Tag Archives: sunlit

Sunlit Mountains, Sand Storm

Sunlit Mountains, Sand Storm
A desert sand storm spreads dust high into the air above a sunlit mountain range

Sunlit Mountains, Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

A desert sand storm spreads dust high into the air above a sunlit mountain range.

You might imagine that this was a quiet and peaceful landscape scene, judging by the sort light and static nature of the photograph. You would be wrong. I was standing in gale force winds, with windblown sand flying everywhere, out of my vehicle just long enough to make a few exposures.

The haze filling the air is from a sand storm that was emanating from more or less my location, and which then carried the blown sand and dust northeast into desert mountains. In some places the cloud seemed to make it all the way to the summit of the mountain range, but in this spot it was clear, even through this thick air, that the sun was still shining on the ridgeline.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Pines and Sandstone

Pines and Sandstone - Sunlit pine trees against shaded sandstone, Zion National Park, Utah
Sunlit pine trees against shaded sandstone, Zion National Park, Utah

Pines and Sandstone. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlit pine trees against shaded sandstone, Zion National Park, Utah.

This was probably one of my first photographs on my recent trip to Zion National Park (and other Utah locations) in early April. After arriving in the general area of the park in the middle of the afternoon, we decided that we should see the “high country” along the Mt. Carmel Highway that heads up and east from the main Zion Canyon and Virgin River area. While almost everything in Zion is fascinating, I find this higher elevation terrain especially intriguing – with its combination of swirling and curving sandstone shapes, carved waterways, and various kinds of vegetation. At first it was hard for me to understand how I might photograph this country, but the more I looked the more I at least started to “see” it.

Of course, I like to photograph trees like these anywhere! Although when I stopped I first photographed some sandstone formations to the left of these trees, I had noticed the trees and thought about the possibility of shooting them with this backlight against the shaded sandstone cliffs, with their red tones altered a bit by the reflected blue light from the open sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest Meets Meadow, Yosemite

Forest Meets Meadow, Yosemite
Forest Meets Meadow, Yosemite

Forest Meets Meadow, Yosemite. Yosemite National Park, California. July 28, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A small sunlit meadow filled with shooting star flowers meets the edge of a dense lodgepole pine forest, Yosemite National Park.

For some reason many of the photographs I made on my recent trip to the Yosemite high country seemed to focus on the trees and the forests, and perhaps a bit less on the rocky peaks and prominences of the park. This photograph was made in a place that is not “special” in the ways that specialness is often measured in this park. As far as I know, it has no name, though it is not too far from Olmsted Point. It is simply a little area like so many others in this part of the Sierra, but one that I feel a connection to now that I have revisited it on several occasions and gradually pushed out the boundaries of my familiarity with it.

I first stopped near this spot along Tioga Pass Road several autumns ago on an evening when fog blanketed the nearby ridges. Very close to this spot there was a break in the fog, and I could see the sunset light and its effect on the fog clouds, so I pulled over and made some photographs. A year or so later, now having an actual awareness that there was a pull-out at this spot in the road, I stopped again on a summer morning for no particular reason and saw that a faint trail headed off into the lodgepole forest that was mixed with glacial boulders. I walked a short distance out on this path and found a small pond that I photographed, and I filed the location away as one to investigate again later.

On this July’s visit, I put this spot on my agenda and made a plan to visit it early on morning after photographing first light on a nearby ridge. Because there is no single attention-grabbing icon at this spot, rather than leaving my car with a target in mind I wandered slowly into this forest and simply kept my eyes open. (And I tried not to think about the mosquitos that are always thick in the lodgepole forest at this time of year!) First I stopped at the pond that I had previously photographed; then I picked up that trail and followed it through the forest, past other ponds, and across some glaciated granite near the edge of this small meadow filled with shooting star flowers, with the light coming through the forest beyond.

G Dan Mitchell Photography
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Sunlit Wall with Textured Glass

Sunlit Wall with Textured Glass
Sunlit Wall with Textured Glass

Sunlit Wall with Textured Glass. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of a sunlit wall with textured glass windows along a street in San Francisco, California.

Yet another of the “it is sort of street photography and sort of urban landscape” photographs, this one made on a walking loop that took me through a good part of downtown San Francisco, and finally through the Tenderloin to the Civic Center. I made several photographs of the obscure glass windows of this street-level window along the sidewalk. In this one I wanted to work with the converging lines of the window frame and the vertical lines of the bits of wall between the windows.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/200 second

(Note: This was accidentally posted a day earlier along with another photograph. Reposting it today puts the block back on schedule.)

keywords: black and white, monochrome, perspective, converge, lines, frame, window, pane, textured, obscured, sticker, worn, distressed, bright, sunlit, sunlight, light, shadow, shape, structure, architecture, concrete, wall, ground, sidewalk, street, urban, city, downtown, san francisco, california, usa, north america, abstract, form, stock