Tag Archives: rise

Winter Moon, Clouds, and Granite

Winter Moon, Clouds, and Granite
Winter Moon, Clouds, and Granite

Winter Moon, Clouds, and Granite. Yosemite Valley, California. February 23, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter moon rises through post-storm clouds above Yosemite Valley, California

On this winter evening, photographing the “usual subjects” in Yosemite Valley was not easy. This was the weekend of the Horsetail Falls pilgrimage, and hundreds or perhaps thousands of people were lined up with cameras in hopes of making their photograph of this thing/event – but for most this was not to be as the water fall was almost dried up and clouds blocked the sunset light. It had been a cloudy day, starting out with rain and staying that way for a good part of the day, with even a bit of light snow at times. As evening approached it looked like the cloud deck was going to remain thick and low and that it would likely be a gray evening.

With it looking like the potential for inspiring light was quite low, we went to Tunnel View – it seemed as good as any other option, it can be an inspiring place even when it doesn’t provide inspiring photographic opportunities, and I was with someone who had not really tried to photograph there. When we arrived there was some clearing, though the clouds seemed to remain thick to the west, meaning the no brilliant light was likely to be seen. I put a long lens on my camera and worked the upper rim of the Valley to my right, about 90 degrees away from the direction most were shooting, but where fog and mist drifted across the rim, granite pinnacles and cliffs, and among trees. As I watched this I noticed the nearly full moon occasionally poke out from behind clouds above Sentinel Rocks as the clouds and mist drifted this way and that. Since it was that early twilight time when a good exposure for the light of the moon can also work for other subjects such as clouds, sky, and mountains, I swung the camera around and watched the drifting clouds, waiting or moments when the took on interesting shapes and when the moon was visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Moon Rising Through Clouds

Sandstone Towers, Moon Rising Through Clouds - The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.
The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

Sandstone Towers, Moon Rising Through Clouds. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

These rocks are near but not exactly part of the windows area at Arches National Park, where we ended up at the end of our first day there. We had arrived in Moab in the afternoon and then driven up into the park very late in the day – more or less gasping in amazement at the geology we were seeing for the first time – and finally ended up in this area just before sunset.

I’m repeating a story I wrote about earlier, so I’ll make the first part short. There was beautiful light leading up to sunset, and there were some interesting clouds in the sky to the north. However, it was extremely windy, making longer exposures as the light faded a real challenge and also making lens changes unwise. After sunset I ended up in the shelter of some rock towers where I found some protection from the wind. I knew that this was going to be a full moon night, but I was a bit concerned that by the time it was high enough that the ambient light would be somewhat dark, making it very difficult to photograph the twilight surroundings and the very bright moon in a single exposure. But as the moon rose and I found a location from which I could position it and the rocks together, high thin clouds partially obscured the moon and allowed my longer exposures for the dim foreground to work. I might have used a longer lens, but the thought of changing lenses in the blowing wind convinced me to just go ahead and shoot with the lens I already had on the camera – and in the end I think that let me produce a more natural view of the moon than I might have achieved with a longer telephoto.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

First Light, Base of Tucki Mountain and the Panamint Range

First Light, Base of Tucki Mountain and the Panamint Range - First morning light on the rugged landscape of the base of Tucki Mountain and the Panamint Range, Death Valley National Park, California
First morning light on the rugged landscape of the base of Tucki Mountain and the Panamint Range, Death Valley National Park, California

First Light, Base of Tucki Mountain and the Panamint Range. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

First morning light on the rugged landscape of the base of Tucki Mountain and the Panamint Range, Death Valley National Park, California

This photograph was made from a location a ways up from the bottom of Death Valley, from which I could look directly across at the lower slopes of gigantic Tucki Mountain as the first morning light worked its way down toward the lower ridges and the huge alluvial fan at the base of the mountain. At the moment I made the exposure the light was just beginning to fill this slanting area below the rugged mountains, and the light was softened by morning haze.

Tucki Mountain is a huge peak that almost seems to me to be large enough to count as its own minor mountain range. It rises above Stovepipe Wells, and extends a great distance east, south, and west of there. It is laced with deep canyons and its lower slopes are heavily eroded to reveal tilting and twisting strata. Another large valley lies on beyond the foreground spur ridge in this photograph, and beyond that the Panamint Range rises to its crest at 11,000+’ Telescope Peak.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Kit Fox Hills and Death Valley Buttes, Dusk

Kit Fox Hills and Death Valley Buttes, Dusk - Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park
Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park

Kit Fox Hills and Death Valley Buttes, Dusk. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Post-sunset light on the Kit Fox Hills, Death Valley Buttes, and the slopes of the Grapevine Mountains, Death Valley National Park.

The view of the eroded Kit Fox Hills and the larger masses of Death Valley Buttes beyond with ascending ridges and valleys of the Amargosa Range beyond is one that I’ve been working on for a few years now. During the day these formations are interesting, but in many ways not much more so than any of scores of other hills, washes, rocky ridges and so forth throughout the park and other desert areas. But sometimes the light does absolutely incredible things to these hills along the east side of the Valley.

I first saw this happen during a previous visit when evening clouds lit up in astonishing and almost surreal ways after the sun had set. As the sky to the west of Death Valley began to glow in the post-sunset light a wash of amazing and intense color began to fill the scene. I’m not even sure how to describe the color. Rose? Purple? Pink? Some combination of the three and more? At that time I was shooting from a small hill in a less visited portion of the Valley, and I I photographed a large “fan” along the base of huge mountains not far from Stovepipe Wells. While the colors in that photograph are, indeed, real, I have a heck of a time convincing people that this is the case. I end up doing so much explaining that I don’t show the photograph all that often!

This light is similar, though a bit less intense. The light was fading quickly at this point, and I only had a few moments of this particularly beautiful light, which might have been hard to see in person since it was getting late. I photographed this from yet another spot that it just a bit off the beaten track, though not far at all from some very popular areas. In fact, as I worked alone as the evening came on, I could swing my camera around and use my longest focal length to see hordes of people visiting and photographing another nearby feature, oblivious to the light in this spot far to their east.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.