Black and white photograph of narrow urban canyon that is Maiden Lake, in the financial district of New York City.
This street scene is in lower Manhattan, not far from the site of the World Trade Center towers. The morning light seems especially interesting on this curving street as the sun manages to penetrate all the way to the street level and the illuminated fronts of the buildings lining the “concrete canyon” are visible due to the curve.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light strikes buildings above the curving urban canyon of Maiden Lane in Lower Manhattan.
We were in this area of lower Manhattan for several reasons on the morning of the last full day of our New York City visit. We made a stop at the nearby World Trade Center site – it is difficult to explain all of the reactions that I had to this. The last time I visited (close to New Years Day 2000) we stood on top of one of the buildings to see the nighttime view – and now there is a void in that place.
We were also there to visit our oldest son who was working that day in an office on Maiden Lane – and, later on, to join the throngs walking out onto the Brooklyn Bridge. (This was our first day of clear, blue sky weather.) I made this photograph as we approached that street a bit early, giving us some time to look around a bit. Oddly, when I visit the very narrow and twisty “canyons” of this part of Manhattan, with the very tall buildings towering immediately above and following the curves of the old streets, I always think of different sorts of canyons, for example the sort that I frequently visit in the Sierra. It occurred to me that the same light falls on both types of canyons. You can bet that I would have my camera out if light like that shining on the front of these curved buildings appeared in “my” Sierra!
Black and white photograph of a street scene in San Francisco containing slanting sidewalk, brick and other buildings, and a hotel sign.
The geometric forms of this scene caught my attention as I walked up a street where many art students seem to hang out. The image is obviously full of all sorts of tall rectangles of varying sizes and colors, ranging from the small windows to the white column of the far building in the center to the bulky and dark form of the brick building on the right side of the frame. A couple of little elements also intrigued me: the juxtaposition of the parking meter and surrounding shadows and fire valves on the wall, and the parallel and slightly diagonal lines of the curb and the streetcar wires overhead.
A wide panoramic view of morning light in a dense redwood grove at Muir Woods National Monument, California.
Up next in the stitched panorama parade… a photograph make in the vicinity of Bohemian Grove at Muir Woods National Monument in the Golden Gate National Recreation Area, California. This grove is high on the list of popular places in the central and well-known section of the park, and the loop trail that many visitors hike travels right through it.
There are, it seems to me, a huge number of ways to photograph these very tall trees. Interesting effects of light filtering down from above are often a possibility. There are lots of small subjects that can be shot close up. But their sheer height is often difficult to capture. You can shoot straight up, but that creates some issues. You can (and I have) shoot in vertical format to try to include the vertical size. You can try to shoot from further back, but then the scale of the trees diminishes – plus it is very hard to get a clear line of site on these trees from any distance… unless, perhaps, you are at the edge of an area that has been logged.
So, I’ve been thinking about shooting very wide panoramas of groves of parallel vertical forms of the massive trunks. I think that this has two effects that work for me. First, when you stand before these trees and look around you mostly are seeing just the lower sections of the trees – so for me this depiction is true to the experience of being in the forest. Second, the fact that you cannot see the full height of the trees doesn’t mean that you aren’t aware of it! Focusing on these massive trunks might cause you to project the rest of the trees and the great height that isn’t included within the frame. (This isn’t the first time I’ve done this, and I’m certainly not the first person to do it.)
By the way, because the image is stitched from multiple high-resolution full-frame images, it has the potential to be printed very large at some point.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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