Tag Archives: print

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows

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Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows - Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.
Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Although compressed here by the use of the telephoto lens, this view of Tuolumne Meadows, Lembert Dome, and Mount Dana is one of the first that you might see when arriving at the Meadows from the west – at least if you happen to look towards Dana after dropping to the meadow and rounding the first gentle curve to the left past a group of trees that grows along the roadside and at the edge of the meadow. This alignment of Lembert and Dana is one that I always look for when I arrive.

Perhaps because I often see it when I arrived at Tuolumne, and because I most often arrive in the morning, my mental image of this view usually includes haze that makes the view of Dana opaque, especially in when the haze is back-lit by this morning light. Oddly, I don’t often look across the meadows from this point of view during the evening, when I suppose I’m more likely to be further up the meadow and closer to the Tuolumne River itself. On this July evening, however, I did happen to be here just before sunset. (I don’t recall for sure, but I’ll bet that I was returning from photographing somewhere to the west.) When I saw that familiar alignment of Lembert and Dana in the evening light, I stopped. I don’t think that I noticed the herd of deer along the meadow at the bottom of the frame until I was set up.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Wildlife

Pelican Flock

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Pelican Flock - A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve
A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve

Pelican Flock. Point Lobos State Reserve, California. July 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A high key rendering of a photograph of a flock of pelicans above the Point Lobos State Reserve.

I photograph birds sometimes – more these days than at some times in the past – but they are generally not my main passion in photography, with a few exceptions. The first of those, however, is photographing pelicans along the Pacific Ocean coast of California where these big, magnificent birds seem to stand apart from the other birds of the area. They are bigger, they often coast rather than flapping wings quickly, when seen they are most often simply passing by on their way to and from some unknown other place, and they overall seem to me to have an almost prehistoric aspect.

Most often when I photograph them I go to some place where I think they will pass and I wait. Places where a rocky peninsula extends a bit into the ocean can be likely spots, as are the top edges of certain bluffs above cliffs, where they seem to float past on updrafts from onshore winds. Often as I wait and watch for them I see other birds and I may photograph them, but I’m always watching in the further distance for the groups of pelicans, usually strung out in lines of a few birds to, sometimes, many – and as soon as I spot them the other birds are forgotten as I watch the pelicans approach. I understand that this year the California pelicans are stressed by some sort of environmental change and many have died and others seem undernourished. This may partly explain why I saw so few on this July visit to Point Lobos, mostly only stray groups of two or three that were separated widely from one another. But late in the day a huge flock came from the south and, surprisingly, rather than floating past quickly they moved slightly inland, where I think they found a thermal, and spent several minutes coasting in circles as they rose higher.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Mount Conness and Ragged Peak, Forest

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Mount Conness and Ragged Peak, Forest - Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.
Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.

Mount Conness and Ragged Peak, Forest. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light slants across forest below Ragged Peak and Mount Conness, Yosemite National Park, California.

This photograph was made from the Tuolumne Meadows area with a long lens, and it includes the heights of Mt. Conness at the far right, the lesser prominence of Ragged Peak at the left, a shaded ridge running above the Young Lakes basin, and a closer bit of typical Yosemite forest mixed with a bit of dome-like granite, with sunset light slanting across from the left. By the way, I wondered for some time where the name “Mt. Conness” came from. I finally looked it up during the past year, and I found out that the namesake was Senator Conness, one of the two California senators during roughly the Civil War period – Conness was responsible for the legislation that initially set parts of the current Yosemite National Park aside for protection and preservation. All in all, a person deserving of a peak with his name.

Although photographed here from some distance, I know parts of the landscape encompassed by this photograph quite well, including the visible portions and some that are hidden from sight in this photo. For a number of years I have made a habit of visiting the Young Lakes area at least once each season, often late in the season when the summer crowds have dissipated – though I have also visited very early in the season, and I have the mosquito stories to prove it! Young Lakes lie on the other side of the shaded ridge traversing the center of the photograph, and I’ve often looked up at that ridge from the lakes. I have also hiked up into the valley on this side of the ridge. The trail to Young Lakes crosses the wooded area beyond the sunlit trees and passes through a beautiful semi-meadow area below Ragged Peak, a place where beautiful lupine flowers may be found at the right time of the year and from where one can obtain some panoramic views of a lot of high Yosemite Peaks. On one of my first visits to Young Lakes, it was so late in the season that the backcountry ranger who was patrolling the area apparently had little to do, and one morning we ended up having a very long conversation along the shore of one of the lakes. I remarked that a particular little gully in roughly the area of Ragged Peak looked like it might be interesting, and he shared enough information about the route that I chose to use it rather than the regular trail on my return to the trailhead. Mt. Conness, here the only peak or ridge still fully in sunlight, towers above everything else in this area. I have not climbed it, though I have investigated some trail less areas around its base and I’ve looked at it from almost every side.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Home Bay, Drakes Estero

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Home Bay, Drakes Estero
“Home Bay, Drakes Estero” — Fog rolls in over Drakes Estero beyond Home Bay, Point Reyes National Seashore

This quick late-July visit to Point Reyes was an opportunity to re-learn a few lessons about going out to make photographs. I drove up to San Francisco, where my wife was to be involved in a music performance — the plan being to drop her off and then drive on over the Golden Gate Bridge to Point Reyes. It is often cold and windy there, even in the summer, but this was a very warm period and it looked like the coast might be clear of fog. With this in mind, I planned to either visit the Limantour Beach or else hike out towards Drakes Bay.

I should have sensed that things were about to evolve in ways that I had not planned for when, during a brief stop at the Point Reyes visitor center, the rangers announced that the road to Limantour was closed since a fire had just started in the area! With that option gone, I figured that Drakes Bay would be my objective, and I had images of afternoon and evening light on this day of little or no fog. I drove on out to the Estero trailhead where it was, in fact, quite sunny, though a bit windy. I loaded up my camera pack with a few lenses and a tripod, and set out towards Drakes Head, thinking I might make it there for late afternoon light. Soon I saw the telltale puffs of incoming fog overhead, and I came around a bend in the trail to see that the fog had already moved in to the west and over Drakes Bay. Fortunately, iin most cases I would rather photograph in “interesting” weather than in supposed perfect blue sky weather.

At a point where the trail descended to cross a dike at the head of Home Bay, I saw this conjunction of near and far forms, with the distant bluffs under the incoming fog, so I stopped to make a few photographs before moving on. To make a potentially long story a bit shorter, the temperature quickly dropped and the wind picked up to levels that made photography increasingly difficult. I managed to work with one other scene that included a curving snag in front of the bay, but it was already becoming difficult to find a calm moment in the wind to click the shutter. I kept going, finally reaching the trail junction that heads off towards Drakes Head, only to realize that I would never get all the way out there in time to return before dark. Cutting the hike short after a bit more than an hour and a half of hiking, I began to retrace my steps back to the trailhead.

In the end, this is really the only photograph that I came away with – despite carrying that fully loaded camera pack out and back! But this reminded me of a first lesson, namely that it is worth the effort even if I only come back with a single shot that I like. This one, to me, evokes the relative isolation and quiet of this spot in the upper reaches of the calm waters of Drakes Bay, with the fog bank beginning to assemble across the distant bluffs. A second lesson is that sometimes on a photographic quest, it is OK to simply enjoy the surroundings. A practical photographer can remind himself or herself that scouting is a good thing, and that things not photographed this time may well be on a future visit. And a long-time hiker can – and did – remind himself that sometimes it is just fine to leave the camera in the pack and just enjoy the wind and the space.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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