Tag Archives: point

Elephant Seals in Surf

Elephant Seals in Surf - Two elephant seals spar in the surf at Point Reyes National Seashore, California.
Two elephant seals spar in the surf at Point Reyes National Seashore, California.

Elephant Seals in Surf. Point Reyes National Seashore, California. June 24, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two elephant seals spar in the surf at Point Reyes National Seashore, California.

After over a month of not exposing a single frame, I needed to go out and start shooting again this past week. (June is often a very busy time of year for me, and this June was especially challenging in a number of ways.) So, even though it is finals week at the college and I have a lot of papers to grade and loose ends to tie up, I managed to get away for a half day to photograph at Point Reyes. I went there with few specific ideas about what to shoot, instead just sort of hanging loose, enjoying whatever I could find, and making photographs as I found them. I started by taking an unplanned detour out towards Tomales Point – I was sort of killing time while waiting for the light to do the right stuff, and I thought it would be interesting to head out there and see the tule elk. After that I returned to the main road and headed out toward the Point Reyes lighthouse.

It actually was not my plan to go to the lighthouse, and didn’t even drive the last little bit of roadway to that site. Instead I took the turn towards the start of the Chimney Rock trail, with a general plan of being high up on the bluffs of this southernmost section of the Point when the good light arrived. I pulled in, at a sandwich for dinner, loaded up my camera gear, and headed out along the trail. I had a few things in mind. I know that shooting back along the steep, rocky cliffs of the Point late in the day can be dramatic, and I started by photographing there – fortunately my timing turned out to be almost exactly right, as I caught a last bit of light on the mist and haze along the shoreline before the sun moved too far north to continue to light the area. I then moved on out the end of the trail, where I just sat for a while as I waited for the early evening color to come to the light. I made a few photographs out here, stopped again along the bluffs to photograph along the point (but the best light had passed), made a few photographs back across Drakes Bay, and then started back towards a low point, protected from the wind, from which I thought I might try to photograph the Farallons right at sunset. Once I got there, the light on the islands seemed uninteresting, but I soon realized that the guttural sounds of elephant seals that I had been hearing were coming from the base of the cliff on which I was standing. I moved a bit closer to the edge – but not too close! – and was able to shoot straight down on a group of elephant seals as they alternately lay around on the beach and sparred in the shallow surf just beyond the sand.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Evening Sky

Trees and Evening Sky - Trees silhouetted against cloud-filled evening sky, Yosemite National Park.
Trees silhouetted against cloud-filled evening sky, Yosemite National Park.

Trees and Evening Sky. Yosemite National Park, California. June 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Trees silhouetted against cloud-filled evening sky, Yosemite National Park.

The last time I posted a photograph of more or less this scene, the colors were so bright that you almost needed sunglasses! The photograph was made on an evening that ultimately turned into one of the most astonishingly colorful ones I have experienced in the Sierra – and I have experienced a few! Although that evening began with what most might regard as extraordinarily unpromising light – murky haze and overcast – I had an idea that these might be just the conditions in which the sun drops below the edge of the clouds far to the west just before sunset and then lights the clouds from beneath, a situation that can suddenly turn the sky into a psychedelic kaleidoscope of colors.

Eventually that is just what happened. But this photograph was made just before that show began, or perhaps during the very first stages of it when it was not at all certain what might develop. There were high, thin clouds in the sky to the west, and they began to glow a bit with evening backlight, so I lined up this little group of trees on the granite slabs and photographed them in silhouette against the sky. A few minutes later… it was not going to be time to be making black and white photographs!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point and Murphy Hogback, Evening

Murphy Point and Murphy Hogback, Evening - Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

Murphy Point and Murphy Hogback, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.

Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point, Sunset

Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.