Tag Archives: ridge

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Badwater Basin Salt Flats, Dusk

April 19, 2010 G Dan Mitchell 2 Comments

Newly formed salt polygons extend to the horizon as evening clouds gather above the Badwater Basin salt flats, Death Valley National Park, California.

This is one more – and perhaps the last – in a series of photographs I shot on a late-March evening in the Badwater Basin of Death Valley National Park. The light goes through a long and interesting transitional process at this location. Because of the tall Panamint Mountain range to the west, the direct sun leaves the surface of the salt flats quite early, though the hills along the east side of the valley and the more distant mountains can still be sunlit for some time. Once the sun drops behind the Panamints, the “white” salt actually can end up being quite blue since it is illuminated entirely by the diffused light from the blue sky. As I have mentioned before this creates some interesting subjective questions for the photographer. Should the salt be white? Should it be as blue as it looks in the capture? Should it be somewhere in between? I’ve seen interesting and effective photographs that seemed to take each of these approaches.

In this case, because I shot a bit before actual sunset and while some clouds reflected less blue light onto the playa surface, the need to alter to color balance was diminished a bit – which is not to say that I didn’t do some work to balance the colors so that they looked more like what I remembered. A second issues is related, namely that the sky remains very bright while the salt flat surface, in deep shade, is very dark by comparison. On the scene, the eyes/brain compensate and the difference seems less than what the camera records. So, again, some adjustment in post is needed. In this case I made two exposures one stop apart. On just barely handled the brightest portions of the sky without blowing out, while the other did a better job of holding the details for the shadowed salt formations. I combined the two source images in post.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of 1/13 second and 1/6 second exposures

keywords: badwater, basin, salt, flat, desert, polygon, water, playa, crust, pattern, sky, cloud, evening, dusk, sunset, blue, mountain, ridge, range, distant, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, geology, horizon, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunlit Gully, Zabriskie Point

April 17, 2010 G Dan Mitchell 2 Comments

Photograph of a sunlit gully in afternoon light at Zabriskie Point, Death Valley National Park, California.

Zabriskie Point is a justifiably famous overlook in Death Valley National Park – arguably the iconic view of the park, with the pyramid-shaped Manley Point above amazingly folder patterns of hills and gullies and with Death Valley and the sometimes snow topped summit of the Panamint Range beyond. (OK, the dunes might compete with Zabriskie in the Icon department…)

Everyone photographs at Zabriskie, and I’m no exception. However, my approach to this location has changed over time. At first any Zabriskie sunrise seems worth photographing, and in all honesty sunrise there is an amazing experience in all but the worst conditions. Eventually, though, you become a bit more discerning and not just any sunrise will do. I’ll generally only shoot sunrise there now if I think that the conditions will be extra spectacular, usually meaning some combination of clear or otherwise interesting lower atmosphere, perhaps snow on the Panamints, and some interesting clouds overhead. But even that is starting to feel a bit overworked.

Recently I’ve been trying to figure out what (and how) to photograph here without doing “the usual thing.” Several ideas have come to mind. Earlier I posted a photograph of the Manifold formation made at night under a full moon, and I think there is still more potential there. As others have done, I’ve played around with trying to find shooting locations other than the familiar one near the overlook. This photograph is an attempt to combine two other approaches that I’m working on – detail shots of small elements of the scene made with a long lens and shots made during the day at times other than the “normal” sunrise time.

I first saw this small gully a couple years ago when I happened to stop at Zabriskie during the mid-morning period on my way back from shooting somewhere else. Initially I just thought I’d wander up the path from the parking lot, scout things out a bit, and move on. But as I looked at the scene I realized that not all parts of this spot are necessarily best lit at sunrise, and that some actually can become interesting during the less obvious times of day. This is one attempt at a further exploration of this particular twisting gully, here shot in very bright daytime sun light only slightly diffused by high thin clouds.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 400mm
ISO 100, f/16, 1/125 second

keywords: zabriskie, point, fold, gully, hill, pattern, light, shadow, ridge, brown, golden, wash, rugged, gravel, dirt, geology, landscape, nature, scenic, travel, death valley, national, park, california, usa, north america, desert, formation, afternoon, winding, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California

Folds and Strata, Zabriskie Point

April 12, 2010 G Dan Mitchell Leave a comment

Convoluted folds topped by some stratified material at Zabraskie Point, Death Valley National Park, California.

A new hobby for me when photographing Zabriskie Point is to forego the famous panoramic views of Manley Beacon and the Panamints – well, at least sometimes – and to instead focus on smaller details of the patterns in the fantastically folded terrain. Starting about a year ago, I also became intrigued by the idea of shooting here at unusual times of the day: late morning, early afternoon, and so forth. I started doing this when a year ago I shot somewhere else at dawn and then happened to stop her much later in the morning – only to discover that some of the shapes and forms that are in shadow early in the day are actually better-lit later on.

On my late-March trip I did shoot Zabriskie at the “popular” time of dawn on one morning, but on another day I spent a good amount of time shooting here during the less classically ideal time in the middle of the afternoon. I was lucky enough to get just a bit of high thing clouds which reduced contrast just a bit, but kept the interesting shadows and illuminated ridges that appear at this time of day. When I shoot this way I go straight for a very long lens and focus on smaller details of the scene, ignoring the larger and broader landscape in favor of bits of a gully, shadowed or sunlit ridges, or a bit of strata material sitting on top of the folded material as seen here.

Rather than amp up the contrast and saturation – an easy trap to fall for in the afternoon light – I decided to keep the softer and less saturated effect that I was actually there when I made the photographs.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 250mm
ISO 100, f/16, 1/30 second

keywords: zabriskie, point, death valley, national, park, california, usa, north america, nature, landscape, geology, scenic, travel, form, formations, fold, gully, rock, strata, material, shadow, light, abstract, view, ridge, hill, manifold, overlook, desert, barren, stock

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Horsetail Fall, Sunset (#2)

February 22, 2010 G Dan Mitchell 4 Comments

Horsetail Fall in the final sunset light on a mid-February evening, Yosemite Valley, California.

I was in Yosemite Valley for a couple of days during the middle of February. My main reason for going was not to photograph the seasonal and iconic sunset light on Horsetail Fall, but it turned out that I did just that – twice. Since I have photographed the phenomenon in the past and already have a photograph that I consider a success, shooting it again isn’t at the top of my to-do list. However, I’ll shoot an icon if I think that the conditions might be special. In the afternoon I had been up high enough to get a clear view to the west, and it had looked almost completely clear. This is pretty much a necessary condition for good light on Horsetail, since the very late and low-angle light has to come in from across the Central Valley unobstructed. And, as everyone knows by now, the fall is an intermittent and seasonal event that depends on the right combination of prior snow (or rain) and warm weather to get the creek feeding the fall running in the middle of winter. It turned out that this had also happened, and the fall was running pretty strongly.

So, with all of those pieces apparently in play I decided to head on over to the picnic area beneath El Cap and then wander east until I found a suitable viewpoint. Still a bit ambivalent about shooting Horsetail, one reason I chose this spot is that it allowed me to shoot other subjects in the late afternoon and then arrive more or less at the last moment (around 5:00 p.m.) and still find parking and a spot to shoot. The parking, especially, can be more problematic at the other popular location, located along Southside Drive.

In the end, it was an odd evening for Horsetail. As the sunset continued the fall began to glow, and it looked like it might possibly turn out to be a really special night to shoot this subject. But then a few minutes before the peak of color would have occurred… it was as if someone switched the lights off. Very quickly the color dimmed to much more muted shades and remained so as the light faded. This was my last shot before that turn of events occurred, and this color corrected version (compensating for the otherwise very blue light on the rock face not struck by the sunlight) picked up some nice light and some of the most delicate and beautiful spray I’ve seen on the fall.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

keywords: yosemite, national, park, valley, california, usa, north america, nature, winter, landscape, cliff, water, fall, waterfall, creek, el capitan, ledge, crack, tree, skyline, ridge, buttress, mist, spray, horsetail, fire, evening, sunset, light, travel, scenic, mountain, sierra, nevada, range, winter, february, shadow, stock

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