Tag Archives: shore

Winter Willows, Cosumnes River

Winter Willows, Cosumnes River
Winter Willows, Cosumnes River

Winter Willows, Cosumnes River. Central Valley, California. January 23, 2011. © Copyright G Dan Mitchell – all rights reserved.

Bare winter willow trees in swampy land near the shore of the Cosumnes River, Central Valley, California.

(Thanks to John and Tom for setting me straight about this “brush” – these are dormant willow trees. I have changed the title of the photograph accordingly!)

When I arrived at the Cosumnes Wildlife Preserve on this morning it was very, very foggy – which is fine by me, since I like the moody and mysterious possibilities that come with shooting in the fog. However, on most mornings the fog – even the persistent Central Valley tule fog – eventually thins out and the light starts to shine through. For me the short period when the sun first begins to force its way through the gloom is a special one. For a period (often a short period) the weak light begins to define and highlight textures and forms and warm things up, but the softness of the light still remains. An analogy that comes to mind is that short but wonderful period of the day when spring skiing that occurs between the frozen morning slopes and the afternoon slush – it is a moment that is worth some difficulty to find.

I had wandered about in the thicker fog for a couple of hours when the sun first began to appear. I was in what had seemed like a pretty gray and drab place on a levee next to a lower area filled with brush. Then, as the light increased, the green colors of the branches began to glow and the contrast began to increase.

(I’m a bit embarrassed to say that I have absolutely no idea what these plants are. They are growing in a low area next to the levee that appears to flood periodically. If any one knows… )

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Sur Coast Near Bixby Creek, Winter

Big Sur Coast Near Bixby Creek, Winter
Big Sur Coast Near Bixby Creek, Winter

Big Sur Coast Near Bixby Creek, Winter. Pacific Ocean, California. January 1, 2011. © Copyright G Dan Mitchell – all rights reserved.

Light winter rain falls on the rugged Big Sur coastline near Bixby Creek.

This is one more – and perhaps the final – photograph from New Years Day 2011 along the Big Sur coast line. While this is perhaps not your chamber of commerce picture perfect day, it is my kind of Big Sur day. As I made the photograph the wind was absolutely howling – so strong that I couldn’t really use my tripod, so I instead hand held the camera and braced it and myself against a very large boulder. To make things even more “fun,” it was trying very hard to rain!

The location is precisely at the spot where many of the iconic photographs of Bixby Bridge are made, at the north end of the bridge. However, on this day I thought that the subdued tones of the winter ocean and cliffs were more interesting, so I framed my photographs to avoid including the bridge.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.



Rocky Knoll with Monterey Cypress Trees

Rocky Knoll with Monterey Cypress Trees
Rocky Knoll with Monterey Cypress Trees

Rocky Knoll with Monterey Cypress Trees. Point Lobos State Reserve, California. January 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

A grove of Monterey Cypress trees grows on top of a rocky ridge above the Pacific Ocean at Point Lobos State Reserve, California.

In my continuing attempt to mine every bit of ore possible from this scene… this is a closer study of the same tree-covered knoll that I posted recently. The rocky hill is near the end of a thin peninsula between Whalers Cove and Bluefish Cove at Point Lobos. It is covered with a wild confusion of plants, Monterey cypress trees, and rocks and the whole thing drops suddenly to the edge of the Pacific Ocean right below.

This is another in a group of photographs that I sort of think of as “how much dense detail can I cram into one frame” photographs. For this reason, I’m pretty certain that this will have a better chance of making sense in a decent sized photograph in which the detail can be enjoyed a bit more than it can be in this small jpg.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


Twilight Surf

Twilight Surf
“Twilight Surf” — Long exposure of shoreline surf in twilight, Pacific Grove

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.