Tag Archives: sunrise

Sunrise Above the Badlands

Sunrise Above the Badlands
Sunrise on desert peaks works its toward badlands.

Sunrise Above the Badlands. © Copyright 2022.G Dan Mitchell.

Sunrise on desert peaks works its toward badlands.

There are some landscapes that stump me. Even after returning many times, often over a period of years, I still find it hard to “see” them photographically. While I don’t generally have that issue with Death Valley National Park as a whole, there are a few locations where this comes up, and at least a couple of them are relatively iconic places that are visited by the majority of the park’s visitors. My feeling about both of them has long been… interesting places, but not my thing photographically. In the back of my mind, in both cases, I wonder if it is more that I still need to just figure out how to see them.

A chance comment that a friend made about one of these two locations recently stuck in my mind and I kept thinking about it on my January visit to the park. On the last morning of this trip I went to one of these place and poked around a bit. Perhaps surprisingly, this photograph includes a feature of the landscape where I have stopped in the past, looked, and kept going. This time, however, I went ahead and set up and then made a few photographs as the early morning sun was striking the high peaks to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Mountains, Before Sunrise

Desert Mountains, Before Sunrise
A canyon twists down through rugged desert mountains in pre-sunrise light.

Desert Mountains, Before Sunrise. © Copyright 2022 G Dan Mitchell – all rights reserved.

A canyon twists down through rugged desert mountains in pre-sunrise light.

One thing that has always appealed to me about the desert landscape — which for me often means the Death Valley landscape — is that the geology is laid bare almost everywhere. So many landscapes are to a great extent about what covers them — the forests, grasslands, lakes, meadows, rivers, and more. But here most of the vegetation is so sparse (or it matches the colors of rocks and soil so well) that we see straight to the underlying earth — the canyons, the colors of rock and soil, strata twisted and uplifted, runoff channels, landslides, fans, and more.

This canyon descends toward Death Valley from high in the Panamint Mountains, following a twisting path down from the heights as it links up tributary valleys and eventually forms a broad wash that spills out at the top of a gigantic gravel fan. I made this photograph before sunrise, when the soft, early light suffused the canyons and revealed subtle details that can be lost in harsher light later in the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetland Reflections, Dawn

 Wetland Reflections, Dawn
Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.

Wetland Reflections, Dawn. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dawn clouds reflected in the surface of a wetland pond, Pacific Flyway, New Year’s Day 2022.

The dawn light is remarkably fleeting. The space between “too early” and “too late” can be extremely small, and on a morning like this one I might have only moments to see what is happening in the sky, find a foreground, create a composition, and make some photographs. When the light arrived and a small group of clouds appeared in the distance, I first worked handheld with a long lens in order to narrow the view and get some flexibility about positioning the tree. Then I grabbed another camera that had a wider angle lens attached, and I made a few photographs that included more sky and water than seen here.

I have photographed in some remarkable landscape, where particular objects demanded attention. But this landscape along the Pacific Flyway is not that sort of place. To be honest, often it can seem plain and even boring. Much of the area is agricultural country, and nearby there are large cattle operations — not the most scenic or pleasant of landscape subjects. But for a few months each winter the fields flood and migratory birds return, and when the conditions are just right magic may happen.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Junipers, Sierra Crest Before Sunrise

Junipers, Sierra Crest Before Sunrise
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

Junipers, Sierra Crest Before Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.

I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.