Tag Archives: shadow

560 Blue

560 Blue
“560 Blue” — A man walks past a blue San Francisco building in morning sunlight.

Let me start by pointing out that this is not the first time I have shared this photograph. An earlier interpretation of it exists using a different aspect ratio. I came across it again recently as I scanned through my old raw files, and I decided to take another look at it. This time I altered the aspect ratio, retaining the original 3:2, though I more typically work with 4:3. This allowed me to include the decorative rectangles at the upper right and left. In addition, as I thought more about the role of the blue color in this photograph I decided to simply remove a few elements that were dissonant with that.

The scene is a San Francisco street, and I made the photograph on one of my day trips up to “The City” by train, something that was a regular photographic event for me prior to the pandemic. I was walking up into the main downtown area from the train station, pausing along the way to photograph interesting subjects in the full morning sun across the wide street. I had already made a couple of photograph of this very blue building when I saw the man walking into the scene.

G Dan Mitchell is a California


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Walkway, Arch, and Stairs

Walkway, Arch, and Stairs
Architectural details at Balboa Park, San Diego

Walkway, Arch, and Stairs. © Copyright 2013 G Dan Mitchell – all rights reserved.

Architectural details at Balboa Park, San Diego

One thing that has fascinated me as I’ve spent more time reviewing old files during the pandemic is the variations in how much I recall about the original experience of making the images. In some cases the recollection is so clear that I literally remember almost everything about it. At the other end of the spectrum are photographs that I don’t even recall making — they come as almost complete surprises now. This photograph lies between the extremes. I do specifically recall this day and the places we visited, but I do not remember making this photograph and I’m not exactly sure of the precise location.

Scenes like this intrigue me, and when I slow down and look I find them everywhere. I could easily walk through here and barely register the surroundings at all, but sometimes when I’m attuned to what I see, such places come alive. There are, I think, some fun visual surprises here. First, note how full the scene is of those black railings — parallel to the walkway at the left, steeply angled upwards beyond the column, and dropping into the scene from the right margin. Then spend a moment trying to make sense of the ways all of the various lines relate to one another. Some (all?) are angled due to perspective convergence (both straight ahead and toward the left) and their actual inclines. There’s more, if you are interested…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stage Door

Stage Door
“Stage Door” — The edge of a shadow falls across a stage door.

This photograph qualifies as part of the “postcards from pandemic” group, as I made it while on one of the long local walks that I’ve been taking in and around my neighborhood since the lock-downs began six months ago. Yes, it has been that long. The good news is that if all goes according to plan we might be almost half way to a vaccine and the beginning of a return to something like normalcy.

This photograph is also an example of something that afflicts most (though perhaps not quite all) photographers, namely an interest or even obsession with form, color, and various kinds of patterns, even when seen in mundane locations. This is a side door to a school theater — hardly an iconic subject! But as I walked past at just the right moment, the shadow diagonally bisected this very blue door, and the angles of shadows and stairways converged in interesting ways.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Arch and Shadows

Arch and Shadows
“Arch and Shadows” — Utah red rock country arch in a shadowed canyon.

It might seem that improbable features like this are everywhere in Southern Utah. While some are familiar icons in national parks like Zion and Arches, similar features are found in less accessible locations. If you poke around enough you can experience them in relative quiet and solitude. I’ve wondered why it is this way in Utah, and I think there are several explanations: such features really are quite common, and some that warrant national park status are in non-park areas for reasons including uneasy compromises with extractive industries.

A group of us wandered into a lovely red rock canyon, inauspicious at the start but with sandstone walls that soon began to tower and close us off from the world beyond. These are intimate places, where your awareness is mostly confined to the space between the canyon bends in front of and behind you, and where the silence is only broken by occasional birdsong and the gentle sounds of water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.