An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.
I wonder how long it will take for me to feel that I have exhausted the possibilities of this walk along San Francisco’s Embarcadero? Here is (yet another!) morning photograph made it this area, once again with what is perhaps my favorite light in this location – the early morning glow of backlit fog/haze over the waters of the Bay.
I made this photograph on a very calm summer morning when there waters of the Bay were almost completely smooth, at least until a bit of boat traffic began to come by and a breeze came up. Interjecting itself into the left side of the frame is one of the old piers along this section of the waterfront. In the far distance, all the way on the other side of the bay and muted by the morning haze, are giant cranes used at the Port of Oakland.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows – The Embarcadero, San Francisco.
This is a more or less random bit of wall in a small alley leading from the Embarcadero to some old buildings on one of the old piers along the east shoreline of San Francisco. (I need to get back up there soon. There was a recent fire in the area and now I’m wondering if it affected any of these little spots I photograph.)
I am a bit of a sucker – and who isn’t? – for old worn walls, especially when they are crisscrossed by pipes and conduit and when they hold various valves and meters of the sort that in more modern structures might be hidden from view. In this case, I made the photograph in relatively “harsh” light – it was still morning, but no longer the very early soft, warm light. In fact, it was that very light that created another element of this scene that attracted me, namely the very wide shadows from the very narrow pipes. I liked other small details too – the “FIRE EXT” sign, worn and now covered by conduit, with no fire extinguisher to be seen; what must be a much older “sign” about a third of the way in from the right, which now seems to be completely blank; that interesting interruption of the wall near its base but a chunk of steel covered with rivets.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Two elephant seals spar in the surf at Point Reyes National Seashore, California.
After over a month of not exposing a single frame, I needed to go out and start shooting again this past week. (June is often a very busy time of year for me, and this June was especially challenging in a number of ways.) So, even though it is finals week at the college and I have a lot of papers to grade and loose ends to tie up, I managed to get away for a half day to photograph at Point Reyes. I went there with few specific ideas about what to shoot, instead just sort of hanging loose, enjoying whatever I could find, and making photographs as I found them. I started by taking an unplanned detour out towards Tomales Point – I was sort of killing time while waiting for the light to do the right stuff, and I thought it would be interesting to head out there and see the tule elk. After that I returned to the main road and headed out toward the Point Reyes lighthouse.
It actually was not my plan to go to the lighthouse, and didn’t even drive the last little bit of roadway to that site. Instead I took the turn towards the start of the Chimney Rock trail, with a general plan of being high up on the bluffs of this southernmost section of the Point when the good light arrived. I pulled in, at a sandwich for dinner, loaded up my camera gear, and headed out along the trail. I had a few things in mind. I know that shooting back along the steep, rocky cliffs of the Point late in the day can be dramatic, and I started by photographing there – fortunately my timing turned out to be almost exactly right, as I caught a last bit of light on the mist and haze along the shoreline before the sun moved too far north to continue to light the area. I then moved on out the end of the trail, where I just sat for a while as I waited for the early evening color to come to the light. I made a few photographs out here, stopped again along the bluffs to photograph along the point (but the best light had passed), made a few photographs back across Drakes Bay, and then started back towards a low point, protected from the wind, from which I thought I might try to photograph the Farallons right at sunset. Once I got there, the light on the islands seemed uninteresting, but I soon realized that the guttural sounds of elephant seals that I had been hearing were coming from the base of the cliff on which I was standing. I moved a bit closer to the edge – but not too close! – and was able to shoot straight down on a group of elephant seals as they alternately lay around on the beach and sparred in the shallow surf just beyond the sand.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Shoreline fences along the edge of the San Francisco Bay with moored boats and, in the distance, the Oakland shoreline and East Bay hills.
This photograph was made from a spot that many San Francisco Giants fans know rather well – the Third Street Bridge that is right next to AT&T Park. There were few Giants fans around when I made this photograph though, since it was quite early in he morning on a weekday. The camera is pointing almost but not quite directly into the early morning sun, which shines through a luminous morning haze over the bay on a very still morning.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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