Entry door to old bunkers at Mare Island Naval Ship Yard.
I was surprised to find this bunker door open. Typically this area of old cement bunkers at the historic Mare Island Naval Ship Yard seems to be sealed up tightly – in fact, most of the doors (or what I presume to be doors) have been covered with metal plates. Although this images has the look of soft daylight, perhaps that of an overcast day, the effect is the result of shooting during very late twilight when there was a combination of diffused light from the sky and some artificial light spilling into the scene from nearby.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Concrete bunker walls with painted sheet metal panels in evening light – Mare Island Naval Ship Yard.
I think I’ll go ahead and classify this as a night photograph, though it is on the margin of what qualifies. If you notice from the technical data that it is a 30 second exposure, you may be more convinced. Almost every time I do night photography at the historic Mare Island Naval Ship Yard across the water from Vallejo, California I start near this collection of concrete bunkers near the so-called “historic core” of the ship yard. I’ve long been intrigued by these mysterious looking structures and the foliage that now is beginning to grow around and top of them, but it has been difficult to figure out the right light for shooting them. On this visit we gathered at about 8:00 p.m. which happened to be a few minutes before sunset. As twilight came on it seemed like I might get an interesting combination of fading light from the dusk sky and some artificial light, so I wandered off among the bunkers and shot for a while. The painted-out grafitti was something that I hadn’t see here previously, but the paint patterns in tones of blue – augmented by the blue-ish evening light – seemed to make an interesting contrast with the rough and weathered texture of the concrete walls.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
The light of the rising full moon illuminates the ruins of the old bank building against a star-filled sky in the ghost town of Rhyolite, Nevada.
I have photographed the ghost town of Rhyolite, Nevada on several occasions in the past, but always in the very early morning. (I have a habit of hitting Rhyolite before dawn, shooting as long as the light allows, visiting Beatty for cheap gas and breakfast, then heading back to Death Valley via Titus Canyon.) I have wanted to try photographing the location both at sunset and under a full moon, and the timing for both worked out on my late March visit to Death Valley National Park. Late on my second afternoon I headed east out of the Valley and over the pass and arrived at Rhyolite before sunset.
I spent some time wandering around the familiar locations in the unfamiliar late-day light. In the end, my suspicion that Rhyolite is more of an early morning location than an evening location seemed to be confirmed. At this time of year the sun sets a bit too far to the “right” as you look west, and the the light is blocked by a low hill at just the time it would otherwise become interesting. I did make some photographs of the ruins of the ghost town in the fading light… then I settled in to make a few night photographs of the tall bank building ruins.
I’m thinking of this as sort of a practice run for a return visit for more Rhyolite night photography. I think that the full moon timing has potential, but I want to try again and think more about the placement of the structures relative to the North Star. One more thing… when I arrived there was essentially no one else there. Soon a couple other photographers showed up, but the place was still relatively deserted. Then, after dark, I was surprised when a number of cars showed up. There was apparently some sort of night photography workshop visiting the place – perhaps I shouldn’t be surprised that they acted like they owned the place and that the rest of us didn’t matter. Most night photographers would know better than to drive into a shooting location with headlights blazing, and they might ask photographers who were already there if their light painting would interfere with shots underway. Just sayin’…
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Very old and worn out garage details in the Mission District, San Francisco, California.
Another (perhaps the second-to-last) in the series of photographs of these old and very worn garage doors found in a Mission District ally in San Francisco.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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