Tag Archives: trail

Photographs: Structures and Objects, Photographs: Urban/Street

Suburban Fence

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Suburban Fence
A weathered fence along an urban trail, San Jose, CA.

Suburban Fence. © Copyright 2021 G Dan Mitchell – all rights reserved.

A weathered fence along an urban trail, San Jose, CA.

This is another in the occasional series of photographs from the neighborhood, make while on one of my (almost) daily walks. The walks are not primarily about photography, though I always have a camera with me. They are mostly about “stretching my legs” (for perhaps three to eight or more miles) and clearing my mind. Few things allow the mind to wander productively more than walking.

Years ago I discovered that having a camera in hand can alter the way we (or at least I!) see the world around me. Often when I walk I don’t regard the urban landscape with any great focus, but as soon as I think of myself as a photographer and visual opportunist I start to see things that I had not noticed. I distinctly recall a winter walk years ago when I first realized this. I headed out through the same areas that I see every day… and suddenly I saw all kinds of things that I simply had not paid attention to before: the second story of downtown buildings, shadows on walls, old tiles, patterns in the sidewalk, and more. This more recent photograph features a section of fence that I probably pass once or more per week.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Trail, Spring Morning

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Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Death Valley, Morning Haze

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Death Valley, Morning Haze
Early morning haze obscures distant mountains and valleys, Death Valley National Park.

Death Valley, Morning Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early morning haze obscures distant mountains and valleys, Death Valley National Park.

The truth of the matter is that I’ve become a bit obsessed with this view. I’ve photographed in morning and evening, in warm weather and in the middle of winter. (It gets cold on these ridges, even in Death Valley National Park.) On one occasion I was forced to turn back by snow on the route. I’ve seen utterly glorious light here, and I’ve encountered light so flat and gray that it wasn’t really worth photographing. Sometimes when I visit the park I tell myself that I won’t go here… and then at some point I almost inevitably end up making the trip.

Most often I’m completely alone here, though on a few occasions I’ve encountered one or two others. This place, and others like it, are remarkable at any time, but even more so when I experience them in solitude. Those mountains in the hazy distance are perhaps 30 to 40 miles away. Behind me the view stretches all the way to the snow-covered Sierra, and off to my left lie peaks well beyond the Nevada border. And everywhere in this vast expanse the landscape is laid bare, raw and visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Pandemia, Photographs: Structures and Objects, Photographs: Urban/Street

Fence and Gate

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Fence and Gate
A gate in a fence along a trail, photographed on a neighborhood walk.

Fence and Gate. © Copyright 2020 G Dan Mitchell – all rights reserved.

A gate in a fence along a trail, photographed on a neighborhood walk.

As I have shared in the past, during the pandemic I have cut way back on longer photographic outings, which sadly means less time in places like the Sierra Nevada and similar. (I still go to those places — carefully! — but much less frequently.) On the other hand, initially to compensate but now because it has become habitual, I’m doing a lot of walking in a radius of a few miles around our home. Walks are very close to daily events, and they vary between a couple of miles and up to occasionally as much as eight miles. Among other benefits, these walks open my eyes to local features that I would otherwise overlook. (I have informally referred to the resulting photographs as “postcards from Pandemia.”)

This photo comes from one such recent walk. The subject is simply a gate in a fence along a trail that I probably walk two or three times each week. After months of walking past this, for some reason the gate caught my attention this time. I’ve gone with a black and white rendition here — I’m leaning towards focusing on monochrome for this series now — and a very dark interpretation of the subject. For a long time all of my photographs have tended to try to put more light into the scene. Don’t expect that to stop, however I’m also starting to consider how I can explore images that lean toward darker tones.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.