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Ross’s Geese, Tree and Marsh

Ross's Geese, Tree and Marsh
Ross’s Geese, Tree and Marsh

Ross’s Geese, Tree and Marsh. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A thick flock of Ross’s geese flies above a marsh and a solitary tree in California’s Central Valley

After a full morning (and then some!) of photographing mostly Ross’s geese at a Central Valley wildlife refuge, we took a short break for a mid-afternoon lunch and then hurried back to the refuge by about 3:30 for evening photography. One of the last things we did before taking this break was to briefly assemble at the main overlook near the entrance to the refuge, where we were a bit surprised to see lots of geese settling in on one of the nearby ponds, and from which we could look back and see still more geese at the edges of the pasture where we had been photographing them.

As is often the case on a tule fog day like this one in the Central Valley, while the fog did “clear,” the general haziness never did completely go away. Instead the atmosphere remained mildly opaque, and it glowed in the late afternoon sunlight. Looking west, it was almost hard to see into this glow, but that is the direction we looked to see the pond and beyond it some isolated trees and the wetlands disappearing into the distance. Behind us, back on that pasture, the flock suddenly lifted off all at once and the birds made a large loop or two around us. I could see that they were likely to pass by the far edge of this pond and by the silhouetted tree, so I did a “landscape on the fly,” shooting handheld with a 100-400mm zoom as the birds came into the composition that I quickly found.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Haze and Trees, Central Valley

Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

Winter Haze and Trees, Central Valley. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Rock and Trees, Afternoon Light

Red Rock and Trees, Afternoon Light - Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park
Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

Red Rock and Trees, Afternoon Light. Zion National Park. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

As much as I have come to love Zion Canyon itself, with its monumental cliffs, winding Virgin River, and cottonwood trees, something still draws me more strongly to the high country such as that found along the Mount Carmel Highway. (I’m sure that the “real” backcountry will eventually appeal to me just as much, but my “getting acquainted” process with Zion is still in its relatively early phase.) This higher elevation terrain, which can at first perhaps seem somewhat overly complex and even “disorganized – if that makes sense – has come to hold more interest for me photographically, though it has been a bit more difficult to figure out how and when and where to photograph it. I was intrigued by these wonderfully complex sandstone patterns of curves and lines when I first saw them, but initially had a hard time seeing coherent photographs among them.

Since my first visit – less than a year ago, believe it or not – I have now had the opportunity to revisit this area on quite a few days, and I feel like I’m starting to “get” its rhythms. Initially it was a matter of passing along the roadway through the park and catching glimpses of juxtapositions of features, bits of light or color, and various canyons and prominences and thinking “there must be a way to photograph that.” Return visits, in various types of light, during two seasons, and at all hours of the day have helped me figure it out. Among my favorite subjects here (and elsewhere!) are backlit trees, here combined with some low ridges and the swooping curves and textures of the wonderful red rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Hanging Branch with Yellow Leaves, Sandstone Wall

Hanging Branch with Yellow Leaves, Sandstone Wall - A branch covered in yellow autumn leaves hands over a dark sandstone wall, Zion National Park
A branch covered in yellow autumn leaves hands over a dark sandstone wall, Zion National Park

Hanging Branch with Yellow Leaves, Sandstone Wall. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A branch covered in yellow autumn leaves hands over a dark sandstone wall, Zion National Park

This is another photograph made in a short slot canyon in the high country of Zion National Park. At this point, it may be clear that I have a bit of an obsession with plants in front of rock of various sorts, and I was intrigued by this bundle of branches covered with yellow fall leaves that was dangling down onto the rocky wall of sculpted sandstone in this canyon and the way that the branch shapes were juxtaposed with the horizontal patterns in the rock and the diagonal fracture dropping from left to right.

It is easy and so tempting to focus on the beautiful red-toned rock, but there are many other colors to see as well. They range from the nearly white sandstone found in some layers, through intense yellows, and all the way to nearly black, especially where lichen or moss grows on the rock. The surface of the rock in this scene is very complex. Not only is the underlying striation visible, but various sorts of lichen have added color and texture – including the lighter blotches near the bottom of the frame and the slightly more subtle red spots lining portions of the fracture.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.