There is something. a little unusual about this post. I didn’t pick this photograph so much for aesthetic reasons as for its inclusion of some fascinating features in this part of Death Valley. Let’s start with the obvious. There are desert gold wildflowers in the foreground, but if you look closely you can see many more of them across this broad Vally on the dark hillside. Keep reading to learn something about that hillside.
Continue reading Southern Death Valley
this photograph comes from a trip to Utah and Zion National Park over a dozen years ago. It is also another of my “lost and found” photographs — from a file that has languished in my raw file archives since that time. I think I may have left it behind after working up a different photograph of the same cliff.
This is a classic Utah red rock canyon scene, with bright green trees (just barely starting to take on autumn colors) at the base of red rock cliffs. I love how the red and green stand out against one another. As I’ve said before, this Sierra Nevada guy, after a visit to Utah, always feels like the gray rock of his “home range” looks a bit… bland.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This seemed to me like a particularly picturesque curve in the Leie River though the old section of Ghent, Belgium. Although the sky suggests partly sunny light, it remained a bit overcast where we were, thus the very soft light in this photograph. This is a busy place, and there were not a lot of opportunities to photograph just one or two people in this scene.
We were only in Ghent briefly — we took a train there from Brussels for the day. We spent the day walking around the center of the city, where there are many old buildings and perhaps one of the greatest concentrations of church spires I have seen. I made the photograph as we walked a bridge connecting the two sides of the river.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This view is from the Panamint Mountains of Death Valley. We were fortunate that it was accessible at all. The initial access road reopened days before our arrival after being closed for most of the year… and a storm closed it again on the day we left the park. The dark foreground mountain is part of the range from which I made the photograph. In the middle ground we see the still-shadowed floor of the valley with the Amargosa River passing through salt flats. Beyond that are several more desert mountain ranges disappearing into distant haze.
Some of the most spectacular sites in Death Valley National Park lie far from the familiar tourist hot spots. Reaching them may require hiking or long droves on rough desert roads. (This is a very big park!) And seeing these places at the best time often means traveling to them in predawn darkness or returning late at night. To arrive at this location we started driving a couple of hours before sunrise, and the last part of the drive was on a narrow gravel road.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.