that they only contained the structures and the open sea. So, off I went.
I arrived just before the moment of sunset and, sure enough, the group of photographers I had seen earlier was still there. I grabbed my gear and quickly walked out to the point I had scoped out earlier, which was some distance from where they were set up. I framed up this composition and then photographed right though sunset until there wasn’t really enough light to keep shooting. (The group at one point looked like they thought the show was over and they were going to leave, but I think they saw me continuing to shoot and decided to stick around almost as long as I did.) The light just kept getting more interesting as it faded. Although it was too dark to really see the image as it appears here, I knew that this three minute exposure (intentionally lengthened by choosing a small aperture and low ISO) would smooth out the surface of the water but still show the shadows and reflections of the old pilings.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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