Tag Archives: red

Photographs: Desert, Photographs: Southern California

Petroglyphs

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Petroglyphs - Petroglyphs on a rock face overlooking desert terrain
Petroglyphs on a rock face overlooking desert terrain

Petroglyphs. Death Valley National Park, California. January 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Petroglyphs on a rock face overlooking desert terrain.

Encountering these very old and very mysterious traces of people who lived in this desert terrain many, many years ago is always a special experience. Perhaps you have read the following story here before, but I think of it every time I encounter these things. Well over a decade ago I was camped in a place in Death Valley National Park that lies somewhere between popular and the anonymous wild spaces far out in the back areas of the park. I was with a group of other people. In the morning I wandered away from the place where we were camped. I crossed a wash and walked up onto the base of a great alluvial fan, found a suitable “sitting rock,” and just sat there for a while taking in the immense space and silence. I happened to look down at the rocky ground and I an oddly shaped rock caught my attention. I’m no expert on these things, but it seemed completely clear to me that this rock had been shaped by human hands. (I later came to understand that it was probably a “knife,” perhaps one designed for scraping.)

At the moment I saw and then picked up and held this rock, the place was transformed from a semi-wilderness of rock and scattered plants into a very different sort of thing – a place that had been the home of people, many years before I sat there on my rock. My thoughts turned from the landscape around me to try to imagine the person who had created and held this rock – who was this person? what was it like to live in such a place in such a time? what had happened to them? I returned the rock to the desert floor and walked back to my camp.

The petroglyphs in the photograph are located in another place in the park, and I have visited and photographed them more than once. These are perhaps the most precious and among the most fragile things in this desert, which is why I never write about the specifics of their locations. (I also have photographs of petroglyphs that have been defiled by thoughtless morons.) If you know where these are, let’s keep it to ourselves, OK?

The first time I photographed these examples of rock art, I simply shot them straight on so that the shapes were as clear and large as possible. Since then I had been thinking of trying to photograph them in a way that might reveal them in the context of the larger surroundings – perhaps as the person or people who made them might have seen the place.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Kit Fox Hills and Death Valley Buttes, Dusk

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Kit Fox Hills and Death Valley Buttes, Dusk - Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park
Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park

Kit Fox Hills and Death Valley Buttes, Dusk. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park.

The view of the eroded Kit Fox Hills and the larger masses of Death Valley Buttes beyond with ascending ridges and valleys of the Amargosa Range beyond is one that I’ve been working on for a few years now. During the day these formations are interesting, but in many ways not much more so than any of scores of other hills, washes, rocky ridges and so forth throughout the park and other desert areas. But sometimes the light does absolutely incredible things to these hills along the east side of the Valley.

I first saw this happen during a previous visit when evening clouds lit up in astonishing and almost surreal ways after the sun had set. As the sky to the west of Death Valley began to glow in the post-sunset light a wash of amazing and intense color began to fill the scene. I’m not even sure how to describe the color. Rose? Purple? Pink? Some combination of the three and more? At that time I was shooting from a small hill in a less visited portion of the Valley, and I I photographed a large “fan” along the base of huge mountains not far from Stovepipe Wells. While the colors in that photograph are, indeed, real, I have a heck of a time convincing people that this is the case. I end up doing so much explaining that I don’t show the photograph all that often!

This light is similar, though a bit less intense. The light was fading quickly at this point, and I only had a few moments of this particularly beautiful light, which might have been hard to see in person since it was getting late. I photographed this from yet another spot that it just a bit off the beaten track, though not far at all from some very popular areas. In fact, as I worked alone as the evening came on, I could swing my camera around and use my longest focal length to see hordes of people visiting and photographing another nearby feature, oblivious to the light in this spot far to their east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Pre-Dawn Sky, Amargosa Range

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Pre-Dawn Sky, Amargosa Range - Sky above the Amargosa Range in pre-dawn light, Death Valley National Park, photographed from Rhyolite, Nevada.
Sky above the Amargosa Range in pre-dawn light, Death Valley National Park, photographed from Rhyolite, Nevada.

Pre-Dawn Sky, Amargosa Range. Death Valley National Park, California. January 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sky above the Amargosa Range in pre-dawn light, Death Valley National Park.

I usually cannot resist the opportunity to photograph the ghost town of Rhyolite, Nevada when I’m in Death Valley. I especially like shooting there in the morning. I usually arrive before dawn since the pre-dawn light can create some wonderful effects on the ruins of the town’s buildings, especially if a few thin clouds and the right atmospheric conditions create some interesting light colors. So on this year’s early January trip I devoted one early morning to this subject.

As per my plan, I arrived at Rhyolite a few minutes before the good light started – it was very cold and no one else was there. In fact, I had the place to myself for the first half hour or so of my photography. I never know exactly what to expect when it comes to the dawn light. If things work out just right, and especially a bit later in the year, thin pre-dawn clouds will light up and color the light on the old town. That didn’t happen on this morning. First, I discovered that in the heart of winter, when the sun comes up a bit further south, a mountain right next to the town blocks the first light and it doesn’t strike the best ruins (such as the school and Cook Bank) until a bit later. In addition, on this morning clouds above the horizon blocked the light just a bit more than I would have liked. However… to the west and over the Amargosa Range things were rapidly becoming a lot more investing. This range was open to the light from the pre-dawn sky in the east, and high thin clouds began to pick up that colorful light that I had hoped might appear over the town. I put a long lens on the camera, moved to a position where I could get a fairly unobstructed view to the west, and made a series of exposures of this simple composition that allowed me to include a large section of the colorful sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridge Above Tucki Wash, Dawn

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Ridge Above Tucki Wash, Dawn - First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.
First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

Ridge Above Tucki Wash, Dawn. Death Valley National Park, California. January 5, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

First dawn light on a stratified ridge above Tucki Wash along the base of the Panamint Range, Death Valley National Park.

I spent a good portion of the week following New Year’s Day in Death Valley National Park. My goals were to earlier in the seasons when the days were shorter and more “good light” was available, to perhaps encounter cloudy skies from a passing weather system or two, and to both shoot some new subjects and shoot some familiar ones in somewhat different ways. I think that I succeeded with most of these goals, though those storm front clouds were elusive. (This is a very strange and troubling season for California weather. At a time when the Sierra are usually covered in winter snows… all of the high trans-Sierra passes are still open, and the east side of the range looks pretty much like it might normally look in, say, July.)

On one morning I decided to visit a favorite overlook high in the Panamint Range very early in the morning. I’ve shot here a number of times in the past, but always late in the day during sunset and dusk hours. While getting up an hour and a half before dawn to drive to such a place is always a bit of a challenge, at least the sunrise isn’t quite as early at this time of year. On the other hand, it is colder! (Those unfamiliar with the Death Valley seasons may think of it as an entirely hot and dry place, but it gets quite cold there this time of year.) When I got up the temperature down in the Valley at my camp site at Stovepipe Wells was in the thirties. Surprisingly, the temperature rose into the low fifties as I ascended into the mountains, and when I reached my goal at a bit above 6000′ it was no colder than the Valley at this hour.

I arrived before dawn, but just as the pre-dawn light show was beginning. On this morning I had perhaps the best clouds of the entire trip, and they lit up shortly after I arrived and got my equipment ready. (Photos of that moment will likely come a bit later.) As the sun finally rose above the horizon the interesting light began to work its way down, starting with the higher peaks and then descending past the lower ridges to finally reach the Valley itself. This photograph shows the first light striking an unnamed (as far as I’ve been able to determine) spur ridge the projects eastward into the Valley from the massive bulk of Tucki Mountain. In the far distance are the low mountains and washes along the far side of the Valley, and the are also just beginning to pick up the first light.

Shooting in these rapidly evolving conditions that are not entirely predictable is more of an action sport than a sedate and contemplative experience, at least during the first minutes of light as it works its way across and down the landscape, often surprising me by showing up in places I had not thought to look. At one point I had photographed the cloud-filled sky but lamented a bit that the mountains below that shot were a bit dark and drab. I look away for a moment and when I looked back this intense and saturate light had hit those very mountains… so I turned and quickly began to photograph them.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.