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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Murphy Point, Sunset

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Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street, Photographs: Wildlife

Room in Abandoned Building, The Embarcadero

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Room in Abandoned Building, The Embarcadero - The interior of an abandoned waterfront building on the Embarcadero, San Francisco.
The interior of an abandoned waterfront building on the Embarcadero, San Francisco.

Room in Abandoned Building, The Embarcadero. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The interior of an abandoned waterfront building on the Embarcadero, San Francisco.

This interior is a room in a building located on one of the piers along the Embarcadero on San Francisco’s waterfront. This one is located not far from the South Beach Harbor. It seems to be one of those old structures that was recently adapted for use by companies that had the “look” of being part of the tech boom in the city – perhaps design firms or similar. I have walked past it many times, occasionally photographing the exterior windows and other features, but otherwise not noticing it all that much.

On my last walk past this spot things had changed, to say the least. There were signs along entrances that declared that the pier had been closed, ostensibly for safety reasons, and that no trespassing was allowed. No one seemed to be inside the building, and most of the businesses appeared to have left or been abandoned. Though one set of windows I could see stacks of boxes labelled with intended mail recipients, but that mail wasn’t going anywhere! Near the north end of the building I could see into this sun-filled room, with its tall windows facing the bay and the morning sun. Almost everything was removed from the building, giving it almost the same abandoned feeling that I often experience when shooting at Mare Island. I managed to push my camera up against a window, block reflections from the street behind me with my hand, and make a few perhaps final photographs of this space.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Blow Horn and Pipes

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San Francisco - Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.
Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

Blow Horn and Pipes. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hand painted sign and various pipes and valves on a concrete wall in San Francisco, California.

This is one of those odd little photographic vignettes you can find if you poke your nose into the right (or wrong) little alleys while wandering around in a city. I have passed this general area many times before, and had often notice fenced-off or gated small alleys extending along the sides of some of the buildings. I had even attempted to photograph through the fences, but without much success. However, for some reason – or else a fortunate coincidence – on this morning most or even all of the gates were open and I could wander down along the sides of these old buildings with their interesting and weathered textures and subjects.

This collection of “stuff” was next to a door that looked like it might have been used as a loading area, so I imagine that the old “BLOW HORN” sign, hand-painted directly on the concrete wall, must have once supplied instructions to those coming to make pick-ups or deliveries. I still wonder though about the fact that the sign was squeezed in behind this has of pipes, given that there were large areas of clear wall just a foot or two away from this assemblage of pipes and valves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Tongue in Cheek

New Nikon Cameras – Should Canon Shooters Switch?

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I’ve been hearing a lot of buzz recently around the announcement of some very fine new cameras from Nikon. Among those who shoot Canon, there has been some angst about “jumping ship” and switching to Nikon. People are wondering – “Is it time to switch?”

Should you do it?

Actually, if you switch from Canon to Nikon, your photography will instantly achieve astonishing levels of beauty and effectiveness, and you will be able to print your photographs at least twice as large and with more 3D-effect, accurate rendering, and enhanced micro contrast. Viewers will marvel aloud at the lack of shadow noise banding and the remarkable freedom from distortion and aberrations in your work.

Golden hour light will become twice as golden. Pretty girls (or guys, depending) will gaze in compelling ways into your lens as soon as you lift your camera to your face. Your electronic flash will illuminate objects 2.7 times further from your camera position. Bald eagles will make at least three passes above the sunlit mountain when they see you at work, and the herd of moose will hold still in the beautiful meadow until the eagle has passed. Touchdown receptions will always occur at your end of the field and on your side of the field, with nice light from the side to highlight the handsome features of the receiver. Your children will be five times as photogenic and they will always be willing to recreate that wonderful expression that you missed the first time around – not that you’ll ever miss it if you switch! You will never miss an exposure or produce an out-of-focus shot again. The Ansel Adams gallery will be renamed: The [Insert Your Name] Gallery of Light. There will be a 3 pound 14-500mm f/2.8 IS zoom, and it will sell for well under $1000. (But it won’t come from Canon – you have my word!)

Just by asking the question, you have already set in motion a series of important events – National Geographic representatives are on their way to your door bearing contracts and generous travel expense vouchers. They aren’t worried that you’ll move pyramids in post – they know that the pyramids will move for you! At this very moment, thousands of people with expensive new gear and lots of free time are searching for your workshops on the web – you do have a web site, right? Photography companies are sending you free samples of everything they make. (Have room to store 18 tripods? Time to clean out that closet!) News of your upcoming solo exhibit at MOMA was just announced on their web site!

I’d switch if I were you. ;-)

Note: The coolest thing is that this works both ways!  Nikon shooters who think that a jump to Canon will improve their photography in wonderful and glorious ways can switch that direction and achieve exactly the same effects achieved by those Canon folks who switch to Nikon with the same goal! Except for that 14-500mm f/2.8 zoom, maybe… ;-)

(And… Thank you to 1001 Noise Cameras for sharing the link and the laughter over this one! ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.