Massive steel towers stand against the night sky at Mare Island Naval Ship Yard.
This is a vertical format photograph of the same series of overhead ship yard structures that I posted in horizontal format recently. As in the other, the illumination comes from very warm (verging on orange-yellow) light from nearby security lights in the shipyard. As a result the extremely hot colors of the metal structures are juxtaposed with the relatively cooler colors of moonlit night sky on this full moon night.
The structures, along the shoreline at the historic Mare Island Naval Ship Yard, were apparently used to move heavy ship components between nearby shops and ships along the waterfront. As I understand it, the yard has been out of commission for about a decade and a half at this point, and the huge mechanical/industrial structures are showing the effects via peeling paint and rust.
Night photograph of abandoned industrial buildings from the historic Mare Island Naval Ship Yard.
The building on the left is sometimes known as the “UFO Building” – not because of anything that might be stored inside, but because of a shadow in the shape of a “flying saucer” that forms on one of its walls. I thought it was the only one until I took this photo in which you might spot another saucer-shaped shadow on the wall of the building at the right.
This scene is not a particularly unusual one at the historic Mare Island Naval Ship Yard, a place that is full of old industrial buildings left over from the long ship-building history on this island. Many of the old buildings are now in a state of somewhat arrested development, but they certainly show the signs of age and lack of care – lots of boarded up buildings, peeling paint, warnings about hazards of various kinds, and so forth.
Most of the light in this photograph comes from a bank of strong security lights on the exterior of a more modern nearby building, and the yellow color is a result of the type of lighting that is used. There is also a bit of full moon light in the shadows and on the bit of cloud at the upper right, and this also explains the lighter coloration of the sky. When making night photographs in a place like this, I feel comfortable about not really trying to “capture” an objective reality of the place. To be blunt, that is pretty much impossible. First of all, it is actually so dark in many of these places that it takes a while for your eyes to get used to it. Secondly, there are so many varied light sources with so many different colorations that it is essentially impossible to “color correct” the scene – though I’m not even quite certain what it would mean to do that in a scene that we really can’t “see” with our own eyes.
The idea in my night photography is not often to capture the scene as it “is,” but instead to reflect the way “the camera sees,” a way of seeing that is quite different from our native modes of seeing. Things that occur over long periods of time (exposures measured in minutes) appear in a single frame, sometimes objects lose their definition as shadows move and wind blows, stars create streaks in the sky and passing clouds blur, and the colors are far from “natural.”
Patterns in eroded shoreline sandstone rocks at the Point Lobos State Reserve, California.
The rugged Point Lobos shoreline in places exposes some very interesting rocks, including sections like this one where layers of different colored sand stone are gradually worn away, revealing underlying layers of different colors and textures and sometimes exposing surprising color contrasts. On days when the light is very soft (or very boring!) I may seek out some of these rocks and photograph them since the softer light lets details appear that might easily be washed out in harsher light.
Carmel Peninsula is barely visible though fog beyond Monterey Cypress trees along the north shore of Point Lobos State Reserve.
This was a typical summer day in coastal California – completely socked in by a thick, gray blanket of cold, wet fog! The light was somewhat dismal, so it wasn’t a day for typical “scenic” landscape or seascape photography, though the colors of the plants and trees were saturated by the soft light and the distant peninsula faded almost to monochrome though the fog across the bay.
These Monterey cypress trees grow along the tops of the rocky cliffs above this part of the Pacific Ocean, in some of the most exposed and precipitous locations imaginable. In some spots they are left exposed to the full force of the ocean winds and winter storms, and they grow close to the ground, following the contours of the rocky terrain in ways that remind me of trees growing in exposed locations near timberline in the Sierra. In other spots they are a bit more sheltered and they seem to be able to “stretch out” a bit, as these trees do along a section of the rocky cliffs that faces more into the bay than out to sea.
The bay holds the outlet of the Carmel River, and the peninsula visible across the water in the distance is the coastline of the town of Carmel. The foreground trees are within the boundaries of the Point Lobos State Reserve.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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