Trees Atop the Rostrum. Yosemite National Park, California. January 15, 2011. © Copyright G Dan Mitchell – all rights reserved.
Sparse trees grow in granite slabs above steep granite cliffs in Lower Yosemite Valley.
(Note: After receiving some advice from a helpful reader – which was much appreciated! – I now know that this feature has a name. It is called “the Rostrum,” and I have retitled the photograph accordingly.)
I’ve seen these tree-topped columns and the granite slabs beyond many times when I’ve taken Crane Flat Road into the Valley. On my recent visit to Yosemite, photographing these trees in both early and late light was on my agenda, and I got myself into position to shoot them on two or three occasions.
At the right times of day – and there are at least two when this can work – the light slants across the top of the granite slabs and ledges at the top of these cliffs and catches the trees with side or back light. Below these upper slopes the vertical fluted forms of the cliffs drop nearly vertically to the Merced River canyon below. The cliffs themselves are in what I might describe as lower Yosemite Valley – think of Crane Flat Road above Cascade Creek or the area well beyond the upper end of Wawona Tunnel. There is a lot of very interesting and imposing rock in this part of the Valley, though I think it may get overlooked a bit by comparison to the truly astonishing faces and domes and peaks of the Valley proper.
Since the light changes throughout the year, and especially because the point at which the sun sets moves north as the years moves from winter to summer, I want to come back and photograph this area again a bit later in the year when I think the potential for light later in the day might improve. From my point of view, the ideal conditions might combine “golden hour” side light with shadows that reduce the detail on the forest covered slopes beyond – and without the bright snow patches that appear here. Of course, a fresh snowfall here might also be interesting…
I got a bit of a laugh out of one thing that happened when I made this photograph, though it is similar to similar situations I’ve had in the past. It is not at all unusual for lots of tourists to stop when they see a photographer with a big tripod and large lens at a pull-out along the road. I assume they think that if the photographer with the Fancy Equipment is stopping that there must be something there worth photographing. But sometime the photographer is pointing the camera in direction that must only confuse them. On this occasion I was in a spot with a classic and stunning view of distant Bridalveil Fall, and I’ll bet that many of those stopping thought they might try to duplicate my “shot of the falls.” But as they stopped and looked they may have wondered about me if they noticed that my lens was aimed at some seemingly nondescript spot perhaps 30% to the right of the fall…
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