Tag Archives: point

Light on Water, Point Reyes

Light on Water, Point Reyes
Light on Water, Point Reyes

Light on Water, Point Reyes. Point Reyes National Seashore, California. May 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Afternoon light filtered through incoming clouds illuminates the surface of the Pacific Ocean at Point Reyes, California.

When we were at the Point Reyes lighthouse on Memorial Day, clouds from a weak weather system were approaching the coast. Above the horizon the sky was dark and somewhat gloomy. Overhead there were broken clouds, the light coming through the cloud breaks dappled the surface of the Pacific Ocean to the northwest of the Point, and there was a larger pool of light on the horizon. All of this seemed to call for another “minimalist seascape,” so I made one.

When I made the exposure I was leaning towards a black and white image, but when I began to work with it in post and realized that it was very close to being monochromatic already, I decided to stick with the very muted colors of this version. The colors a bit more obvious in the print, but still quite subtle. The closest thing to real color is a slight golden tinge to the light on the horizon.

The Point Reyes lighthouse area is often a pretty wild place. I’ve been there when the wind was blowing so strongly that I essentially gave up on photography. It can be extremely cold out there, too, even on days when the sun is breaking out and the temperatures are warm a bit inland. But this spring day was a surprise. Apart from the passing clouds, the weather was quite comfortable, and for the first time that I can recall there were moments of no wind at all!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Four Tule Elk, Point Reyes

Four Tule Elk, Point Reyes
Four Tule Elk, Point Reyes

Four Tule Elk, Point Reyes. Point Reyes National Seashore, California. May 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Four tule elk in the meadows at Point Reyes National Seashore.

When the day started I had no idea that I might be photographing wildlife today, much less tule elk! In fact, today was meant to be primarily a photography day. We decided to spend the day on a coastal drive, starting with breakfast in Santa Cruz and then heading north to… wherever we ended up. We had a vague idea that it might be interesting to end up at Point Reyes Station perhaps, where there was an open art studio event going on.

By mid-afternoon, that is indeed where we ended up. We stopped in town to get coffee and a snack and wander about just a bit. With no specific plan in mind we sort of decided to head on out to Point Reyes – the actual “point,” not just the general park. On the way back we took a detour down to Drakes Bay for a quick stop. As we drive back up from there to the top of the hill near the main road we saw some strange shapes in the distance behind a fence. The looked like antlers, but that didn’t seem right – this particular area is dairy country and the elk that I had heard about were in a different area of the park. But as we reached the top of the hill it became completely obvious that a small herd of tule elk were grazing right on the other side of the fence. We pulled over and I grabbed my long lens. The elk were kind enough to occasionally look up from the business of grazing and pose dramatically in the low late-afternoon light from the west.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocky Creek Bridge, Big Sur Coastline

Rocky Creek Bridge, Big Sur Coastline
Rocky Creek Bridge, Big Sur Coastline

Rocky Creek Bridge, Big Sur Coastline. South of Monterey, California. May 13, 2011. © Copyright G Dan Mitchell – all rights reserved.

Bluff, cliffs, seastacks, and fog-shrouded coastal hills along the Big Sur coastline of California.

The bridge in the distance beneath the rounded, fog-topped hill is the Rocky Creek Bridge. (It is sometimes mistaken for the famous Bixby Bridge, which is a bit further south along the coast highway.) I’m very familiar with this area, having photographed from here many times. In fact, later on this morning I was up in the hills beyond the hilltop home while investigating a gravel road that heads back up into the mountains here.

I wanted to juxtapose a range of near and far bits of the bluffs above the shoreline cliffs in this scene. While the coastal meadows will turn brown very soon, on this mid-May date and in this relatively wet year they were still green. The coast highway travels along the upper part of the bluffs, often between the cliffs and the hills rising above. Beyond the bridge you can see the roadway rise to pass around another hill before descending toward the next creek to the south.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Manly Beacon, First Light

Manly Beacon, First Light
Manly Beacon, First Light

Manly Beacon, First Light. Death Valley National Park, California. March 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

The first morning light strikes Manly Beacon at Zabriskie Point, Death Valley National Park.

Icon alert!

I had more or less promised myself that I would not photograph at Zabriskie Point on this trip – been there, done that – unless the conditions were really special. But I miscalculated my morning start on this day and discovered that I wasn’t going to make it to my intended destination in time. As I passed Zabriskie on my way to the “other place,” telling myself that I still had a half hour before I needed to be in place for the early light… I noticed that clouds above this area were already starting to pick up the pink color of dawn light. I hesitated for a moment – I really wanted to photograph that other subject – but quickly realized that it would make a lot more sense to the shoot the subject that was here in the light that was developing than to drive further and miss out entirely on the first light.

So I turned into that familiar parking lot with its familiar fleet of photographers’ cars and quickly loaded up my gear. I was a bit surprised that I saw so few people up above at the official overlook, but it was quite windy and I figured that perhaps they had just dropped down on the other side of the wall below this spot. In any case, I had a different spot in mind, one further to the right, so I headed over that way and quickly discovered that the wind was blowing almost too strongly to make photographs. I made a couple of shots from a small gap there and then headed up toward the overlook. At the top of the little trail from the parking lot I dropped onto the small use trail to the side of the wall and was again surprised to see almost no other photographers. I walked a few feet farther and discovered that the “usual crowd” was huddled in a small area in the lee of the wall, trying desperately to find protection from the wind.

These days, my main project when I stop at Zabriskie is to find and photograph small, isolated elements of the landscape with a long lens. For the most part – unless truly magical conditions are present, and they weren’t on this morning – I don’t really spend much time on the classic views of Gower Gulch, the Valley, and the Panamint Range. However, since I’m there and know the progression of the light fairly well at this point, I’m not about to pass up the opportunity to get a better image of one of these iconic subjects. So as the first light was about to hit the summit of Manly Beacon I turned my rig that direction and spent a couple of minutes photographing it as the line between shadow and morning light traveled down its face.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.