Tag Archives: travel

Ross’s Geese, Tree and Marsh

Ross's Geese, Tree and Marsh
Ross’s Geese, Tree and Marsh

Ross’s Geese, Tree and Marsh. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A thick flock of Ross’s geese flies above a marsh and a solitary tree in California’s Central Valley

After a full morning (and then some!) of photographing mostly Ross’s geese at a Central Valley wildlife refuge, we took a short break for a mid-afternoon lunch and then hurried back to the refuge by about 3:30 for evening photography. One of the last things we did before taking this break was to briefly assemble at the main overlook near the entrance to the refuge, where we were a bit surprised to see lots of geese settling in on one of the nearby ponds, and from which we could look back and see still more geese at the edges of the pasture where we had been photographing them.

As is often the case on a tule fog day like this one in the Central Valley, while the fog did “clear,” the general haziness never did completely go away. Instead the atmosphere remained mildly opaque, and it glowed in the late afternoon sunlight. Looking west, it was almost hard to see into this glow, but that is the direction we looked to see the pond and beyond it some isolated trees and the wetlands disappearing into the distance. Behind us, back on that pasture, the flock suddenly lifted off all at once and the birds made a large loop or two around us. I could see that they were likely to pass by the far edge of this pond and by the silhouetted tree, so I did a “landscape on the fly,” shooting handheld with a 100-400mm zoom as the birds came into the composition that I quickly found.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Red Rock, High Country

Trees and Red Rock, High Country - Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park
Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Trees and Red Rock, High Country. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Since this has been a recurring theme in my photographs from Zion National Park in October, I think I’ll keep the commentary a bit short on this one. I made the photograph along the Mount Carmel Highway, which passes through high country along an east-west route though the park. We had a day here while on our way to our eventual destination to the east, so we decided to focus on this high country area, with its deep washes and slot canyons, autumn colors, and rounded forms of various types of layered sandstone.

In this area the sandstone was a sort of medium red – not as intense as some of the deeper strata nor as light as some of the nearly white rocks found elsewhere. This rock was finely layered in many places, and formed into a small world of ridges and domes covered with widely spaced trees. I photographed the scene in afternoon light, when the sun was shining from behind the trees and creating a sort of halo of light for each one. Because of the backlight, a bit of atmospheric haze is present and the underlying rocks take on a deeper tone. Every so often a friend of fellow photographer might refer to something they call “G Dan light,” and this is it – the light of backlit trees, photographed by shooting almost directly into the sun, with just a bit of haze.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Zion High Country, Evening

Zion High Country, Evening - High country of Zion National Park in evening light
High country of Zion National Park in evening light

Zion High Country, Evening. Zion National Park, Utah. October 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

High country of Zion National Park in evening light

As an official member of the I Love Backlit Trees club, I’m more or less unable to resist shooting straight toward the sun near the start of end of the day to capture the light illuminating the fringes of trees from behind. Yes, it is a repeating subject of mine… The high country of Zion National Park along the Mount Carmel Highway is a great place to find such light if you are observant and think about where and when to look. Especially late in the day – but not quite all the way to sunset – the light slants across ridges and hills and picks off the trees, which here are separated enough to allow the light to catch whole trees. (This is a bit harder to find among the denser forests of my Sierra Nevada.)

This sort of shooting provides some challenges. One, of course, is the potential for a very wide dynamic range between the brightly lit leaves and needles of the trees and the shaded areas that may be behind and around them. Although the camera’s metering system may not show it, the sunlit portions of the trees are often extremely bright and can easily blow out completely – and the solution is to expose less… which diminishes the light in the shadows. Several solutions are possible. Here I made a single exposure with the brightest areas just at the limit of exposure, and if I had opened up more or lengthened the exposure the fringes of the trees would likely have gone all the way to pure white. (You can allow this to happen with a few specular highlights without much of a problem, but don’t over-do it!) With the single-exposure approach, I find that the shadow fader in ACR is my friend! It does a fine job of bringing back a bit of the detail in the darker areas that might otherwise be lost. Although I didn’t employ them in this photograph, there are some other approaches that can also work. One is to use exposure bracketing – making two or more images at different exposures, usually one for the shadows and one for the highlights, which are then manually combined in post by means of layer masks. This is labor intensive but can produce very wonderful results.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Haze and Trees, Central Valley

Hazy California Central Valley light on groves of trees as tule fog clears, Merced National Wildlife Refuge
Winter Haze and Trees, Central Valley

Winter Haze and Trees, Central Valley. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy California Central Valley light on groves of trees as tule fog clears

In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!

Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.

I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.