A bed of ferns grows at a trail junction under deep redwood forest cover at Muir Woods National Monument.
This photograph was made in the late winter of 2009, during that time of the year when the redwood forest is still very wet and cool, but when flowers are blooming and spring is clearly on the way. The location is along the very popular (and often quite busy) main trail along the creek through the central part of the park. No doubt I had to wait a bit for the combination of these beams of light and no other visitors on the trail!
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Leaves transition from summer to fall colors in a deeply shaded area of forest in Lundy Canyon.
Since it was the second week of October, and the time at which I’ve seen Lundy Canyon aspens change color in the past, I headed up into the canyon on the last day of this visit to the eastern Sierra to look for aspen color. As I drove up the canyon from highway 395 I could see some brilliant color far above on the ridges above the canyon, but I wasn’t seeing much down in the bottom of the canyou. I continued up the canyon past Lundy Lake and the resort – closed up for the season – and then continued on the one-lane dirt road that goes on up to the trailhead, passing some flooded flats along the way. There is often color in these areas and then again in the grove of aspens near the trailhead… but not this time.
(Looking back on this “aspen season” from an early-December perspective, it was a bit of a strange one. It seemed to begin early at the higher elevations and there were stunningly colorful trees up high during the first week of October. However, storms soon came in and took down many leaves – and then there was a “dead zone” period of nearly two weeks before the color resumed at lower elevations. This visit to Lundy Canyon took place near the start of this slow period.)
After figuring out that the color I had coming looking for was not to be found, I started back down the canyon. I stopped briefly by the ponds but the light was not quite what I was looking for – it was still a bit too early in the afternoon and the light was harsh and coming from the “wrong” direction for my purposes. However, elsewhere in the canyon I decided that I had to photograph something before leaving the canyon for a planned evening shoot nearby, so I simply pulled out on a short dirt side road where I had earlier seen some tree trunks leaning against rocks. It turned out that I couldn’t find a composition there either – sometimes this is just the way it goes! However, I found these leaves nearby next to the path I had taken down to the river. I thought that the contrast between the green and yellow and the very dark forest floor might be interesting, so I put on a long lens (to minimize depth of field and to give myself some working distance) and I made a few exposures.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Cattle graze in front of large aspen groves near Conway Summit, California.
Just about anyone who has every photographed aspens in the area around Lee Vining is probably familiar with this location – and I’ve certainly shot there quite a few times. From highway 395 the aspens extend west and up toward the peaks of the Sierra crest, and the at the right hour in the late afternoon the backlight can light up the leaves of the trees. When I visited this time the trees were in transition with some still green, others very colorful, and some almost leafless already. I was also lucky to have some clouds at the end of several cloudless days of photography. (Normal people like perfect blue sky, but photographers are not normal – we tend to like weather!) When I saw the clouds starting to form above the crest early in the afternoon I thought that something interesting might happen later near Conway so I made a point of heading that direction.
This photograph features, of all things, cattle – not my usual subject, perhaps! The area where these aspens grow seems to be at least as much a pasture as it is aspen groves, and I’ve seen cattle grazing in this spot before. (See comments for a note from a member of the family that owns the land.) As the clouds created shadows over the higher slopes in the background, for a moment the sun still hit the foreground trees and these cattle.
This shot also ties in with my recent post on using various focal lengths for landscape photography, in that this photograph was made with what some might regard as an unlikely landscape lens, a 100-400mm zoom! But in this case, this lens at 250mm was just what I needed to more tightly frame the bit of foreground pasture and sunlit trees and compress the distance between them and the shadowed hills beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of a street scene in San Francisco containing slanting sidewalk, brick and other buildings, and a hotel sign.
The geometric forms of this scene caught my attention as I walked up a street where many art students seem to hang out. The image is obviously full of all sorts of tall rectangles of varying sizes and colors, ranging from the small windows to the white column of the far building in the center to the bulky and dark form of the brick building on the right side of the frame. A couple of little elements also intrigued me: the juxtaposition of the parking meter and surrounding shadows and fire valves on the wall, and the parallel and slightly diagonal lines of the curb and the streetcar wires overhead.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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