Dawn light on the snow-capped summit of Mount Gibbs above a frozen pond, Yosemite National Park.
This small pond is perhaps familiar to visitors to Tuolumne Meadows and Tioga Pass, though more likely with a different appearance. Here, early on a cold morning on the day after Tioga Pass opened for the season, the pond is still mostly frozen and it is surrounded by deep snow banks. The summit of Mount Gibbs is just touched by the first morning light as it passes through clouds over the Sierra crest.
Alpenglow lights the face of Mammoth Peak beyond a small tarn near the summit of Tioga Pass, Yosemite National Park.
This was very close to the last exposure I made on this productive late-July day last year. After photographing for a few hours in the vicinity of Tioga Pass, I ended up right at the pass as the day came to an end. Braving hordes of mosquitos – comes with the territory! – I worked the area around the pass itself, building compositions out of juxtapositions of the water in the small meltwater ponds, shoreline meadow and boulders, grasses growing along the edge of the water, the surrounding pine forests, and the more distant peaks of Kuna Crest. In this photograph, what is very nearly the very last direct light of the day is bathing the slopes of Mammoth Peak, which still had a fair amount of snow on its flanks even in late July.
This scene posed a few technical challenges. First, there is obviously a great distance between the foreground granite boulder and the very distance mountain. I wanted the foreground to be in optimal sharpness, so I used a relatively small aperture to maintain sufficient sharpness on the far ridge. There was also a fairly large dynamic range in the scene, ranging from soft but direct light on the snow fields of the peak to the dark areas within the forest on the other side of the pond. I wasn’t certain that I’d be able to handle the full dynamic range in one exposure, so I made three – one longer exposure to get a bit more light from the shadows and another shorter one on the dark side to avoid blowing out the brighter areas of the sky. In post, I discovered that there was enough detail in the shadows that I could get everything I needed from a single exposure, though I had to do some work with curves to get create an image the conforms more closely to the way I saw the scene at the time.
Mammoth Peak in sunset light, reflected in the still surface of Tioga Tarn, Tioga Pass, Yosemite National Park.
This view of Mammoth Peak on Kuna Crest in the Yosemite High Country from the Tioga Tarns at the top of Tioga Pass is a classic Sierra Nevada scene. The foreground tarns are lush green in the early summer after the snow melts out and fall into shadow early in the evening as the sun drops behind the ridge between this area and Gaylor Lakes. Mammoth Peak, however, has an almost unobstructed line of sight to the west, so this peak continues to hold the sunset light until the last possible minute. (Don’t let the peaceful appearance of the scene fool you – I was being devoured by clouds of mosquitos as I made these exposures.)
In order to deal with the extremely large dynamic range between the Mammoth Peak snow fields in direct sun and the very dark shadows of the nearby forest I resorted to exposure blending and a few other post-processing techniques. With exposure blending, I make two exposures, one optimized for the brightest areas of the scene and the second a slightly longer exposure to capture a bit more of the shadow detail. In post I began with the darker frame, since that presented Mammoth Peak the way I remembered it. Then I placed to other exposure beneath it and used a mask layer to reveal some of the lighter areas from the lower layer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Passing clouds reflected in the surface of a subalpine pond with summer meadow grass, Tioga Pass, Yosemite National Park.
I made this photograph on a special afternoon late last July. Although I had been across Tioga Pass earlier in the season when it was still very snowy, this was my first real visit to the summer high country of the season. It was a beautiful, sunny afternoon with just a few fluffy clouds floating about when I came to the meadows near Tioga Pass. The color of the meadow grasses was at just that perfect point that we think of when we imagine summer subalpine meadows – the intense green just before the wildflowers bloom and the inevitable change toward fall begins. (Yes, after some summers in the high country this cycle becomes clearer and clearer.)
I left my car, loaded up a pack of camera equipment, and just wandered the meadow for a good portion of the late afternoon, photographing the grass, the small trees, brooks and snow-melt ponds, and more. By sauntering about with no particular destination in mind I was able to “follow my nose” and find things that I had not seen in this meadow before, including more ponds than I had been aware of. These grasses were growing along the edge of an obscure pond with a complex and curving shoreline, and I photographed them as a few of those small clouds floated by.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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