Tag Archives: river

White Rim, Evening

White Rim, Evening
“White Rim, Evening” — Evening light on the white rim landscape of the Stillwater Canyon area of the Green River, Canyonlands National Park, Utah.

This was an evening of very special light in the Canyonlands, or so it seemed to me. I love soft, hazy conditions and perhaps prefer them to super clear and sharp conditions in many cases. So I had not been at all disappointed earlier in the day to see that the rugged canyons below the “island in the sky” section of Canyonlands were obscured by dust that had been stirred up by very windy conditions. We visited this spot earlier in the day and I identified it as one of several places I thought I might want to photograph at the end of the day, even though the atmosphere looked almost “murky” during the earlier visit. I knew that the edges of the upper cliffs of canyons, for example along the White Rim, could well be nicely lit in the evening light. So as we wandered around other nearby areas, looking for other shooting prospects, I became more and more certain that this is where I wanted to end up.

When we came back here a bit before actual sunset, it was cold and rather windy. The wind had been an issue though out my photography here and at Arches, and I was getting used to timing my shots for the lulls between gusts. I put on warm clothes and wandered out to the edge of the cliffs, where I found a small number of other photographers as well. Earlier I had not only decided on shooting here, but I had also scoped out a couple of likely compositions. One (which I posted earlier) was a horizontal composition that included the bottom of the canyon that would be out of this picture and to the right – a deep canyon that was carved by the Green River and its tributaries. The other was this vertical composition, that angled across the tops of a row of flat areas along the White Rim where canyons alternated with the flat surfaces above with more distant mesas and more mountains beyond. The atmosphere did something that it can often do when the air is hazy – it gradually changed from having a low contrast and filmy appearance with lots of golden tones and began to become more transparent as the light lowered and came in at a lower and lower angle. Here, very close to when the sun dipped below the horizon, the very low angle light strikes the west-facing cliffs and skims across the tops of the low hills in the foreground and on top of the mesa-like formations beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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The Watchman and the Virgin River, Morning

The Watchman and the Virgin River, Morning - The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.
The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The Watchman and the Virgin River, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The virgin River curves towards the Watchman in early morning light, Zion National Park, Utah.

The peak in the upper portion of this photograph, The Watchman, with the curve of the Virgin River in the foreground is, as I understand it, one of the iconic photographic subjects of Zion National Park – perhaps being roughly equivalent to a photograph of Yosemite’s Half Dome from the Sentinel Bridge in The Valley. The funny thing, though, is that while I had seen this view of this subject many times in the photographs of others, I actually had no idea where it was or that I would see it when I visited Zion National Park earlier this month. I had somewhat intentionally avoided doing any real research about the places I would photograph, preferring instead to just confront them for what they are, unaffected as much as possible by previous notions about what I “should” photograph.

So, as we rode the shuttle bus into the park from the town of Springdale in the afternoon and crossed a bridge over the Virgin River before heading up into the canyon, I looked to my right and thought, “Oh, it is that view!” I have heard the stories and have seen the pictures of hordes of photographers lined up on this bridge, specifically to shoot this scene with fall colors and at sunset. (You can see a couple of examples by photographer and friend Gary Crabbe here.) I generally don’t seek out the icons, though I most certainly will photograph them if a) I haven’t photographed them before and/or b) there is something unusual or different about the conditions when I’m there. Although I did not stop and get off the bus to photograph the scene on that first evening, in the back of my mind I considered stopping if it looked interesting the next morning. And, in fact, as we took the shuttle back into the park very early the next morning – starting before sunrise, actually – it seemed like it might be worth hopping off after the bridge and taking a look. I was more encourage when we got there, both by the interesting soft dawn light and the lack of any other photographers on the bridge. So, there you go – I now have a photograph of the Watchman and the Virgin River, too! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turks Head, Green River

Turks Head, Green River - The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah
The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah

Turks Head, Green River. Canyonlands National Park, Utah. © Copyright 2012 G Dan Mitchell – all rights reserved.

The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah.

I made several photographs Canyonlands National Park’s Green River Overlook on this beautiful early April evening. The upper portion of this area of the park is a high, flat area at about 6000′ of elevation that tends to drop off steeply, especially on the east, south, and west sides which lead to the canyons of the Colorado and Green Rivers just above their confluence. Below this upper plateau there is a second plateau at the level of the White Rim about 1000′ lower, with yet another drop-off into the bottoms of the river canyons and their tributaries.

This photograph is looking roughly southwest into the canyon of the Green River, which is barely visible between the foreground White Rim area and the solitary butte of “Turks Head” just beyond. (At least I hope it is Turks Head! That looks to be the only feature in this area that would fit that description, but I’m now to this geography.) At this early evening time the light was slanting nearly horizontally across the scene from the right and hitting a few of the west-facing slopes and glancing along the top of the White Rim. Haze filled the air, softening the light, muting the colors of the scene, and accentuating the grand scale of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Green River Canyon, Evening

Green River Canyon, Evening
“Green River Canyon, Evening” — Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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