Tag Archives: scenic

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Spring Trees, Waterfall Mist

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Spring Trees, Waterfall Mist
“Spring Trees, Waterfall Mist ” — Waterfall mist fills the air around sunlit maple trees with new spring leaves, Yosemite National Park

There are at least two stories behind this photograph. The first involves a family tradition that I started when I began taking my kids to The Valley quite a few years ago when they were small. Each spring we would take a “waterfall trip” as close as possible to the time of peak runoff – sometimes going up to the Valley and back in a single day. As part of this event, it was also my tradition that we would “say hello to summer” in the Sierra by making the first stop at Bridal Veil falls, then hiking as close to the base of the fall as possible, in order to stand in the tremendous wind-blown clouds of spray, usually getting thoroughly soaked. This year we were there without our kids, who are now “all growed up” and off living their own lives, but I still had to make a ritual visit to the spray at the base of this fall. Yes, I got soaked. :-)

The second story might actually be a continuation of the first. Sometimes I go to experience something rather than to photograph it. That was my intention when we walked to the fall this time, so I left my “big camera” gear behind. But as we rounded a corner on the trail and I looked up into the morning light from the sun that had just cleared the top of the cliff, I saw this wonderful silhouetted maple tree standing in mist-filled air with the still-shaded waterfall beyond. But I did not have my “big camera” nor did I have a tripod — I had my small Fujifilm X-E1, but with the wrong lens for this shot. I turned to my wife, who also had an X-E1 but usually attaches a 60mm macro lens (she is passionate about photographing small things!) and asked if I could borrow her camera/lens to try to squeeze off a couple of shots. She agreed, and I made two exposures on her camera, shooting handheld in the spray and wind.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Pacific Ocean, Evening Sky and Fog

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Pacific Ocean, Evening Sky and Fog
Pacific Ocean, Evening Sky and Fog

Pacific Ocean, Evening Sky and Fog. Pacific Coast Highway, California. June 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Thin evening fog clouds drift above the Pacific Ocean along the California coastline.

This is a favorite sort of view of mine along California’s coastline – a calm (almost) summer evening near dusk, but only a few wisps of fog trying to collect themselves along the shoreline, but not quite making it. So much of what I photograph has at least some green in it – so this palette limited to shades of blue and pink seems special.

Although it was not quite so still when I made this photograph – I was along the edge of a bluff not far from the highway – the visual image captures for me the feeling of timelessness that I sometimes experience at the coast. I’ve lived in these areas almost my entire life, so I’m no stranger to the coast and beaches. (Though I continue to see and learn new things. But most such experiences are tied to roads and parking lots and even to urban areas. A few years ago, believe it or not, I had a very different experience with the ocean when I walked perhaps four miles to a point along the sheltered waters of Point Reyes, and coming to the coast on foot I felt, for the first time at the ocean, this sense of deep time and I felt that what I was seeing had probably changed little, if at all, in millennia. I can literally count the number of times that I’ve had the profound realization, and I was alone on each occasion – the Point Reyes experience, on a still evening away from camp above timberline in the Upper Kern River region of the Southern Sierra, and on one memorable day on my first (two-week!) solo backpacking trip when I found myself sitting on top of a 12,000′ Sierra pass for several hours.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

White Rim, Colorado River Valley

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White Rim, Colorado River Valley
White Rim, Colorado River Valley

White Rim, Colorado River Valley. Canyonlands National Park, Utah. October 10, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Colorado River winds through rugged country beyond the White Rim, Canyonlands National Park

On our second visit to Canyonlands National Park (the first had been back in April of the same year, when we briefly visited the “Island in the Sky” highlands of the park) we were somewhat stymied by less than astonishing light. Overall the skies were sort of partly cloudy, but that “partly” portion seemed to line up almost perfectly with where we were, and from afternoon on a large mass of clouds sat above us and to the west. For this photograph, that might have actually been a bit of a blessing, in that trying to photograph the tremendously intricate and detailed landscape visible from the “Grand View” overlook in full sun at this time of day would have been challenging, to say the least. This landscape, lit that way, would have contained some extremely bright features along with very deep shadows in the canyons, and the result probably would not have been all that great. The clouds, however, somewhat mute the contrasty light, making the bright areas a bit less bright and allowing diffused light down into areas that would otherwise be dark. At least there was a bit of light on the buttes in the far distance at the upper edge of the frame.

This scene is one of those “iconic” views that, well, everyone photographs. Generally, I’m not that much about photographing icons. In fact, often when I go to places like this I try to not know what the iconic shots are or where to find them, preferring to instead just sort of guess, follow hunches, poke around, and see what I discover. This may not be the most effective way to find the “cool stuff” in a new location, but it does let me start to develop my own relationship with a landscape from the very beginning. So when we went into Canyonlands the first time I basically had almost no idea what I was “supposed” to see and photograph. (For example, I had no idea that iconic “Mesa Arch” is in this park – drove past the road to it and said, “Ah, that’s where Mesa Arch is!” And, no, I did not photograph it.) However, as we wandered about and looked at stuff, we somehow managed to end up at several of “those places” – especially the Green River overlook (which I now recognize as one of the iconic views of this park) and Grand View. In addition, I’ve often advised others to not eschew icons in certain situations. One, of course, is when you find yourself in front of such an icon and have never photographed it before. But another is when one visits a location for the first time and does not yet have a deeper knowledge of the place. For example, I’ll occasionally get asked by first time visitors to Yosemite or Death Valley (places where I shoot a lot) about where the “secret spots” are that not everyone shoots. I tell them that getting to know a place to such an extent that you can find, “see,” understand and photograph the non-iconic subjects is not a reasonable goal for a first visit. Often that takes many visits, perhaps in different seasons, and the time to let the place “get under your skin” to the point that you have a real feel for it.* But everyone has to start somewhere, and photographing icons is a fine place to start when you are new to a place. They are, after all, usually quite spectacular spots – as I say, “They are icons for a reason.”

*For my part, during my first year photographing in Utah I spent over 30 days there during three long visits. It wasn’t until well into the third visit that I really began to feel that I was moving past the “Oh, wow, Utah!” state and starting to really understand the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Aspen Leaves, First Light

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Aspen Leaves, First Light
Aspen Leaves, First Light

Aspen Leaves, First Light. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

First morning light on aspen trees and fall foliage, eastern Sierra Nevada, California

This past fall I had exactly one day to photograph aspens in the eastern Sierra Nevada. This was a bit odd for me, since I usually spend quite a number of days chasing fall aspen color up and down the east side of the range. But this year my target was a bit further away in Utah, and we merely paused for an extra day on the “east side” on our way to that other state. Fortunately, we hit great conditions, in terms of good aspen color and fine weather that didn’t prevent us from getting up to those trees.

Very early in the morning we headed up to an area that I have photographed many times. There are a couple of iconic photographic subjects at this location, but I mostly got them out of my system some years ago and now I look for somewhat less obvious subjects when I go here. I began by shooting some trees near the outlet stream of a lake, with early morning light behind the trees. After working that tricky but beautiful light for a while, I decided to go around to the far side of the lake to where a large stand of small but densely packed aspens stands at the base of a hillside. I got there before the sun came to this spot, so I quickly schlepped my gear up the hill a ways and into the end of the grove, setting up just before the sun arrived. Before the sun’s rays hit the tree, everything had a distinctly blue tone. As the edge of the shadow arrived, the aspen leaves began to glow more and to cast shadows on the trees in the background. These shadows quickly transitioned from soft and subtle to quite contrasty and sharply defined in a matter of seconds. This photograph was made just as the sunlight arrived but before it became intense, and the soft shadows of the leaves on the slender background trunks lasted just a moment.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.