Tag Archives: silhouette

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Smoke

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Trees and Smoke
“Trees and Smoke” — Smoke from a managed fire drifts among Yosemite Valley autumn trees.

I have told the story of this series of photographs before, but here is a reminder in case you missed it. I was in Yosemite for a day of autumn color photography, but when I arrived I found the Valley full of smoke from a managed fire, set to burn off accumulated undergrowth. The Park Service does this regularly these days in autumn. It isn’t pleasant for visitors, but it makes for a healthy forest that is less likely to be destroyed by wildfires in the future. But it does pose some challenges for photographers!

Fortunately, with the right subjects and light it is possible to make photographs in smoky conditions. This isn’t the first time I’ve photographed in smoke, and I have shot actual wildfires in the past. I decided that here the drifting smoke was actually moody, almost like fog except with bright sunlight streaming down from above. Here I centered a tree with autumn leaves inside and arch of thicker trunks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese, Morning Clouds

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Geese, Morning Clouds
“Geese, Morning Clouds” — A flock of geese in flight against morning clouds, Central Valley, California.

Sunrise often produces remarkable light, especially when the right sorts of clouds are present. These clouds were a bit unusual for this location, where I usually either encounter thick tule fog or high clouds produced by large scale weather patterns. These morning clouds were lower than usual, but not ground fog, and having a bit of the “mackerel sky” look. I photographed them as the first light arrived and a flock of migratory geese passed overhead.

I photograph a lot of different subjects, but in the late fall and winter months the migratory birds become a major focus. It is easy to miss their arrival if you live in a city, but in rural parts of California their presence, often in astounding numbers, is pretty obvious. I photographed these in an otherwise nondescript agricultural area in the Central Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Mono Lake Basin, Photographs: Nature

Morning Haze, Mono Lake

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Morning Haze, Mono Lake
“Morning Haze, Mono Lake” — Morning haze mutes details of distant desert mountains beyond Mono Lake.

A photograph can be viewed in more than one way. The default is to regard it as an objective record of the subject — a “capture” of what was there when the exposure was made. But photographs are not really objectively accurate, and it might be better to think of them as expressions of how the photographer views and wants you to view the subject. This takes us to yet another possibility — that beyond the literal content of the photograph, we can also view it as a sort of abstraction, a composition of shapes and colors and densities, and textures. In the end, it can be all of these at once, and more.

I made this photograph of Mono Lake on an early fall morning, not at dawn but early enough that the harsher daytime light wasn’t there. It was hazy, which is quite common at this time of year, in part because this is wildfire season. Consequently the details of the scene are muted. Some of the impressions that I associate with Mono Lake include deep quiet and stillness (well, except when the wind kicks up!) and immense space — the vast size of the lake itself and then the even more distant surrounding terrain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Sierra Nevada

Two Peaks, Clearing Storm

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Two Peaks, Clearing Storm
“Two Peaks, Clearing Storm” — Clouds from a summer storm begin to clear above two fog-bound Sierra Nevada Peaks.

Rainy weather in the Sierra Nevada often produces post-storm treats, and many of them involve light and clouds and fog. The storms, often brief afternoon or early evening affairs, increase the humidity and drop the temperatures. So once they begin to dissipate it is common to see clouds floating among the peaks, and if you are in the right spot you might even be wrapped in fog. I photographed these two peaks and the clearing sky after one such storm.

The skies are usually clear on most Sierra Nevada summer days. In fact, sometimes they are clear for so long that photographers start to lament the constant blue sky and sun! But every so often moister air floats up the range and afternoon storms ensue. There are no guarantees, but many of them are gone by sunset. The storm that produced these clearing clouds was an exception, a full day of rain that largely kept us tent-bound until this evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.