Tag Archives: skeletal

Burned Forest

Burned Forest
A Yosemite National Park forest beginning its post-wildfire recovery..

Burned Forest. © Copyright 2022 G Dan Mitchell.

A Yosemite National Park forest beginning its post-wildfire recovery..

This photograph comes from Yosemite National Park, and not far from the current wildfire in the Mariposa Grove area. There are “good fires” and “bad fires” — the former tend to burn loose stuff on the forest floor along with some small trees and other plants, while the later burn hot and climb into the crowns of the trees and often killing them. Most of the trees in a healthy forest will survive the good fires, but increasingly the forests are now faced with bad fires that cause tremendous destruction. A quick scan around this photograph reveals some dead young trees but also some remaining green branches that likely mark a tree that is going to survive.

Photographing wildfire sites has long been a challenge for me. Many years ago I simply regarded wildfires as evil, but today my view is more nuanced, and I accept that some fire occurs in healthy forests and, in fact, is necessary and good. The challenge photographically has been to see these scenes as being subjects for beautiful photography rather than just as destruction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dead Creosote, Dunes

Dead Creosote, Dunes
Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

Dead Creosote, Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun on san dunes and skeletal dead creosote plants, Death Valley.

We tend to think of the landscape and, in particular, the desert landscape as being relatively static. Landscape photographers often hear comments along the lines of, “You have all the time in the world to make a photograph.” While there is some truth to this notion — yes, that mountain is likely to still be there tomorrow — things are not quite that simple, particularly at the beginning and end of the day. While the physical objects in this photograph stand still, the light most certainly does not!

This photograph was, in a sense, the result of a combination of working slowly and working quickly. Soon after arriving in this area of the dunes I saw this clump of dead creosote bushes. I thought they were interesting, but the lighting at that point wasn’t conducive to how I would photograph them. So I made a mental note about the scene and the spot and went to work on other things. A bit later the light was starting to sweep across the tops of the dunes and I turned my attention back to this subject, hoping that the angles would work out correctly to light the plants while the underlying sand remained in shadow. I waited as the light worked its way down the stems of the plants and then made the photograph during the seconds-long window just before the light struck the sand beneath them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Old Tree in Winter

Old Tree in Winter
An old and gnarled tree, leafless near the end of winter.

Old Tree in Winter. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old and gnarled tree, leafless near the end of winter.

Having a large archive of photographs that are sorted and filed by date proves useful in lots of ways. For example, this past week I wanted to remind myself of the likely conditions of a particular subject I intend to photograph soon, and by looking back a few years I was able to get a pretty good fix on the timing of a pretty significant annual change affecting this subject. It also proves useful for non-photographic purposes… such as remembering how our world was starting to close down in March of 2020 and how we responded to it.

This photograph comes from near the beginning of March last year, at a time when we were well aware that danger was on the horizon, but when we had not yet fully responded as a society. (That was about to happen, and I should be able to share some photographs that remind me of that threshold in the next few weeks.) On this day I recall pausing beneath this sprawling wetland tree and appreciating the layers of curves and various sized branches leading upward toward an extremely bright late-winter sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.