Tag Archives: silhouette

Photographs: Mono Lake Basin, Photographs: Nature

Morning Haze, Mono Lake

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Morning Haze, Mono Lake
“Morning Haze, Mono Lake” — Morning haze mutes details of distant desert mountains beyond Mono Lake.

A photograph can be viewed in more than one way. The default is to regard it as an objective record of the subject — a “capture” of what was there when the exposure was made. But photographs are not really objectively accurate, and it might be better to think of them as expressions of how the photographer views and wants you to view the subject. This takes us to yet another possibility — that beyond the literal content of the photograph, we can also view it as a sort of abstraction, a composition of shapes and colors and densities, and textures. In the end, it can be all of these at once, and more.

I made this photograph of Mono Lake on an early fall morning, not at dawn but early enough that the harsher daytime light wasn’t there. It was hazy, which is quite common at this time of year, in part because this is wildfire season. Consequently the details of the scene are muted. Some of the impressions that I associate with Mono Lake include deep quiet and stillness (well, except when the wind kicks up!) and immense space — the vast size of the lake itself and then the even more distant surrounding terrain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Two Peaks, Clearing Storm

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Two Peaks, Clearing Storm
“Two Peaks, Clearing Storm” — Clouds from a summer storm begin to clear above two fog-bound Sierra Nevada Peaks.

Rainy weather in the Sierra Nevada often produces post-storm treats, and many of them involve light and clouds and fog. The storms, often brief afternoon or early evening affairs, increase the humidity and drop the temperatures. So once they begin to dissipate it is common to see clouds floating among the peaks, and if you are in the right spot you might even be wrapped in fog. I photographed these two peaks and the clearing sky after one such storm.

The skies are usually clear on most Sierra Nevada summer days. In fact, sometimes they are clear for so long that photographers start to lament the constant blue sky and sun! But every so often moister air floats up the range and afternoon storms ensue. There are no guarantees, but many of them are gone by sunset. The storm that produced these clearing clouds was an exception, a full day of rain that largely kept us tent-bound until this evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Sierra Nevada

Lake, Ridges, and Haze

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Lake, Ridges, and Haze
“Lake, Ridges, and Haze” — Hazy morning light on ridges, cliffs, and a subalpine lake, Sierra Nevada.

It is fair to say that I got a lot of photographic mileage out of this view during our stay here a few years back. I’ve shared numerous photographs of it, though in different formats, times of day, and conditions. Despite the presence of so much other visual material, it dominated our consciousness. I suppose that part of the reason is that it was within minutes of our campsite, but it is a remarkable setting, too.

I photographed this version in the morning. At the start of our visit we had quite a lot of rain, but that diminished later on, and the sky was mostly clear on this day. The view looks roughly northeast, so the sun was just clearing the ridges out of the frame to the right. This light, coming in at an angle, illuminated the atmospheric haze and emphasized the atmospheric recession of more distant ridges. It also produced what almost looks like rim light on the exposed places on the face at the left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: England, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

London Eye

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London Eye
“London Eye” — Looking upwards at the London Eye on a cloudy day.

I usually have a good sense of direction, and I can often navigate without maps. But I also have an occasional directional problem. When arriving in a new place I sometimes make an incorrect assumption about the compass directions. Once I do, it is darned near impossible for me to fix it. London is one of the places. For some reason, the first time I visited I reversed north and south, and I’ve struggled since then to get it right. I’ve gotten a lot better — when I look north across the River Thames these days it looks like it is north. But this photograph came about due to the residue of my prior confusion.

When we set out from our lodgings to walk to the nearby Borough Market, I went with my gut instead of logic and headed out confidently in the wrong direction. (To her credit, Patty suspected that I was going the wrong way, but went along.) We walked and walked and instead of finding the Market we were (or I was) surprised to walk up to the London Eye, which is in exactly the opposite direction!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.