Shoreline fences along the edge of the San Francisco Bay with moored boats and, in the distance, the Oakland shoreline and East Bay hills.
This photograph was made from a spot that many San Francisco Giants fans know rather well – the Third Street Bridge that is right next to AT&T Park. There were few Giants fans around when I made this photograph though, since it was quite early in he morning on a weekday. The camera is pointing almost but not quite directly into the early morning sun, which shines through a luminous morning haze over the bay on a very still morning.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Brightly sunlit fog blankets rocky islands and high surf, Point Lobos.
The conditions were wildly changeable on this early afternoon at Point Lobos. I had originally been shooting at a more protected location in the park where it was mostly sunny, though with the sun partially obscured by high, thin clouds. After finishing with my shooting in that location I decided to head out toward the more exposed coastline just south of the “Point” itself before leaving, and when I got there I found that the fog back was perhaps only a few hundred yards offshore and was already beginning to obscure some of the rocks.
I hurried a bit to the south to a point where the view might be clear toward Bird Island and the Carmel Highlands, thinking that I might get some long distance shots before the fog closed it or, better yet, as it came in. Sure enough, I arrived at a good spot to work from while the rocks were still clearly visible against the backdrop of the fog, which was brightly lit from behind by the sun. I set up my tripod, mounted a very long lens, and attached the camera, and looked back at the view to find… that the rocks had virtually disappeared as the fog moved in more quickly that I expected. Still, by waiting for momentary clearing in the mist, I was able to make a few very foggy photographs of these large off-shore rocks, almost obscured by the incoming fog.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Coal Chute Point, the Pit, and the rugged shoreline of Point Lobos State Reserve, California.
(Shortly after posting this, another photographer wrote to suggest that I might consider renaming the image to “Point and Chute.” ;-)
For all the years – decades, actually, and more than a few – that I’ve been visiting Point Lobos, there are still places that I have not gotten around to visiting within the boundaries of the park. Among them are some headlands not far from Whalers Cove that I’ve looked at for a long time… and then always headed off to some other part of the reserve without visiting them. Earlier this week I visited Point Lobos with no particular goal in mind aside from making some photographs, and I somehow finally ended up in this picturesque area that offers some quite different views from those found in the areas that more directly face out into the Pacific. (While it is, indeed, picturesque… the place names are not. Coal Chute Point? The Pit?)
The light in this photograph is somewhat subdued, at least in comparison to some of the photographs you might see of such a place, typically shot in the evening when the sky is at its most colorful. (Yes, I’ve certainly made my share of those photographs at Point Lobos, too!) But this light had a different sort of appeal, and it continuously changed during my half day there. When I arrived some fog was just clearing near the coast. It was a strange pattern – fog way inlands that looked more like the typical winter valley tule fog than the summer coastal fog. In fact, as is frequently the case in winter, it was clear at the coast. But somewhat surprisingly there was a regular old fog bank lurking a ways off the shoreline – and later in the day it moved in on the coast. Along with this there were high, thin clouds from a weather front that was passing well to the north. These conditions can still provide directional light but light which is softer and can fill in the shadows a bit – making it possible to shoot in places and at times of the day when the light might otherwise be too harsh. For this photograph I decided to “go wide,” and shoot with a 24mm focal length of a full frame DSLR to accentuate the distance between the foreground beach and the distant horizon and to include the full width of the curving wave as it broke on the beach.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Three tule elk grazing along the headlands area at Point Reyes National Seashore.
Although I was certainly aware that there are tule elk herds at Point Reyes National Seashore, I was not thinking about them when we encountered this group. We had driven out to the Point Reyes lighthouse and other areas at the extreme end of the peninsula, and had then stopped at Drakes Beach on the return trip. Finishing up at the beach, we got back in the car and headed up the hill towards the main road. As we reached an area near the top of the hill I thought I saw something moving off to the side, but I initially failed to recognize what I was seeing because the possibility of such animals in this place was not on my mind. I thought I was perhaps seeing a fence or something similar, but I couldn’t make sense out of why the fence would be moving!
A moment later we were a bit closer and it was obvious that a small herd of the tule elk were grazing very close to the fence along the road. I got out of the car and quietly attached a long lens to my camera and began to photograph these animals. The lighting and other circumstances were nearly perfect. It was very late in the day and the golden hour light had just started, and the backdrop was either the rolling hills you see here or, if I moved a bit to one side, some higher hills further to the west. This group of three large animals was moving, along with other animals not included in this shot, away from the road and further out into the meadows. As the three of them lined up in parallel, for a moment one swung its head around and looked directly towards me.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
