Tag Archives: travel

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Impossible Tree Falls

June 24, 2011 G Dan Mitchell 3 Comments

“Impossible Tree Falls” in full early season flow, fed by the runoff from a very heavy snowpack, Yosemite National Park.

I don’t know if this is really called Impossible Tree Falls, but I like the name and I’m going with it. My guess is that the reason for the name might be two-fold. First, the tree does grow right in the middle of this roadside water fall. It must be an interesting few weeks each spring when this tree wakes up to find itself in the middle of a raging water fall, since the rest of the year things are much calmer. Second, the trees seems to grow on nothing but bare rock. It is hard to see in this mist-covered and back-lit image, but it looks like the tree is rooted in solid rock.

For a person who likes to occasionally think of himself as something of a back-country photographer, it is almost embarrassing to admit that this waterfall is right next to Tioga Pass Road. I’ll be honest – I parked my car in a pull-out on the opposite side of the roadway and probably never moved more than 10 yards from there. To add insult to injury, at a couple of points I had to stop shooting while passing recreational vehicles interfered with the view! ;-)

But none of that makes the tumultuous little waterfall any less impressive. It appears above the road, where it seems to come out of a flatter forest area, and then it abruptly tumbles down a very steep rocky incline, twisting and turning around boulders – and one solitary tree.

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Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Courtyard, MOMA

June 13, 2011 G Dan Mitchell Leave a comment

Black and white photograph of the courtyard of the New York’s Museum of Modern Art, photographed through windows of the museum.

Sticking with the urban New York theme for at least one more day, this is another photograph shot from a window in the Museum of Modern Art and looking out over a courtyard and architecturally busy urban scene combining older brick and stone facade buildings with more modern and taller buildings.

There are subtle (or perhaps not so subtle?) reflections in the window through which I made the photograph. These reflections are one reason, though not the only one, that I decided to render this as a black and white image – some of the shadows had colorations that did not work for me. To my mind, this photograph is related to some others that I’ve made featuring views of and through the windows of modern buildings, including this photograph from the Getty Museum in Los Angeles.

Photographs: Architecture, Photographs: New York City, Photographs: Structures and Objects, Photographs: Urban/Street

Windows, MOMA

June 12, 2011 G Dan Mitchell 4 Comments

A scene consisting almost entirely of windows and secondary reflected subjects, Museum of Modern Art, New York.

Look closely and you’ll perhaps see that this is not quite what it might first appear to be. It is something of a visual trick or joke on one level. It is some other things, too.

The bottom line is that almost nothing in this scene is actually where it appears to be or even what it appears to be. The shot was made through an upstairs window of the Museum of Modern Art in New York, and the vertical shapes are the window frame and a bit of the interior wall at the far right, with some diagonal elements of the frame at top and bottom. But the “scene” outside is entirely reflected in the windows of the adjacent building – this is actually a photograph of a single glass-walled building, not exactly a photograph of an urban scene with buildings and trees and sidewalks and people – those are all reflections in the glass of the building. Obviously, I was also having some fun with perspective lines going off in a range of different directions – the window frame lines converging to the right, the outside perspective lines converging toward the left, and the converging lines on the reflected buildings headed back to the right. There’s more, but I’ll probably get lost if I try to describe it. A close inspection – easier with the print than in this little jpg – reveals some other odd stuff here and there: double images of some of the reflected buildings, some warping and bending of those shapes, people scattered around the courtyard and some moving figures that are barely visible.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Alpenglow, Mammoth Peak

June 9, 2011 G Dan Mitchell Leave a comment

Alpenglow lights the face of Mammoth Peak beyond a small tarn near the summit of Tioga Pass, Yosemite National Park.

This was very close to the last exposure I made on this productive late-July day last year. After photographing for a few hours in the vicinity of Tioga Pass, I ended up right at the pass as the day came to an end. Braving hordes of mosquitos – comes with the territory! – I worked the area around the pass itself, building compositions out of juxtapositions of the water in the small meltwater ponds, shoreline meadow and boulders, grasses growing along the edge of the water, the surrounding pine forests, and the more distant peaks of Kuna Crest. In this photograph, what is very nearly the very last direct light of the day is bathing the slopes of Mammoth Peak, which still had a fair amount of snow on its flanks even in late July.

This scene posed a few technical challenges. First, there is obviously a great distance between the foreground granite boulder and the very distance mountain. I wanted the foreground to be in optimal sharpness, so I used a relatively small aperture to maintain sufficient sharpness on the far ridge. There was also a fairly large dynamic range in the scene, ranging from soft but direct light on the snow fields of the peak to the dark areas within the forest on the other side of the pond. I wasn’t certain that I’d be able to handle the full dynamic range in one exposure, so I made three – one longer exposure to get a bit more light from the shadows and another shorter one on the dark side to avoid blowing out the brighter areas of the sky. In post, I discovered that there was enough detail in the shadows that I could get everything I needed from a single exposure, though I had to do some work with curves to get create an image the conforms more closely to the way I saw the scene at the time.

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